Archive for the ‘Creativity’ Category

We Have A Winner in the Snow Monkey Caption Contest!

Friday, January 29th, 2010
 

"Before that Nat Geo spread you could have this whole place to yourself … now just look at it!"
–Tom Twigg

Our friends at Digital Photo Experience, Rick Sammon and Juan Pons, have judged the best caption for our contest, and picked Tom Twigg's caption above.  Lucky ( and creative) Tom gets his choice of NEOS Overshoes!

We're leaving all the entries up for your reading pleasure.  This contest was a blast, and we'll repeat it with a new image in the future!

Congratulations to Tom, thanks to Rick and Juan, and thanks to Martin Bailey for such a fine image!

 

Snow Monkey Caption Contest
 

The Struggle To Remain Focused

Wednesday, January 27th, 2010

Go on any photowalk, attend any workshop, or just put several photographers in the same room, and inevitably, what happens? Fanatical debate and banter on subjects such as gear (camera bodies, lenses, tripods), workflow (Lightroom vs Aperture, CS3 v. CS4), or philosophical topics (Is photography art?, to HDR or to not HDR, convergence between video and stills) and so on.

TS1
 
Now don’t get me wrong, there is a time and a place for all of these topics. Nevertheless, sometimes we as photographers become so entrenched in our position and defense thereof, that we lose focus (pun intended) of more important matters.
 
Although we may have entered photography for a variety of reasons, we all enjoy showing our work to others. Show your work long enough (and to enough people), and you begin selling your work. Those of you keeping score at home, those “people” just became your “customers”.
 
If you thought selling one image took work, remember that a business survives on repeat customers. This means now that you’ve shown your work and made a sale, you really need to target and market yourself to your customers. This is something that takes time, research, and most importantly, focus.
 
Understanding your customers, knowing your competition, knowing how your customers find you (website, Flickr, Twitter, Facebook, yada, yada, yada) are important components to any photographer who is intent on selling images. Once you understand them, you then have to develop a plan to market yourself and your work (yes, those were intentionally separated) to your target audience.
 
You put time and effort in to selling your work, and you get a repeat customer (or a new customer, it really doesn’t matter) who is interested in purchasing your work. Hooray! Those of you seasoned folks know this, but for you new to the selling game, let me let you in on a secret… the aforementioned customer does not care what gear was used to make the image, what post processing steps/tools you utilized, or whether you think HDR is good or bad. Customers buy prints because of the emotional response they have to your work. Plain and simple.
 
Have you ever lost a sale because you didn’t shoot with a 5D Mark II or a D700? I didn’t think so. The gear and the process (and even the philosophy) are nothing more than tools you use to make your work. To put it another way, a hammer is a hammer is a hammer. What you use the hammer to create is what is important.

TS2
 
I am not trying to assert that these heated debates are not without merit, quite the contrary. However, I will take the position that too many in the photographic community spend too much time defending their position and attacking the other side. Countless hours are lost to the defense of topics, which from the customer’s perspective, do not matter.
 
Photography is not an easy business. There are more and more talented people picking up cameras every day. This means your competition is rising. As you find your niche and continue to market it, remember, that if you do not take care of and continually target your customers, someone else will.

Better to spend the discussion ferver on your customers and remained focused.

You can check out Ted's work on his website, follow him on Twitter, and purchase one of his wonderful calendars on Amazon.
 

Happy Holidays from all of us!

Thursday, December 24th, 2009

All of us here at Outdoor Photo Gear would like to wish you and yours a happy and peaceful holiday season.

Wallpaper_icon1As a small token of our appreciation for your support this year, we asked our vendors and contributors to forward us some images you can use for desktop wallpaper.  You'll enjoy these wonderful images dressing up your screen.

Just follow this link for a zip file, and enjoy.  Wallpaper

Three Things You Should Know About Creativity

Monday, November 23rd, 2009
PB040066T

All Rights Reserved

Creativity is a big concept for a photo blog. We spend so much time fighting upgrade fatigue, learning new software, working out new techniques that we often have very little time for creativity. But just taking note that we need to think about creativity isn’t enough. How do we go about it?

Everyone goes about being creative differently. What works for me might not work for you, but I’m going to just share these thoughts on creativity with the hope they will help you concentrate on something other than the next lens you think you want to buy.

For me, creativity is about removing artificial limits. And I think most limits are self-imposed. More precisely, these limits are directly tied to low self-esteem. Now I know you might be thinking, what’s that have to do with creativity? In my experience lots.

We put boxes around ourselves and make decisions that hamper our growth because often, as artists, we don’t really believe in ourselves. How many times have you thought you were just faking it? Or have you ever just assumed that you weren’t good enough? These thoughts murder your creative spirit and you get started on a more creative path when you stop that behavior.

