Archive for the ‘Commentary’ Category
Wednesday, September 14th, 2011
If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.

I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.

In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.

Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.

We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike's blog and learn about his workshops here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats

Tags: Macro, Mike Moats, Nature Posted in Commentary, Creativity, Landscape, Macro | No Comments »
Wednesday, September 7th, 2011
Here’s a common question: How many shots do you take on location?
I generally shoot lots of images – but as I shoot, I delete the ones that aren’t worth keeping. Let me walk you through a typical morning shoot.
I’m up bright and early, ready to shoot. Here I am at Graveyard Flats in Banff National Park (Alberta, Canada). Lovely mist is rising, and the world looks positively blue. The sun isn’t up yet, so I set up my camera for a long exposure. I take my first shot… maybe it’s a little underexposed, so I take another to correct the damage. I will compare the two images, and then delete one of them. I might take another shot or two from a different angle. But each time I shoot, I compare the tiny image on my monitor, check the histogram, maybe even zoom in to check the focus… and delete any image that isn’t quite right. When I get home, I choose the one that looks the best and delete the others after I’ve processed. (ISO 100, 20 seconds at f/7.1)
The light changes as the sun nears the horizon, and I want a shot that shows the strange landscape surrounding the lake. So, I set up my tripod for another shot. I follow the same steps, and I’ll pay close attention to my histogram. I need to make sure that I’m capturing the entire range of light as the sky gets brighter… and that my shadows aren’t too dark. The histogram shows me that I need just one image for this photo – but I take two anyway… one a little brighter than the other, just to make sure. In the end, I don’t need that brighter shot, so after processing, I delete it.

While I’m waiting for the sunrise, I try out a couple of compositions. This one survives because of the mist still hanging around the mountain, and the appealing curve of the lake… but I’m hoping for something better.

Now the sun is rising over my left shoulder. I’ve been waiting for the sun to light up the top of the mountain because I want to capture its reflection in the lake. My tripod is already set up with one leg in the water at the edge of the lake. I’ve found these interesting stones that make appealing foreground objects, and I have my camera set up low and as close as possible. I’m glad to see a little bit of mist still hovering at the base of the mountains, and although the sky is clearing, I still have some pretty little clouds hanging over my mountain.
 At this point, I might have 10 or 15 shots from this location. A few bracketed images, a couple of different angles and compositions, and shots from different times. When I get home, I’ll pull the images off my card and compare them at a larger size. In this case, I end up processing four images. And then, I take this last shot and convert it to black and white. Everything I haven’t used gets deleted. In the end, the file for Graveyard flats contains 9 files… four RAW, 4 processed color tifs, and a black and white tif.

Five processed shots. Typically, just one will end up on my website - and the rest will never see the light of day… unless someone asks specifically for an image from this location.
I know so many photographers who shoot thousands of images at each location – and if that’s what works for you, by all means, keep doing it! For me, the problem with that approach is that I can’t process all those photos. So, if I shoot and keep that many, most will never get any attention. Worse – the good ones get lost in amongst the junk. On an average day, I’ll leave a location with 2 to 5 images (maybe as many as 20 if I’m bracketing). Even if I visit several locations in a single day – and get great skies all day long – I won’t end up with more images than I can handle.
So the question is this… how hard is it for you to delete photos as you shoot? I know lots of photographers who won’t delete anything until they see the image at full size on a good monitor… and others who don’t delete at all. Ever.
Do you come home with 50 shots? Or 5000?
Varina Patel, with her husband Jay, are professional nature photographers and are frequent contributors at Naturephotographers.net. To see more of Varina's work, visit her website at photographybyvarina.com. Jay's website is here: jaypatelphotography.com.
Tags: canada, Jay Patel, Varina Patel Posted in Articles, Commentary, Creativity, Landscape | No Comments »
Monday, August 22nd, 2011

