Posts Tagged ‘Avian’

Blakiston's Fish Owl Feeding Video

Monday, June 6th, 2011

Here’s a short video that I shot on Feb 1, 2011, of a Blakiston’s Fish Owl Feeding in the town of Rausu, Hokkaido, Japan.

The pool from which the owl feeds is rocks covered with snow. The rocks were put there by locals, and they drop fish into the pool each night to feed the owls. This is done whether photographers are there or not, and is helping the owls to grow in numbers for the first time in decades.

You can also view the embedded video right here on your iPad, thanks to Vimeo!

Don’t forget to hit the full-screen button in the video window to view the video full-screen.

Note that there is an iPod/iPhone version of this video in iTunes, which is good for portability, but if you’re watching on a computer, the video above is better.

Follow Martin on twitter here:  http://twitter.com/MartinBailey

Check out Martin's blog here:  http://blog.martinbaileyphotography.com/

And finally, get info on Martin's workshops here:  http://www.mbpworkshops.com/

272 g: “The Nature of Japan” Exhibition Slideshow

Photographer Spotlight: E.J. Peiker

Friday, March 11th, 2011

Name a distant corner of the world associated with photography, chances are E.J. Peiker has been there, or is heading there soon.  Born in 1960 in Augsburg, Germany, and moving to Mansfield, Ohio, in 1969, E.J. became an American citizen in 1975.

E.J.’s photographic journey started when he received his first camera at age 7, while still in Germany – a square-format, Kodak 126 Instamatic.  He still has it. At age 12, he graduated to a Yashica 35mm rangefinder and began to take photography more seriously.  His favorite subject matter was landscape photography.

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In 1990, E.J.’s photographic aspirations came to a sudden stop.  While skiing, E.J. suffered such a serious injury that he was diagnosed as unable to walk again, possibly even losing a leg.  As it appeared that E.J. would not be mobile without assistance, he sold all his camera gear.  However, determination, resolve, several surgeries and painful physical therapy resulted in E.J.’s full recovery 3 1/2 years later. 

Even though he did not photograph, E.J. put his recovery years to good use.  His interest in aviation took over and provided him motivation during that tough time. He earned his Private Pilot, Instrument Pilot, Multi-engine Pilot and Commercial Pilot certificates, and became heavily involved in advanced flight simulation.  He even logged time in American Airline's full motion flight simulators where he learned to fly a Boeing 727!

After his full recovery, E.J. returned to the world of photography, starting out again with Olympus gear, and migrating to Nikon equipment. His choice of Nikon was heavily influenced by John Shaw's photography, and E.J. concentrated primarily on Southwestern landscapes and captive species animal photography.

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In 1999, E.J.’s photographic world expanded when he was introduced to the beautiful bird photography of Arthur Morris through Arthur’s book "The Art of Bird Photography".  As with many of today’s nature photographers, this book prompted both a keen interest in avian photography, and a switch to Canon equipment for image stabilized lenses.

E.J.’s previous career path took him through the field of electrical engineering, working for the Intel Corporation in California, New Mexico, Oregon, and Arizona, where he engaged in the production of microprocessors, chip-sets, and communication chips.  During that time, he studied photography at the University of New Mexico, the Rocky Mountain School of Photography, and participated in photography seminars and workshops led by renowned photographers including John Shaw, Arthur Morris, and Charles Glatzer.

E.J. began planning his career move into professional photography in 2000, with a target of 2004 for his change. Investment volatility and an unstable economy changed the plans of many Americans, and E.J. had to adapt and extend his plan.  He finally made the change to full time professional nature photographer in 2010.  Today, E.J. is a Nikon shooter, having made the switch from Canon gear that same year.

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Artistic images of ducks are E.J.’s photographic specialty, and he teaches others duck and bird photography through his DuckShopTM photographic workshop series.  E.J. has also expanded his love for landscape photography and is heavily engaged in creating artistic landscape images of world's great scenic wonders.  Well traveled, E.J. has been fortunate enough to photograph 6 of our planet's 7 continents.