The creative process can start to open up once you just trust yourself. If you empower yourself to try something different and give yourself permission to fail, you become more creative. Don’t make the metrics of success or failure the guidelines by which you proceed. Instead make experimentation, expression and joy the metrics.

The second big point of contact for me is authenticity in my work. If you can start to look at authenticity, rather than originality, you will become more creative. I learned this concept best by listening to John Paul Caponigro. He was talking about other art forms and mentioned that in Asia for instance, artists don’t worry about coming up with something new, they work within an existing form and try to expand it. When I read the photographic forums, the younger photographers seem to beat their chests the loudest and proclaim their creativity simply because they did something “new.” Usually what they did wasn’t new at all, but rather new to them. But it doesn’t matter. Worrying about doing something new ends up stunting creative growth. Being creative does NOT require doing something new. It requires doing something that is authentically your real personal and true vision. If you take away anything from this blog post, I hope it’s that.

Lastly, creativity is about choices. The choices can often be based on a few dynamics like tension, juxtaposition, conflict and resolution. These are good tools in a creative environment. But sometimes, you learn most of your creative ideas from pure experimentation. Free-form music – called jamming often lets musicians come up with their best sounds. Writers use free-association and brainstorming to come up with their best words. Why shouldn’t photographers use their own brand of visual experimentation to find their own visual creativity?

To sum up – if you want to be more creative, start loving yourself enough to give yourself permission to fail. In fact, better yet, don’t even worry about winning or losing. Just DO.

Don’t focus on NEW – focus on authentic. Being original isn’t being new – it’s being you.

And riff. Go out there and jam. Try this and that and then invert it all. Go crazy. Do something you’ve never tried.

I wrote this post as much for myself as I did for you.

scancafewide

The Colors You Use in Your Photos Set a Mood

Thursday, November 19th, 2009
by scottbourne

Copyright 1998 Scott Bourne - All Rights ReservedCopyright 1998 Scott Bourne – All Rights Reserved

Did you know that color symbolism plays a big role in everything from religion to culture? Have you stopped to think about the colors in your photos and how they might (or might not) mesh with the subjects you’re photographing?

Let’s look at some primary colors and talk about the mood they help to convey.

Red is a stimulating, engaging color. It denotes action, passion, romance, energy, heat and power.

Blue has the opposite effect of red in many cases. It’s calming, quiet, peaceful and cool.

Yellow is the brightest color of all. It’s very uplifting and cheerful. In some cultures it conveys wisdom. It’s radiant.

Green symbolizes renewal and has some of the qualities of yellow in that it is uplifting. It signifies a new beginning.

How can you use this information? Be mindful of the mood that you’re trying to set. If you want to shoot a lake on an overcast day, during the cold winter, be careful about interjecting something red or yellow into the scene since those are in conflict with the calm mood. Get the idea? Feel free to share other examples in the comments section.

Connecting with your subject

Tuesday, October 6th, 2009

The most compelling photos are those that create a connection between your subject and your viewer. This not only applies to wildlife photography, but just about every other type, such as portrait, wedding, human interest, travel, Photojournalism, etc.

As the old cliché goes, “You never get a second chance to make a first impression”, so make sure your viewer connects with your image right from the get go.

The most effective way to create that connection is to maintain eye level with your subject, I am always amazed by how so many people will take images from a standing position without regard to their relative eye level to their subject. I see this all too often when judging competitions at local photo clubs.

Wood Duck Drake, Santee Lakes, CA

Wood Duck Drake, Santee Lakes, CA

For example, a beginning photographer will go to a local park or botanical garden to shoot some of the very tame and accessible waterfowl on a local pond, they will stand at the bank of said pond and as the birds are accustomed to being fed, they will approach. While standing the photographer will let it rip and take a bunch of images.

Unfortunately most, if not all, of those images will be very uninspiring. Why? Because they will show the subject while you are looking down at it, with hardly any eye contact. Without that eye contact it will be very difficult for the viewer to make a connection to the subject of your image. Also we are all accustomed to seeing ducks and other waterfowl from a standing position. An image that presents an unusual or fresh view on a subject has a better chance of having an immediate impact on the viewer, hence a good first impression.

Getting down low, very low, even lying down on the ground, to get at eye level is crucial in this situation in order to get an eye level shot.

In the two images shown in this post, I was in such a park, where the birds were tame and accustomed to humans. They would get very close looking for a handout.

Ruddy Duck, Santee Lakes, CA

Ruddy Duck, Santee Lakes, CA

I was lying down on the ground, with my lens on my beanbag getting shots as close to eye level as I possibly could. Being eye level to the Wood and Ruddy ducks present images of subjects that are engaged with the viewer and as such they are much more attractive and appealing; hopefully images that connect with the viewer.

I hope you found this information useful, and as always, if you have any questions or comments use the comments section below or you can reach me via twitter at http://twitter.com/jpons.

Juan