How often do you see photos posted in online forums or hanging in a gallery, accompanied by a description wherein the photographer recounts the miles hiked, grizzly bears fought off, violent storms encountered and years of preparation before they were finally able to create the image before you? I see it on a regular basis. Usually, I have no doubt about the authenticity of the story. Other times, the claims are a bit dubious. Regardless, a recent experience left me wondering whether the effort expended to create an image is somehow tied to the value viewers place on an image. Is a photograph made deep into an inhospitable wilderness more inherently valuable or artistic than an image where the greatest physical effort expended was simply pressing the shutter button?
The image you see above was not photographed in a wild and remote location. I didn’t backpack 30 miles wearing a 100 pound backpack in stinging rain with lightning crashing all around. No, all I did was pull to the side of I-80 so my son could go pee. I saw potential in the cracked mud, mountains and ominous sky so I casually strolled to my truck (in flip flops) where I reached in, grabbed my camera and tripod, then walked 30 feet to the very spot where this image was made. My biggest challenge was wrangling a persistent 2 year old who was intent on peering through the viewfinder and making his own photo while I tried to nail the composition before the fast moving storm in the distance was upon us.
I posted this image on flickr and, to date, it has received 793 views, 41 favorites and 21 comments after flickr added it to the explore page. If you’re familiar with flickr you’ll understand that 800 views is nothing compared to what truly popular images receive. For me, it’s a bunch. I didn’t mention that I made the photo mere feet from a busy interstate with cars and semis whizzing by at 80 MPH. I wonder if I had, would the photo have received so many likes and comments?
Read more about Bret and get info on his upcoming fall workshops here.
Tags: flickr, landscape photography Posted in Commentary, Creativity, Landscape | 1 Comment »
Thursday, August 18th, 2011
Anthony's Nose, Hudson Valley
“The challenge is to focus on the work, not on the fear that comes from doing the work.” – Seth Godin
The ability to accomplish anything in life is directly tied to your convictions and confidence. The talent lies not in some innate genetic disposition, but in learning to see past the minds own limited perspective. But there is another element that is often overlooked – generosity.
Many of my accomplishments were the result of throwing caution to the wind, trusting my instincts, and slowly learning that I could accomplish whatever I set my mind to – regardless of my fear. Here are two ideas to commit to heart – NEVER doubt yourself and think BIG – things I’ve done throughout my life. There will be significant setbacks and disappointments, but out of that growth and experience, the kind that really makes a positive difference.
BUT, I still struggled and wondered why it was so hard to do what I loved to do – photography. Then I started to think differently about my goals, my failures, and started focusing on what matters – doing the work. Now when I see others that have the ability but fail because of commitment or execution, it makes me frustrated, but more than that, it makes me want to help.
Much of what I have learned has come from asking for help. When I have asked for help from others, I accepted that help without reservation and didn’t let my ego interfere. This serves two purposes – it keeps me humble, and it reminds me to help others along their path. And nothing will bring you closer to achieving your goals than generosity. Sure it may take longer, and in our culture of instant gratification, this will not be a popular option. But the results will be so much more valuable and lasting.
The Importance of Generosity
On a workshop
In my opinion, there is no better feeling than being generous, and I have not been disadvantaged by this in any way whatsoever, on the contrary it has enriched my work and my life. I give my knowledge freely and without waiting for anything in return. Then I try and accomplish my own goals, no matter how far fetched they are – simple concept, yet not always easy to practice.
Your income is determined by how many people you serve and how well you serve them. – The Law of Compensation – Little Go-Giver Book
Think about what you want to accomplish in your life – whether that involves photography, work and business, or personal issues. Then think about how you can help someone else in some small way. I can guarantee you from personal experience that once you think this way, you goals will begin to move towards you faster than ever before.
Check out Robert's website for images, workshops, webinars and more: LINK

Tags: Acadia, books, business Posted in Commentary, Viewpoint, Workshops | No Comments »
Monday, August 8th, 2011