Why the concentration on ducks?  In E.J.’s words:

“I have often been asked why I like to photograph ducks so much.  Ever since I was a young boy, I have loved their ungainly waddle when on land and their graceful ability to cut through water and air as if they were defying gravity and friction.   Some of the most incredible patterns in nature are found in the plumage of ducks.  Their colors range the entire spectrum and in one case, every color in the spectrum is contained in one bird – the male Mandarin Duck.  Another intriguing thing about them is the ability to completely transform from a drab brown bird into an incredible array of colors in just a few weeks.  Finally, ducks have a lot of personality and are much more intelligent than most people realize.  There are a number of individual ducks that come back year after year to the Phoenix area that immediately recognize me from the previous years and become very tame around me while they stay away from people that they don’t know.  There is a familiarity and a knowledge on their part that this particular human won't hurt me.”

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Now an accomplished professional nature photographer, E.J.’s images have been published in many nature, agriculture and photography magazines and books including Outdoor Photographer, Popular Photography, Birding Magazine, Audubon Society publications, National Geographic, and Barron's.  The US National Park Service, the Fish and Wildlife Department and many zoos use his images in their brochures and for their identification displays.  You’ll find E.J.’s images in different places such as on T-shirts, wine labels and in iPhone apps.  E.J. also stays active on the net, not only with his own website, facebook and his ebook, but with nature photography forums such as NaturePhotographers.net and Naturescapes.net.

When he’s not flying around the world in pursuit of landscapes and ducks, E.J. resides in sunny Chandler, AZ with his two sons, Nicholas and Gregory.

You can view E.J.'s website, with wonderful images and workshop information here:  www.ejphoto.com

Check out E.J.'s new ebook in the store here: Ducks of North America

Find E.J. on Facebook here:  link

Photographer Spotlight – Glenn Bartley

Thursday, January 27th, 2011

Bursting on to the scene of professional nature photographers just a few short years ago, Canadian born nature photographer Glenn Bartley has quickly established a reputation as one of the best bird photographers on the market.  With books, articles, workshops and of course wonderful images, Glenn stays busy pursuing his career in nature photography.

Glenn has been enchanted by nature and wildlife for as long as he can remember.  Growing up in Toronto, Canada, Glenn, like many of us, spent many hours with National Geographic magazine and natural history books.  Glenn's favorite TV show at the time was David Suzuki's "The Nature of Things".   Glenn says "It may have all started in the backyard of my childhood home. I'd spend hour after hour lying underneath a hummingbird feeder trying to capture an image of one of these amazing birds with a simple point and shoot camera".

Glenn obtained his first “real” camera in college….A Canon Elan 7 film SLR.

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In college, Glenn had an incredible extended travel opportunity.  He took part in an exchange program that had him swapping places with a student from Brisbane, Australia.

Australia kicked Glenn's nature photography interest into full gear:  "I was obsessed with exploring the land down under and taking pictures, experimenting, and above all else learning.  Being in a different country with so many exciting things to photograph was wonderful.  it  was a phenomenal place to really dive into the world of nature photography".

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Returning home to college, Glenn managed to get a job running the school's darkroom and got to spend 3-4 hours a week experimenting with exposing film and making prints. Glenn is grateful for the time he spent with film: "Looking back, and reflecting upon the fact that nowadays now every new photographer goes straight to digital, it was a fantastic opportunity to really master the basics of photography and create a more stable foundation upon which to build".

After completing his undergraduate degree in Environmental Studies, Glenn took a year off to travel to Costa Rica. It was Glenn’s first big photography trip and it was an eye opening experience that revealed his career choice:

"Leaving the distractions of every day life behind and focusing on nothing but nature photography changed me and made me certain that there was nothing else I wanted to dedicate my life towards.  I knew that I still had a lot to learn, but I had a plan for how to do so".

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When Glenn returned home to Canada he took a job as the lead photographer for a research project in the Canadian Rocky Mountains. His job for three months was to hike up mountains and take pictures.  It was a dream job for Glenn, and it afforded him yet another opportunity to continue to learn and master his craft.

