Archive for the ‘Macro’ Category
Wednesday, September 21st, 2011
Back In February of this year I was in Carlsbad, CA. for a couple weekends teaching my Macro Boot Camps, and I went to the San Diego Botanical Gardens to do a little shooting with some of the people that attended the boot camps. When I saw this flower I thought it was a good subject for using the Zoom Blur filter in Photoshop.
Here is the original image, I first did some clean up with the specks of debris, and filled in the gaps between the petals showing any background, and did a slight crop.

After doing the clean up in Photoshop Elements, I then clicked on Filters. In the next box clicked on Blur, and then clicked on Radial Blur. In the next box look for Zoom and click the circle next to it. Use the Amount slider to add or subtract the amount of the Zoom you want, and this is what I came up with.

After I got the zoom the way I wanted it, I went into Nik Software’s Viveza, and did some tweaking with the structure slider to bring out the details in the petals, and darkened and added structure in the dark center. Then popped the yellow a little more.
What do you think?
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Mike Moats, Processing, zoom blur Posted in Creativity, Digital Editing, Macro | No Comments »
Wednesday, September 14th, 2011
If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.

I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.

In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.

Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.

We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats

Tags: Macro, Mike Moats, Nature Posted in Commentary, Creativity, Landscape, Macro | 1 Comment »
Tuesday, August 23rd, 2011
Well we had another cool morning, no wind, and everything covered in dew. I’ve mentioned this before, but if you get out on these cool dewy mornings the dragonflies will hold their position allowing you to set up your tripod, move in as close as you like, and take your time shooting. The cool body temps and dew on the wings prevents them from taking off.

You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Macro, tips Posted in Macro, Quick Tip | No Comments »
Wednesday, August 10th, 2011
The Mike Moats Macro Light Control Kit includes a 24-inch Wimberly™ Plamp and two 14-inch Westcott™ Illuminator Reflector Panels – one is silver and white, and the other is a translucent white diffuser. It also includes the Finding Character in Nature ebook by Mike. I went out for a leisurely “test drive” on a lovely – and hot and humid – July morning.

At first, I felt like I was carrying around too much equipment. Tripod and camera in one hand, plamp and filters in the other – useful or not, I had to find a way to carry everything more easily. So, I clamped the Plamp onto my tripod, and hung the reflector panels from it. Now, I could carry everything with one hand. Problem solved. I chose a small thistle, and got to work. Lucky for me, I had my trusty side-kick along to document the process – thanks for helping out, Jay!
First, I set up my tripod then put the Plamp to work positioning the chosen thistle just where I wanted it. I’ll go into more detail about that fabulous little tool later – for now, indulge me while I go into some detail about controlling the light.
I deliberately chose a location in the sun because I wanted to put those illuminator panels to work. The backlighting was delicious but the intensity of the light made it difficult to capture the entire dynamic range with a single exposure. I wanted to capture good detail in the shadow areas without blowing out the bright areas, and that’s tough to do with a shot like this unless you happen to have a handy little reflector panel hanging from your tripod! The silver reflector bounced light from the sun onto the front of the thistle, enhancing all those prickly details. The back-lighting outlines the plant, without blowing out the highlights. Perfect.

I took a few comparison shots to show the dramatic difference a reflector or diffuser can make – take a look at the images below.

Here’s a shot taken without any reflector or diffuser. Notice the dark background. The camera can’t handle the entire dynamic range, so the photographer has to choose between capturing detail in the highlights, or capturing detail in the shadows.

For this shot, I used the silver reflector to bounce light onto the flower and the shadowed background. You can see quite a bit more detail back there, and the shadows on the flower aren’t so dark. You still get the backlit effect. This reflector is great for dramatic lighting.

For this last shot, I held the diffused panel just behind and to the right of the flower to filter the strong, directional sunlight. I also increased my shutter speed slightly to get the exposure just right in the camera. Notice how soft and even the light is in this image. The diffuser is perfect when you want a more subtle lighting effect.
The best thing about these little panels is that you can really extend your shooting options and expand your time frame for getting good photos. It’s no longer necessary to confine your photography to times when the light is perfect. And there’s no need to purchase an expensive flash unit for spotlighting your subject. (Of course, if you already have a flash unit, you could use the diffuser panel to soften it and remove harsh glare, or the reflector to bounce the flash for softer, indirect light. The options are endless.)