MONARCH BUTTERFLY WING SCALES
One of the things I love about photography is it appeals to both the geek and the artist in all of us. On the geek side you have the technical considerations of making an image; the f-stops, shutter speeds, depth of field, histograms, dynamic range, and that hyperfocal distance stuff that we must all master in order to communicate our vision. Of course we can’t forget about all the ‘geeky’ gear, super telephotos, focusing rails, tele-converters, extension tubes, fill flash, and such. On the artistry side things are a little tougher to define, shape, color, composition, mood, balance, and that fickle mistress light, to mention just a few.
To make a great photograph you have to find the balance between the geek and the artist. If you lean too much toward the geek your pictures, while technically perfect, can lack emotion. They may not reach out and touch the viewer; they can be missing a mood or feeling. Conversely, too much focus on the artistry at the expense of the technical may leave your work riddled with technical flaws distracting the viewer from your message. Most photographers tend to lean in one direction or the other, some are master technicians crossing every t and dotting every i in their images. While others have a flair for the artistic not having the time or desire to bother with all of that technical stuff. A truly great photographer finds a balance and mastery of these two opposing disciplines.
The best photography communicates with the viewer. It reaches out and touches them in some way. Your message does not have to be some deep life changing affirmation. It can be something as simple as, “Wow look how pretty this is!” The most effective way to communicate your message is without technical flaws that distract the viewer from your message. The most powerful way to reach someone is by touching their soul with your artistry.
Browse Steve's wonderful images, read his blog, and learn about his incredible variety of workshops at his site www.stevegettle.com
Tags: Art, technology, viewpoint Posted in Articles, Commentary, Creativity, Vision | No Comments »
Thursday, August 4th, 2011
 Cymbidium Orchid ~ The curved lower petal caught my eye. Image © 2010/Denise Ippolito Photography
When I go to a place like Longwood Gardens in Kennett Square, Pennsylvania it is important to stay focused on which flowers I will be photographing. After I scope out the flowers that initially appeal to me I begin to carefully consider the lighting, color, texture, backgrounds and shape. I will then go in for a closer look. I am searching for an element that will catch my eye; a curled petal, interesting texture, a water drop, etc. Once I find my subject I try to capture it in a way that appeals to me. It is most important to me that I like it and I don’t try to conform to someone else’s idea of what a flower image should look like. I also never worry about whether or not it will sell. I concentrate on trying to make that one feature that initially drew me in, to stand out in a special way. Once I have zeroed in on something I work on my composition. I decide if I will go in tight, on an angle, back my lens out, etc. This will most likely depend on the back ground. I like to use the surrounding flowers as an artistic back drop to my composition. Sometimes adding a flower in juxtaposition can add to the overall image design. I may also think about just using only the color of the flower as the background which can work out nicely. I think about whether or not to completely blur it out or to leave a bit of a textured look. Hand holding my camera allows me the flexibility needed to create a pleasing composition. Even if I decide to use a tripod I will first hand hold my camera to find my composition.
Often that one small curled edge or interesting leaf will be enough to get my creative juices flowing. I need to be inspired by what I photograph. If I have no interest in it I can’t get creative. So create images that you like. Find what inspires you!
You can see Denise's website at www.deniseippolito.com.
Denise also has a new ebook in the store: My First Impressions of Bosque del Apache.
Tags: Creativity, Macro Posted in Commentary, Creativity, Macro | No Comments »
Thursday, July 28th, 2011
Light Mind, Rockefeller Preserve
Canon 1DS Mk III, 1/3 @f11, ISO 200, 24mm (EF24-105 f/4 L)
I’m always drawn to textures and colors, especially when the light helps accentuate them in an image. Back lighting is probably my favorite light to work with, though it is also the most difficult in my opinion. But there is no better way to bring out dimension and depth that really helps a viewer “step into” the scene photographed, both visually and emotionally.
I used an 2 stop graduated filter in the field to darken the sky, and then used Lightroom to dodge some areas around the trees that became too dark. I haven’t printed this image yet, but for sure the rich detail deserves at least a 24 x 36 print. I’ll share the specifics of how I print it, what paper I use, and how it turns out – thanks for reading!
Check out Robert's website for images, workshops, webinars and more! LINK