Glenn spent the next three years taking his photography to the “next level”. He immersed himself in books and online forums, met and learned from other professional photographers, and spent copious amounts of time in the field.

Glenn moved out to Canada’s West Coast to pursue his Master’s of Science Degree in Ecological Restoration as a backup plan.  But his backup plan was more than that. Glenn's project was working on restoring habitat for migratory birds. A big part of his research was field work,  And every time he went out monitoring his study site, his camera was never far away.

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As Glenn entered his final year of grad school the tropics tugged at him again.  As soon as he defended his thesis, he headed off. This time his destination of choice was the bird-rich country of Ecuador, where he spent 5 months traveling around the country and photographing many of the amazing tropical birds that live there.

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Today Glenn is perhaps best known for his intimate portraits of birds in their natural habitat, with specific focus on tropical birds and hummingbirds.

In the past year Glenn has published two books in his "photographic journey" series:

"Birds of Ecuador" highlights some of the most beautiful birds of this small Andean nation.  One of Glenn's major goals for this book was to raise money for habitat conservation in Ecuador. Because of this goal, 50% of the proceeds from this book are being donated to the Mindo Cloudforest Foundation in Ecuador.

"Birds of Vancouver Island" celebrates the birds of his home area in the pacific northwest.

Glenn writes a column for the Canadian magazine Photolife, called “The Joy of Bird Photography” where he shares tips, locations and information about bird photography.

Glenn's small group workshops travel to fantastic destinations such as Ecuador, Costa Rica, Churchill and Vancouver Island. Glenn’s workshops are almost completely sold out for 2011.

 

Where to Find out More about Glenn

You can learn more about Glenn’s books, workshops and articles at: www.glennbartley.com

Find out more about Glenn's Workshops here.

Glenn's Blog with many informative articles and videos is here.

Glenn is on Facebook here and on YouTube here.

On The Wing in Outdoor Photographer Magazine

Friday, October 22nd, 2010

Chris Klapheke in Outdoor Photographer Magazine

Our own Chris Klapheke is featured in November's issue of Outdoor Photographer magazine, hitting the stands this week!

"On The Wing" showcases five pages of Chris' bird images, from portraits to blurs.  Chris shares bird photography tips and gives the background stories to some of his images.  He also gives kudos to his mentors including Alan Murphy and Arthur Morris.

You can check out the magazine in bookstores, and we've also posted a pdf of the article for you to read here:  On The Wing.

You can also see Chris's other images at his personal website: www.chriskphotography.com

Set-up Heaven in South Texas

Friday, February 26th, 2010

Chris and I are scouting new locations for future workshops on our way to Roma and boy, did we find a gem. 
I went to this property last month, and we wanted to check it out again.

Here is a post I did after my last visit.

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The owners of this property have been putting out fruit every morning for years, and at about 7 am each morning like clockwork, the birds arrive.  There were over 30 Kiskadees flying in to pick up grapes, along with three Altimira Orioles fighting over oranges, and at least half a dozen Golden-fronted Woodpeckers.  About a dozen Orange-crowned Warblers would feed on the suet. Mockingbirds would land and grab berries, then fight for positions on my perches.  On one day, there were four rare Clay-colored Thrushes coming to feed on the grapes.

This is my third time to shoot at this location and every time I have witnessed the same insane action!  In the blind I used my wide angle lens to try to capture the scene, but it was hard to stop shooting the action with my 600mm.


Above is the image I took. You can see 7 Kiskadees (one behind the stump), 3 Altimira Orioles, 3 Golden-fronted Woodpeckers (one behind the log) and a Mockingbird.


For those who are in doubt, let me assure you that this is not photoshopped!

Almost as soon as I put the berry branches out, the Kiskadees and Mockingbirds were feeding on the fruit.

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Here, the Kiskadees are fighting over perches.

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The Golden-fronted Woodpeckers also took a liking to the berries.

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This is a set-up with a vertical perch and some added berries.

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Waving goodbye!

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Northern Mockingbirds are very particular about the berries they want.

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Once the berries were gone, I worked on some flight images as the Kiskadees would fly in for the grapes and banana pieces.