Now, let’s get back to the Plamp. This deceptively simple little tool is enormously helpful. Any photographer who has tried to capture a plant portrait knows how hard it is to isolate a subject in a weedy field or an overgrown garden. For a clean composition, I needed my pretty yellow flower to stay just the right distance from my lens, at the just the right angle. I also needed to separate it from its brothers so that I could isolate it with a shallow depth of field. I’ve abandoned shots like this in the past because I couldn’t get the plant to stay where I wanted it. This time, it wasn’t a problem. You should have seen me grinning like an idiot out there.

The padded clip did no damage to any flowers I shot that morning, so the birds and the butterflies weren’t offended. The Plamp can be used to hold a reflector or diffuser too – you can even use it to hold other plants out the frame. For those who like a shorter arm, the Plamp snaps apart pretty easily. You can actually remove some of the little ball-jointed sections to shorten it. Personally, I like it as it is.

Mike’s kit is perfect for macro photography. The illuminator panels can be used together or separately, and when I fold them up, they take up very little room in my camera bag. They’re extremely lightweight and easy to carry, too. I store the Plamp in my bag by folding it into a tight little coil. Everything in the kit seems to be very sturdy, and I don’t see any reason why these tools won’t last for many years to come. Reading his ebook is great too–a nice extra.
My only regret? I wish I had another kit. Two Plamps are better than one – one to hold the reflector, and one for the flower. And Jay and I are already fighting over those reflector panels.
The Mike Moats Macro Light Control Kit is available in the OPG Store.
Varina Patel, with her husband Jay, are professional nature photographers and are frequent contributors at Naturephotographers.net. To see more of Varina’s fabulous work, visit her website at photographybyvarina.com.
Tags: diffuser, Light, Macro, Mike Moats, plam Posted in Equipment Review, Featured Products, Macro | 1 Comment »
Thursday, August 4th, 2011
 Cymbidium Orchid ~ The curved lower petal caught my eye. Image © 2010/Denise Ippolito Photography
When I go to a place like Longwood Gardens in Kennett Square, Pennsylvania it is important to stay focused on which flowers I will be photographing. After I scope out the flowers that initially appeal to me I begin to carefully consider the lighting, color, texture, backgrounds and shape. I will then go in for a closer look. I am searching for an element that will catch my eye; a curled petal, interesting texture, a water drop, etc. Once I find my subject I try to capture it in a way that appeals to me. It is most important to me that I like it and I don’t try to conform to someone else’s idea of what a flower image should look like. I also never worry about whether or not it will sell. I concentrate on trying to make that one feature that initially drew me in, to stand out in a special way. Once I have zeroed in on something I work on my composition. I decide if I will go in tight, on an angle, back my lens out, etc. This will most likely depend on the back ground. I like to use the surrounding flowers as an artistic back drop to my composition. Sometimes adding a flower in juxtaposition can add to the overall image design. I may also think about just using only the color of the flower as the background which can work out nicely. I think about whether or not to completely blur it out or to leave a bit of a textured look. Hand holding my camera allows me the flexibility needed to create a pleasing composition. Even if I decide to use a tripod I will first hand hold my camera to find my composition.
Often that one small curled edge or interesting leaf will be enough to get my creative juices flowing. I need to be inspired by what I photograph. If I have no interest in it I can’t get creative. So create images that you like. Find what inspires you!
You can see Denise’s website at www.deniseippolito.com.
Denise also has a new ebook in the store: My First Impressions of Bosque del Apache.
Tags: Creativity, Macro Posted in Commentary, Creativity, Macro | No Comments »
Tuesday, August 2nd, 2011
My best selling image at the art shows is a frog. Never in a million years would I thought a frog would sell so well. Frog are fun to shoot and easy shoot. They are like people with their own individual tolerances, so some frogs will let you get in real close and some will take off as soon as the see you coming.

Like shooting most small macro critters, you have to move in slowly, and the frogs will usually blend in well with their surroundings, so you have to really study the ground so you can spot them as far in advance as you can. Here is a Wood Frog on the side of a mossy tree trunk.

A long focal length macro lens in the 150, 180, 200, will help out, but you can still shoot with a mid range 100mm focal length, but it takes a little more patience. This Wood Frog saw me coming and jumped up on this Skunk Cabbage leaf, and posed for me as I set up my tripod and camera.

I mentioned that my number one selling image at the art shows was a frog, and here it is.