Tags: lightroom, Photo of the day Posted in Commentary, Landscape, Vision | No Comments »
Friday, July 8th, 2011
“Practice does not make perfect. Only perfect practice makes perfect”. …………….Vince Lombardi
 I have a degree in music. I was a professional musician in and around New York City until 1989. In 1989, I played over 175 “dates” and made a considerable amount of money. 1989 was also when it was “Been there, done that” time in my life. That’s when I really moved into photography and used this medium to express myself, much like music.
To be a good enough musician to make it, one must practice, practice and then practice some more. You had to “know your Ax”, as we musicians used to say. The musicians local 802 directory in NYC was as big as a phone book. You had to be a good player to make it there. I still practice every day, but now with my camera.
Being just OK is not enough in music, or really any art form, to make it. In music, there are lots of great players at every turn, looking to take your job. All the silks you need come from wood-shedding and continued learning. Photography is no different.
As part of my photography workshops I constantly preach that we need to be able to get around our cameras, know each function button and what they do like the back of our hand, that way our right brain or creative side can function at capacity. This takes practice. Unfortunately, I see folk buying expensive equipment, myriads of software, the latest lenses etc., all looking for that “magic pill” that will make it all fall into place. Sorry folks, it does not work that way. It takes practice. I used to enjoy seeing the younger guys coming into the music store on 48th Street in NYC trying out new mouthpieces, thinking that a new mouthpiece was the Holy Grail. When I play my trumpet today; I still use the old Vincent Bach,Mount Vernon 1C (for you trumpeters) that I’ve used since high school! Believe me, it isn’t the mouth piece. It’s not the new gear that we have available today. Its practice and honing your skills.
I was introduced to perhaps the greatest trumpet player to have ever lived at an early age. His name was Rafael Mendez. What a life this fellow had. He was born in Jaquilpan, Mexico 1906. It is told that he practiced more than his father allowed, but he practiced. In 1916 he became the bugler to the famous guerrilla leader, Poncho Villa and was drafted into the Mexican Army. Villa demanded that Mendez stay with the rebels even after the rest of his family was allowed to return home!
Mendez came to American the early 1930’s, taking work in automobile factories in Detroit. He moved to southern California in the mid 1930’s and by 1940 was THE most in demand trumpet player in Hollywood. Decca records offered him a 12 record contract, unheard of for a trumpet soloist during this time.
OK, why an I telling this story? Mr. Mendez is no different from what successful photographers should be… perfectionists. Please turn up your speakers and listen to what Mr. Mendez says in this short black & white video. Think of how to apply his words to your camera and to photography. There is no difference. You will be a better photographer is you follow his words. ( and does not he play like anything you’ve ever heard?) http://www.youtube.com/watch?v=gUij8FCg0z8
Note his opening line. “There are no shortcuts to learning how to play a trumpet. It takes practice”. The same goes for photography. This video says it all. I can not add more. I suggest that we think about what Mr. Mendez says everyday, as we strive to improve our craft.
FINE TUNING USING TODAY'S TECHNOLOGY
There is a story, as there are many about Ansel Adams. When he was about 80 years old, one day he was printing one of his “classic” masterpieces. He finally waked out of the darkroom holding the print he made exclaiming “I finally got the print I wanted when I made the negative” What was amazing is that the image he printed was captured and and first printed by Ansel when he was 30 years old!
He was still finding ways to improve his work.
Though most viewers will never notice, I often find myself adjusting my master files using today’s technology before posting an image or making a print. I am totally committed to ongoing improvement and learning. In addition, my vision in some respects has changed over the years. Conversely, sometimes after working on the image for a few minutes I realize there’s nothing I can do to improve it, for my taste. I’ll leave it as is.

