Archive for the ‘Creativity’ Category
Thursday, September 29th, 2011

Brushstroke ~ Knock Out Rose Image © 2011/Denise Ippolito Photography
CLICK ON THE IMAGE TO SEE A LARGER VERSION
I went out to a garden center the other day to photograph mums. I had been thinking of photographing mums and I couldn’t wait to get my hands on some. As it turns out I couldn’t resist the Knock Out Roses that were hanging out in the back taking second stage to the more seasonal flowers. This often happens to me, I get side tracked by something that catches my eye. The soft coral colored blooms with the golden yellow centers just begged me to photograph them.
After creating several straight shots I did what I often do, I shot some blurs and some abstracts. After I studied the rose I realized that the one sepal is what was captivating me so I decided to make that the highlight of my image. Then I saw a piece of wood nearby that had all kinds of lines on it. I “pruned” the rose bush and put the bloom on its side across the board and got on the ground to photograph it. (I don’t recommend doing this at garden centers- this center belonged to my good friend) I liked the idea of the textured background but it needed something more. In Fractalius I added a glow treatment to the rose along with an accented edges filter in Photoshop. I also found this fantastic free texture called “brushstrokes” the other day and I felt it would be perfect for my rose. See the link below. I used the soft light blend mode and revealed a bit of the rose from beneath. I know the colors are a bit saturated but I just loved the old world feel and the bright colors mixed together.
Free Brushstroke: http://firesign24-7.deviantart.com/art/Brush-stroke-texture-123965652
You can see Denise’s website at www.deniseippolito.com.
Tags: brushstroke, Denise Ippolito, editing, Flowers, Fractilius Posted in Creativity, Digital Editing, Macro | No Comments »
Monday, September 26th, 2011
Day one of the Mt.Rainier workshop that I am co-leading with DPE podcast co-host Juan Pons was spectacular. Here are a few of my shots – and a few tips.
Above: Expose for the highlights. Move the histogram to the right – but make sure you don’t have spike on the right. Also, get up super early to capture the sunrise. You can rest when you are dead.
Above: Use slow shutter speeds to blur moving water. Start with a 1 second exposure and then try 2, 3 and 4 second exposures.
Above: Compose with different lenses. Here I used a Canon 14mm lens on my Canon 5 D Mark II to capture an extremely wide-angle view of the this beautiful waterfall. The lens is actually “seeing” ahead and down at the same time.
Above: Look for texture. The moss surrounding this waterfall adds a nice texture to the flowing water.
Explore the light,
Rick
Tags: California Photo Workshops, HDR, Mt. Rainier, Rick Sammon Posted in Articles, Creativity, Quick Tip, Workshops | No Comments »
Wednesday, September 21st, 2011
Back In February of this year I was in Carlsbad, CA. for a couple weekends teaching my Macro Boot Camps, and I went to the San Diego Botanical Gardens to do a little shooting with some of the people that attended the boot camps. When I saw this flower I thought it was a good subject for using the Zoom Blur filter in Photoshop.
Here is the original image, I first did some clean up with the specks of debris, and filled in the gaps between the petals showing any background, and did a slight crop.

After doing the clean up in Photoshop Elements, I then clicked on Filters. In the next box clicked on Blur, and then clicked on Radial Blur. In the next box look for Zoom and click the circle next to it. Use the Amount slider to add or subtract the amount of the Zoom you want, and this is what I came up with.

After I got the zoom the way I wanted it, I went into Nik Software’s Viveza, and did some tweaking with the structure slider to bring out the details in the petals, and darkened and added structure in the dark center. Then popped the yellow a little more.
What do you think?
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Mike Moats, Processing, zoom blur Posted in Creativity, Digital Editing, Macro | No Comments »
Wednesday, September 14th, 2011
If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.

I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.

In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.

Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.