You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: frogs, Macro, Mike Moats Posted in Articles, Macro, Wildlife | No Comments »
Wednesday, July 27th, 2011
I’m always on the lookout for photographs of different animals using camouflage to hide themselves in their environment. Because most living creatures on earth are food for other creatures, the use of camouflage has developed as a successful way of not being noticed, and therefore not becoming dinner. On the other side of that coin, many predators also employ camouflage as a means of avoiding detection by their prey. Probably the greatest example of the use of camouflage is the chameleon that can change not only its color but its patterns as well, to better blend into its environment. We have a creature here in Michigan that also has this amazing ability. The grey tree-frog can appear a mottled grey to match the bark of a tree like the one pictured below. It can also become a uniform medium green and blend in with the foliage as well.
Here are some examples of different creatures using camouflage to blend in with their environment:
Browse Steve’s wonderful images, read his blog, and learn about his incredible variety of workshops at his site www.stevegettle.com
Tags: camoflauge, Wildlife Posted in Macro, Wildlife | No Comments »
Tuesday, July 19th, 2011
 Dahlia ~ Before Pixel Bender Image © 2011/Denise Ippolito Photography
CLICK ON THE IMAGES TO SEE A LARGER- SHARPER VERSION
Pixel Bender (PB) is a free Photoshop filter plug-in that you can download from Adobe Labs here. You can download it for CS4 but you will not have access to the “Oil Painter” filter which is the most popular filter unless you are using CS5. I haven’t really clicked with this filter but it is good for some applications. I always set up on a duplicate layer before running the program so that I can make adjustments. For this Dahlia image I desaturated it before starting and added some contrast and Accented Edges in Photoshop before running the PB filter.
 Dahlia ~ Pixel Bender Image © 2011/Denise Ippolito Photography
 Dahlia ~ Pixel Bender with reduced effect and Nik Color Efex Bi-color Filter. Image © 2011/Denise Ippolito Photography
Check out Denise’s website at www.deniseippolito.com
Tags: adobe, Macro Composition, Photoshop, pixel blender Posted in Creativity, Digital Editing, Macro, Tips and Tricks | No Comments »
Wednesday, July 6th, 2011
Every macro photographer will run into a great looking flower with character, but the angle you want to shoot at has a horrible clutter background and you can’t do anything about it. All is not lost, you can insert your own background. Photograph and print your own backgrounds and just place them behind the flower. Now some may say that’s cheating, but sometimes you gotta do what you gotta do.
Here is how you do it. For a green background find a grassy field or even the grass in your backyard. This is how the subject looked on my first background shot.

Now just turn the focus on your lens till it becomes out of focus and a solid color like this. Now I have a nice solid green background.

Here’s another subject, some bushy stuff on the ground.

This time I don’t take it all the way out of focus, just take it to a point where I have some slight textures.

Here is another subject that has some pinkish flower, so it will give me another color to work with.

Here is the out of focus image, and this subject gives me a little different color.

Now you can always take any of these out of focus backgrounds into Photoshop and adjust the tint to change the color. Here is the last image and I changed the color in Photoshop to a more grayish green. So you can play with the colors until you get what you want.

So just print yours out to what ever size you don’t mind carrying into the field. Most subjects are small, so you can get by with an 8X10 print. Attach the print to some cardboard or foam core, or anything to stiffen it. You can hand hold it behind the subject to be photographed, or use a Wimberley Plamp to hold it in place.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: backgrounds, Macro, Mike Moats, tips Posted in Articles, Macro, Tips and Tricks | 2 Comments »
Monday, June 20th, 2011
I see many times people posting interest in taking their hobby of nature photographer to the pro level. Myself and I’m sure other pros have people that contact them asking for advice on what it takes to make a living in this field. My response is that from my experience it’s a seven day work week and can be tough on your family life. I work about forty weekends a year so any family birthdays, holidays, christenings, father and mothers days, sports, concerts, etc, are many times missed. This is much like the entertainment world, pro athletes, traveling salesman, or any other profession that requires you to be on the road many days a year.

Nature photography is one of the toughest fields of photography to make a living in. I’ve found that for me being diversified is the key to making it. Having multiple streams of income keeps the money flowing. Those streams all take a lot of time to keep them flowing.
Marketing is number one, nobody knows you’re alive and in business unless you tell them. Shameless self promotion is something you have to get used to and you need to be the type of person that doesn’t mind this type of marketing as some would consider this bragging about yourself, but it’s just getting the word out that you’re in business and having some success at what you’re doing. I spend a lot of my time marketing, I write a daily blog post, moderate on two photography sites including my own “Macro Nature Forum”, post images, post on Facebook and Twitter, and reply to photographers sending me emails with questions.