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It wasn’t long before the birds would land on any stable perch that I put out there.

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The stunning Altimira Oriole gave me some regal poses.

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Setting up a perch very close to my blind and adding a small dab of suet in the leaves, enabled the Orange-crowned Warbler to stop and feed.

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The highlight of the day, for me, was a visit by not one, but four Clay-colored Thrushes. My heart pounded when one jumped up on my perch and posed.

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So many times I wanted to give someone a high five after getting a shot, but I was alone.

 

 

We had plenty of high fives yesterday!


If you want to join me in a workshop at this location and share in some high fives, just contact me.

You can read more about Alan, browse his images, and learn about workshops here.

Using a Water Drip to Attract Birds

Monday, February 22nd, 2010

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Since Chris Klapheke and I are heading down to Roma, Texas for one of my workshops, I thought it would be good time to post a few tips on using water drips to attract birds.  In Roma, we put a water feature in front of every blind.  Due to the dry climate and the sound of the water dripping, we get lots of different drinkers and bathers.

We dig out a water feature in the ground and line it with plastic to hold water.  As most of the blinds are sunken in Roma, the water drip on the ground is still at eye level.  You can also elevate a water drip as shown below.

Below is my set-up that I have been using during the Spring and Fall migration on the Upper Texas Coast.  I have an elevated pond made out of a bucket with a 2 foot X 2 foot piece of plywood on top.  I place a few rocks around the edges of the plywood and lay a piece of pond liner on top.  The final touch is running a small drip hose to it so there is always fresh running water.  The sound attracts the birds and lets them know the water is fresh. To fine tune the dripping you can purchase a small drip hose from a department store and attach it to your garden hose. Some models even come with a small spigot so that the drip rate and volume can be adjusted.

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When there is no running water nearby, I use a five gallon jug that has an adjustable flow lever. A camping jug will last two days with a steady drip. I support the jug with a photographer's backdrop frame.  A milk jug with a pin hole will also work.

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Set up near trees so the birds feel safe.  Use only a few perches, and you will be rewarded!

Look for more posts from our Roma workshop!

 

You can read more about Alan, browse his wonderful images and learn about his workshops here.

Get Out of the Car

Wednesday, February 17th, 2010

I've shot a lot of images from my car over the years, but I have to say that I really don't care for it. Yes, it’s nice that you can drive around and sneak up on your subject. Your camera is supported by the car, so you don’t have to carry your gear over your shoulder. You are sitting in a nice leather chair, with maybe a little snack sitting next to the soft drink in the cup holder.

But for me, it totally limits my style of photography. My camera is five feet off the ground and I have limited background options.  I can’t get closer that the car can be parked. This was the situation when I tried to photograph a Long-billed Curlew in a field next to a road. The bird was used to traffic so I felt confident that I could drive up as close as the road would permit. I waited until the evening so the sun would be behind my back (or the back of the car), but when I pulled up, the sun was behind clouds. I fired off a few frames and got the following image.

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Nothing too wrong with the image. The bird is nice and sharp. The head angle is good with the bird making eye contact.

I just was not happy with the fact that we are viewing this image from a human perspective. If I was to show an intimate perspective of how all ground birds see each other, then I had to get down to the birds' level. So I had a decision to make. Do I stay in the car and get a bunch of average images, or do I take a risk of scaring the bird off by getting out of the car and try to get down low. My approach to this dilemma is once I get the shots from the car, I then go for the more difficult shot. Most times the bird will flush, but every now and again, it can really work out. Here’s what happened when I tried to do just that.

I opened the car door slowly and made the small leap down into the ditch. So now I’m crouched down in the ditch with no idea if the bird is still there. It was so tempting to pop my head up to see, but this would be the wrong time to do that. If the bird became wary or alert, he would be looking for any movement so I waited a couple of minutes. I finally looked up through some tall grasses and saw the bird still there preening. Yes! I made it this far.