We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats

Tags: Macro, Mike Moats, Nature Posted in Commentary, Creativity, Landscape, Macro | 1 Comment »
Monday, September 12th, 2011
After reading a thread in the Flickr Strobist group about a shot of two iPhones done by photographer Peter Belanger, I decided to see if I could recreate his photo, but instead of using studio equipment, I wanted to see if I could get similar results using just a single speedlight and reflectors.
I decided to light the phones from the back (as I often do with food photography) and use reflectors to the sides and to the front to throw subtle fill/highlights back on the phones. So for my keylight, I used an SB-800 in a 24″ softbox almost directly behind the phones and at about a 45 degree angle. This might seem like nowhere near the size of the light source that the photographer used in the video, but a 24″ softbox used in close to the phones appears to the phones as a HUGE light source which created a nice soft light. I triggered that flash with my D300′s on camera pop-up flash.
Next I added my fill lights (or fill sources). Since my softbox was so close to the phones and I was shooting on a piece of white foam core, which is relatively reflective, all I needed to do was add a few more pieces of white foam core around the phone which would reflect the light from the softbox back on to the phone. I simply added these to both sides and held one in front below the camera lens.
To get the right amount of light I wanted from the reflectors, I simply took a shot, chimped a little, then moved the reflectors either closer or further away.
You can see in the setup photo (click on it for a larger view), my position of the reflectors except for the one in front. I was holding it, so I had to put down to shoot the setup folder. Also, I almost never shoot on a tripod but when doing product photography, I’ve that its really useful to use a tripod so you can keep the same framing, then adjust your subject(s) as necessary. If you do use a tripod, be sure to turn of the VR (vibration reduction) or IS (image stabilization) on your lens, otherwise it could create a little vibration and not give you the sharpest photo.

This is the image from the camera that I used for my final image. I knew going in, that this would be a more labor intensive photo in post production than I normally do but I still wanted the best image I could get to start my post work from. After watching Peter’s video, I decide to use the same method he did, and shoot the phones while they were off, then add the desktop views afterwards in Photoshop. This is definitely not my strong suit, but I took a test photo with the phones on, and my key light reduced the contrast and color of the iPhones’ desktop screens, so I thought adding them in post would be the best option for the best looking finished product.
If you look closely at this photo, also you will notice that we use protective screens on our iPhones which leave bubbles and scratches but actually does a pretty good job of protecting the face. I also had plenty of nicks and scratches to remove in post as well.
To get the screen capture, I simply did a “screen shot” of the home page on our iPhones and texted them to my main computer to use in this composition. This probably would not be the best way to do this for a client as the screen shot is not that good of quality, but for just posting a photo on the ‘net, it worked out fine.
After adding the home pages to the phone, I boosted the overall contrast and brightness a bit with a curves adjustment layer, then added the blue, vignetted background in post. I had a pure white version but I think the blue background just works better and adds a little color to the shot.
So as you can see, this is actually a pretty easy setup to do, but did require a little more post work than I usually prefer to do. However the post work really made a difference with this particular image imho. Another reason I shot this the way I did was to illustrate the fact that you can create pretty nice product photography without having a studio full of expensive lights and modifiers.
Hope this was helpful and if anyone has any questions, please sound off in the comments!
Read more about John, his photography and his blog at John Adkins Photography.
Tags: iPhone, Lighting, product photography Posted in Creativity, Digital Editing, Lighting, Tips and Tricks | No Comments »
Friday, September 9th, 2011
“Hurricane Hal,” formerly known as Bull Schmitt from the Light Photographic Workshops, is here in Croton on Hudson, New York shooting with me – because Hurricane Irene washed out his B&H seminar.
Today we photographed waterfalls – large and small. Here are a few tips, from Hurricane Hal and me, for capturing the beauty of flowing water.
• Use a tripod – to steady your camera during long exposures. • Shoot at 1 second or more to blur moving water. • Pack a ND (Neutral Density) filter, which will let you shoot at slow shutter speeds in bright light. • A polarizing filter can also reduce the amount of light entering the lens. • Use your camera’s self-timer or a cable release to avoid camera shake during a long exposure. • Check your histogram to check your exposure. • Bring a lens cloth to keep your lens clean. • Use Live View to check your scene – composition, focus and exposure. Zoom in for precise focus.
Hurricane Hal and I hope to see you at the California Photo Fest in October in California.
Explore the light, Rick
Explore all things Rick Sammon at www.ricksammon.info.
Tags: Rick Sammon, Tips and Tricks, waterfalls Posted in Creativity, Landscape, Quick Tip, Tips and Tricks | 1 Comment »
Friday, September 2nd, 2011