I display my images in about twenty art shows a year. This takes up twenty of my weekends, many away from home. The shows start in May and run until October and consume almost every weekend for those months. Some of the shows I’m gone on Friday and return on Monday, leaving me Tuesday, Wednesday, Thursday, to print, package, and pack for the next weekend. During the winter months I’m going though the process of applying to these shows, which is filling out applications, sending images for the jury process, writing out checks for show fees, etc, keeping it all organized so I have a show every weekend. Taking time to keep track of materials and doing all the ordering and always trying to find the best prices. During the winter when I apply to these shows the jury fees and booth fees run about seven thousand dollars, which I won’t see again for months.
During the art shows off season I’m presenting my workshops. I do about twenty workshops which are on weekends. This take time promoting the workshops, adding them to my website and blog, sending out emails and post cards, posting them on nature photography websites, posting on Facebook, etc. Working with the hotels on setting up rooms for the workshop all across the country. Planning the workshops and how they will run. Shooting images for examples in what I’m teaching in the workshops, and constantly updating the material presented at the workshops. Many days each year are spent on the road driving to and back from the workshops and art shows.

Wow, I’m already tired and I haven’t scratched the surface on what I do. While all this craziness is going on with the art shows and workshops,
I have to maintain my moderator duties online.
I work with art consultants that buy images for their design projects, print the images, package, ship, and invoice them.
I contact companies that would be willing to sponsor me, work with them when they need images for ads, photo conventions, sometimes even go to photo convention for them. I send them promos for my workshops that they can list on their websites.
I do online workshops, which takes time again promoting, critiquing the participants shooting assignments.
I have a how to macro book that took time to write and have printed, I have to maintain stock at Amazon, maintain on my store front sales, packaging and shipping to customers.
I have five e-books completed and am working on more. Again more promotion, sales and sending the e-books online. I also make them into CDs to sell at the workshops and art shows.
I’m working on how-to macro videos for You tube.
I travel and present programs for camera clubs, photo conventions, garden clubs for flower photography, have done some at REI stores.
Send submission to magazine with article ideas, and once accepted working with the mag to set-up the article and images. Invoice them.
Send out information introducing myself to new art consultants, interior designers, calendar companies. etc. reply to their emails as they contact me asking questions about pricing, printing, etc.
I maintain a blog which I write and post as frequently as possible and I write when possible for Tamron’s blog. Post on facebook any updates on workshops, art shows, and any other happenings.
Maintain a website, posting new images updating art shows and workshop schedules.
I will visit and sell through art galleries, so time is spend traveling to the galleries maintaining stock.
I have companies that contact me for stock images, negotiate, send files, and invoice them.
I get to beta test new products for companies, and they always wait till the last minute to send you the product and need a response NOW! Take time to work with the product, Email back and forth with response.
I have charities that call and ask for print donations which I always do. Deal with emails, set-up time to make contact with prints.
Take care of all the accounting, sales, taxes, keeping track of cost of running the business.
Working toward setting up webinars for live how-to macro workshops online.
Wow, all this work is making me tired, I need a nap.
Now are you starting to wonder why I haven’t mention anything about shooting. As you can see there is not much time left to shoot. It can be frustrating and hard to schedule time to shoot, as you have probably heard most pros say that the business takes up ninety percent of their time. I do make time to shoot but it has to be scheduled at the peak times which for me are the spring and fall. The summer I almost never get out to shoot as the art shows consume so much time.
I have to say I’m pretty sure there are a few more thing I do, but I think you’re getting the point. If I tried to make it on any one of these streams alone it would be tough, but with a little income coming from all these streams I do very well, but I sacrifice a lot of time and family life to maintain this business.
I have to say even with all the work I do I can’t wait to wake up in the morning at five o’clock and get to work! I wouldn’t trade what I do with anything else. I always tell people where else can you work where people are complimenting you while handing you money!
Good luck if you give it a shot.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Mike Moats, Nature Photography, photography business Posted in Articles, Commentary, Macro, Viewpoint | No Comments »
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Keep Your Eyes Open For Cool Stuff
Wednesday, September 14th, 2011If you spend enough time out in mother nature, she will occasionally come up with some cool stuff. I’m always on the look out for those unique opportunity to capture something special.
I was shooting ice abstracts on Stony Creek Lake, and found this outline of a ducks head in the ice.
I saw this face, two eyes and a nose in a flowing river. Some say the nose could be a trunk of an elephant.
In a gorge of upstate NY I found this heart carved in the gorge floor. Don’t know if it was man made or natural.
Here I am trapped in these bubbles shot at the edge of a small stream, bubbles created from a small waterfall.
We have all seen faces in tree trunks, rock walls, etc, look for cool stuff like this when you are out in the field.
You can visit Mike’s blog and learn about his workshops here: Tiny Landscapes
Mike’s eBooks are available in the OPG store here: Mike Moats
Tags: Macro, Mike Moats, Nature
Posted in Commentary, Creativity, Landscape, Macro | 1 Comment »