Recently I was working on the image on the left. This location is looking north toward San Francisco Bay on the cliffs of the Marin Headlands in California. I worked a bit with the color range, and used the eyedropper tool in Photoshop in a separate layer. By adding a very small curve in a separate layer, I was also able to bring out some detail and slight color enhancement not present in the original Ilfochrome print. I also was able to bring down the color in the water just a bit to balance the colors more evenly. By adding a bit of sharpening, and as usual some subtle “tweaks” offered by Nik Software, I think that I was able to revive this image quite a bit.
I suspect that someday, I will work on it again with newer technology… but then again… maybe not.
Read more about Jack on his website here, and learn about his workshops here.
Posted in Commentary, Viewpoint | No Comments »
Tuesday, June 21st, 2011
Zen Trees
Nothing has influenced the way I see in nature more than learning to work with light, and its many qualities. This seems to me like an endless process, one that I will never be able to complete in my lifetime. Yet each experience I have teaches me something profound, both mentally and emotionally.
Working with light is photography at its essence, where everything else is stripped away and all that is left is your vision and intuition about how to convey what you feel. I know, we all want to know more about settings, lenses, exposure, best use of everything we have in our camera bags. So at the end of the post I will share the details.
We are so distracted by the technology and complexity of digital photography these days, that this essence is missing most of the time. So here’s a useful exercise- put the magazines down, shut the computer off, put a camera around your neck with one lens (yes, leave the backpack home), and find your favorite spot in nature close to your home.
Then just look. (Feel free to substitute look with watch, see, feel, and breathe)
Observe how the light changes throughout the day, or in different weather conditions. Study not only what it does to the landscape around you, but how it affects you and your emotions. Notice how the same tree can evoke different feelings, and symbolize different ideas based on your own perceptions and experiences.
This level of thinking requires passion, study, time, and more time. Is it worthwhile? Only you can answer that for yourself. What does photography mean to you, and most important, why do you photograph? This is a question I have asked here more than once, but for me deserves re-thinking every day.
Zen Trees is an image I recently made while hiking during heavy fog conditions. Working in fog is difficult, since the direction of light, the little that there is, is crucial to the success of the image. The same ideas apply as in direct light, but here they are so subtle, and the light so soft that you really have to watch how it changes carefully.
Also, the drama that we normally have with direct light is not quite the same, so composition is crucial. Here I was just trying to emulate many of my favorite landscape paintings, where the light is soft, yet the forest is seems lit from the side so that shadows are minimal. Color was also on my mind as I tried to frame the different shades of green to greatest effect.
Camera settings are 1/40 sec, f/4, 32mm, ISO 800. It was relatively dark, so I wanted as fast a shutter speed as possible to minimize leaf movement. A forest scene is more forgiving with higher ISOs, so I wasn’t worried about using 800 on this camera, which I know has great high ISO performance. (Knowing every aspect of your gear is important here).
The rest is just working with the composition until it feels cohesive and, but also with some tension created by the strong pull of light in the top left, and balanced with the rocks lower right. Failure is a greet teacher.
Remember the tools are here to serve us, and not the other way around. Knowing and understanding this is not enough, you must apply it in real life – maybe the next time you go out to make photographs. I hope these thoughts and ideas are helpful, thanks as always for reading!
Check out Robert's website for images, workshops, webinars and more! LINK

Tags: Craft, Mohonk, Photo of the day, Robert Rodrigu, robert rodriguez jr, trees, zen Posted in Commentary, Creativity, Viewpoint, Vision | No Comments »
Monday, June 20th, 2011
I see many times people posting interest in taking their hobby of nature photographer to the pro level. Myself and I’m sure other pros have people that contact them asking for advice on what it takes to make a living in this field. My response is that from my experience it’s a seven day work week and can be tough on your family life. I work about forty weekends a year so any family birthdays, holidays, christenings, father and mothers days, sports, concerts, etc, are many times missed. This is much like the entertainment world, pro athletes, traveling salesman, or any other profession that requires you to be on the road many days a year.

Nature photography is one of the toughest fields of photography to make a living in. I’ve found that for me being diversified is the key to making it. Having multiple streams of income keeps the money flowing. Those streams all take a lot of time to keep them flowing.
Marketing is number one, nobody knows you’re alive and in business unless you tell them. Shameless self promotion is something you have to get used to and you need to be the type of person that doesn’t mind this type of marketing as some would consider this bragging about yourself, but it’s just getting the word out that you’re in business and having some success at what you’re doing. I spend a lot of my time marketing, I write a daily blog post, moderate on two photography sites including my own “Macro Nature Forum”, post images, post on Facebook and Twitter, and reply to photographers sending me emails with questions.