Once again, we’re proud to sponsor a great Black & White Photo Contest with our friend John Batdorff!
Last year’s contest had some incredible entries. We have even more prizes this year—from us and from Black Rapid, Nik Software, Peachpit Books, Digimarc and more!
The contest starts today and entries close Sept. 18th. There will be lots of fun with voting and with judging!
Click here to read about the contest and the many prizes. Good luck!
Tags: black and white, contest, sponsorship Posted in Contests, Creativity, Digital Editing | No Comments »
Thursday, September 1st, 2011

Black Skimmers ~ Topaz B&W Effects Image © 2011/Denise Ippolito Photography
CLICK ON THE IMAGE TO SEE A LARGER VERSION
I received my copy of Topaz B&W Effects and I have to say I love it! There are so many presets and lots of different looks can be achieved from the filters. It’s not only for Back and White. WOW- it is a fun program that is very versatile. I created the image above by using multiple filters from the new plug-in. It is very user friendly just like all the Topaz plug-ins. Below is the original image I started with.

Black Skimmers ~ Original capture Image © 2011/Denise Ippolito Photography
You can learn more about the Topaz Black and White Effects plug-in in the OPG store here.
You can see Denise’s website at www.deniseippolito.com.
Tags: black and white, Denise Ippolito, Plug-ins, Software, topaz Posted in Creativity, Digital Editing, Processing | 1 Comment »
Monday, August 22nd, 2011

How often do you see photos posted in online forums or hanging in a gallery, accompanied by a description wherein the photographer recounts the miles hiked, grizzly bears fought off, violent storms encountered and years of preparation before they were finally able to create the image before you? I see it on a regular basis. Usually, I have no doubt about the authenticity of the story. Other times, the claims are a bit dubious. Regardless, a recent experience left me wondering whether the effort expended to create an image is somehow tied to the value viewers place on an image. Is a photograph made deep into an inhospitable wilderness more inherently valuable or artistic than an image where the greatest physical effort expended was simply pressing the shutter button?
The image you see above was not photographed in a wild and remote location. I didn’t backpack 30 miles wearing a 100 pound backpack in stinging rain with lightning crashing all around. No, all I did was pull to the side of I-80 so my son could go pee. I saw potential in the cracked mud, mountains and ominous sky so I casually strolled to my truck (in flip flops) where I reached in, grabbed my camera and tripod, then walked 30 feet to the very spot where this image was made. My biggest challenge was wrangling a persistent 2 year old who was intent on peering through the viewfinder and making his own photo while I tried to nail the composition before the fast moving storm in the distance was upon us.
I posted this image on flickr and, to date, it has received 793 views, 41 favorites and 21 comments after flickr added it to the explore page. If you’re familiar with flickr you’ll understand that 800 views is nothing compared to what truly popular images receive. For me, it’s a bunch. I didn’t mention that I made the photo mere feet from a busy interstate with cars and semis whizzing by at 80 MPH. I wonder if I had, would the photo have received so many likes and comments?
Read more about Bret and get info on his upcoming fall workshops here.
Tags: flickr, landscape photography Posted in Commentary, Creativity, Landscape | 1 Comment »
|
 |
|
Keep Your Eyes Open For Cool Stuff
Wednesday, September 14th, 2011If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.
I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.
In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.
Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.
We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Macro, Mike Moats, Nature
Posted in Commentary, Creativity, Landscape, Macro | 1 Comment »