I then slowly pushed my bean bag up onto the field edge and waited another minute before lifting my lens onto the bag. Right at that moment the sun broke out under the low clouds and provided this sweet warm glow to the bird and scene. The bird started calling and would call every 30 seconds. The bird was parallel to the camera plane and the perfect distance form me. Everything seemed to be lining up.

Was this luck? I do know that good planning increases your luck.  Taking a risk and going for the more difficult shot can also increase your luck.

All I can really tell you is, sometimes you just have to get out of the car.

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Photographer Spotlight: Alan Murphy

Friday, February 12th, 2010

Alan-5-copyYou may have seen Alan Murphy's incredible signature work:  beautiful birds on gorgeous perches with uncluttered backgrounds, presented with the elegance of an artist. 

But did you know Alan came to this country as a birder?

Growing up surrounded by the beautiful countryside of Ireland and England, Alan developed a love for birds and nature early on.  He was a quick study of these birds and upon immigrating to the US in the early 1980's, Alan was thrilled to find many new species to learn about and new habitats to explore.  After studying field guides, Alan wanted to capture similar images, and so began his quest to learn photography.  Most of Alan's spare time became devoted to chasing the perfect shot. His artistic background cultivated his creative use of perches with uncluttered backgrounds and excellent lighting.

salonSpare time was hard to come by, for as Alan was developing his photographic style, he was also starting and developing his own salon business.  Today, the Alan Murphy Salon is a leading salon in the Houston area and is consistently ranked among the Top 200 Salons in America by Salon Today magazine.

For most people who straddle two careers, there comes a time when a person must choose one path or another.  Several years ago, Alan followed his passion, turned the operation of his salon business over to his manager, and jumped headfirst into photography.  Today, all of the talent, drive and ambition that served Alan on several fronts is now channeled into his photography business.

And what a business it is!  Alan has speaking engagements throughout the country to photo clubs and birding organizations alike.  His audiences are eager to see his images and learn the thought process behind them.  Alan schedules intensely focused workshops, and of course, sells his images around the world.

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In the last 6 months, Alan has scored cover images for the publications Birding, Birder's World, Wildbird, Bird Watcher's Digest and Wildlife.  Now that's productivity!

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Perhaps the most sought-after part of Alan's photo business is a spot on his workshops.  Alan intentionally keeps his groups very small to insure intense individual instruction as well as consistent backgrounds for shooters.  Due to the small group size, Alan's workshops sell out quickly in advance.  In fact, for 2010, Alan has only two seats left for a workshop in his favorite location:  the Ramirez Ranch in Roma, Texas, running April 12 to 15.  You can find more information about that workshop here.

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AMSSUGmWorkshop participants come from all over the globe to learn the secrets of Alan's set-ups and perches.  But if you can't afford the time, travel or cost to attend in person, Alan has unveiled his CD book The Guide to Songbird Set-Up Photography.  Years in the making, this CD sheds light on Alan's set-up secrets and thought processes.  The CD is full of ideas, tips and tricks you can make use of in your own back yard.

Speaking engagements, cover images, workshops and training CDs.  Yes, Alan Murphy is one busy photographer!

You can learn more about and purchase Alan's CD here.

You can learn more about Alan and view his wonderful images at his website and in his blog.

You can learn more about Alan's workshops here.

Editor's note:  I had been to the Ramirez Ranch 4 years in a row when Alan asked me to be his assistant on a workshop there last year.  I had not planned on going back for a few years, but the chance to work with Alan and to learn his methods was enough for me to head there again.  When I saw that Alan limited his group to 4 participants, I asked him if he really needed an assistant for 4 people.  His answer was an adamant yes.  He wanted to make sure he could be instructing his participants 100% of the time.

Heading back to Roma with Alan was a truly rewarding experience.  His level of focus and his professionalism on his workshop was unlike any workshop I had assisted.  In addition, I did get to learn some of Alan's techniques, seeing Roma in ways I had not seen before.

If you do get a chance to go on Alan's workshops, I would highly encourage you to do so.  I'll be with Alan again this year in Roma, assisting participants and performing my duties as ranch cook and host.  Only two spots are left in April.  Come join us for good food, intense instruction and of course, incredible images.  –Chris Klapheke