I display my images in about twenty art shows a year. This takes up twenty of my weekends, many away from home. The shows start in May and run until October and consume almost every weekend for those months. Some of the shows I’m gone on Friday and return on Monday, leaving me Tuesday, Wednesday, Thursday, to print, package, and pack for the next weekend. During the winter months I’m going though the process of applying to these shows, which is filling out applications, sending images for the jury process, writing out checks for show fees, etc, keeping it all organized so I have a show every weekend. Taking time to keep track of materials and doing all the ordering and always trying to find the best prices. During the winter when I apply to these shows the jury fees and booth fees run about seven thousand dollars, which I won’t see again for months.
During the art shows off season I’m presenting my workshops. I do about twenty workshops which are on weekends. This take time promoting the workshops, adding them to my website and blog, sending out emails and post cards, posting them on nature photography websites, posting on Facebook, etc. Working with the hotels on setting up rooms for the workshop all across the country. Planning the workshops and how they will run. Shooting images for examples in what I’m teaching in the workshops, and constantly updating the material presented at the workshops. Many days each year are spent on the road driving to and back from the workshops and art shows.

Wow, I’m already tired and I haven’t scratched the surface on what I do. While all this craziness is going on with the art shows and workshops,
I have to maintain my moderator duties online.
I work with art consultants that buy images for their design projects, print the images, package, ship, and invoice them.
I contact companies that would be willing to sponsor me, work with them when they need images for ads, photo conventions, sometimes even go to photo convention for them. I send them promos for my workshops that they can list on their websites.
I do online workshops, which takes time again promoting, critiquing the participants shooting assignments.
I have a how to macro book that took time to write and have printed, I have to maintain stock at Amazon, maintain on my store front sales, packaging and shipping to customers.
I have five e-books completed and am working on more. Again more promotion, sales and sending the e-books online. I also make them into CDs to sell at the workshops and art shows.
I’m working on how-to macro videos for You tube.
I travel and present programs for camera clubs, photo conventions, garden clubs for flower photography, have done some at REI stores.
Send submission to magazine with article ideas, and once accepted working with the mag to set-up the article and images. Invoice them.
Send out information introducing myself to new art consultants, interior designers, calendar companies. etc. reply to their emails as they contact me asking questions about pricing, printing, etc.
I maintain a blog which I write and post as frequently as possible and I write when possible for Tamron’s blog. Post on facebook any updates on workshops, art shows, and any other happenings.
Maintain a website, posting new images updating art shows and workshop schedules.
I will visit and sell through art galleries, so time is spend traveling to the galleries maintaining stock.
I have companies that contact me for stock images, negotiate, send files, and invoice them.
I get to beta test new products for companies, and they always wait till the last minute to send you the product and need a response NOW! Take time to work with the product, Email back and forth with response.
I have charities that call and ask for print donations which I always do. Deal with emails, set-up time to make contact with prints.
Take care of all the accounting, sales, taxes, keeping track of cost of running the business.
Working toward setting up webinars for live how-to macro workshops online.
Wow, all this work is making me tired, I need a nap.
Now are you starting to wonder why I haven’t mention anything about shooting. As you can see there is not much time left to shoot. It can be frustrating and hard to schedule time to shoot, as you have probably heard most pros say that the business takes up ninety percent of their time. I do make time to shoot but it has to be scheduled at the peak times which for me are the spring and fall. The summer I almost never get out to shoot as the art shows consume so much time.
I have to say I’m pretty sure there are a few more thing I do, but I think you’re getting the point. If I tried to make it on any one of these streams alone it would be tough, but with a little income coming from all these streams I do very well, but I sacrifice a lot of time and family life to maintain this business.
I have to say even with all the work I do I can’t wait to wake up in the morning at five o’clock and get to work! I wouldn’t trade what I do with anything else. I always tell people where else can you work where people are complimenting you while handing you money!
Good luck if you give it a shot.
You can visit Mike's blog and learn about his workshops here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats
Tags: Mike Moats, Nature Photography, photography business Posted in Articles, Commentary, Macro, Viewpoint | No Comments »
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Keep Your Eyes Open For Cool Stuff
Wednesday, September 14th, 2011If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.
I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.
In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.
Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.
We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike's blog and learn about his workshops here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats
Tags: Macro, Mike Moats, Nature
Posted in Commentary, Creativity, Landscape, Macro | No Comments »