Posts Tagged ‘Close-Up Photography’

Fun With Feathers

Wednesday, April 21st, 2010

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Spring is finally here with all its color, but I thought I would take a look back at the drab winter and give you a few thoughts.

My cure for the photographer’s cabin fever is finding interesting subjects to shoot indoors.  It’s not that I’m a wimp and don’t want to brave the cold, its just that what sells the best for me is images with color, and winter takes its toll on any color in nature here in the north. 

I can better spend my time marketing during the winter then out shooting images that won’t sell.  As much as I like winter, most people that view my images at the art shows tell me they don’t care for winter and they don’t want to look at it all year hanging on their walls.  I’m always looking for something interesting to shoot indoors.  Probably the most used indoor subject is flowers, and I do my share of flower shots, but I’m always in search of something new to shoot. 

I’ve always liked the look of bird feathers, the lines, texture and patterns have always interested me.  I have some turkey and sea gull feathers I’ve picked up locally from the parks where I shoot, but I wanted some feathers with a little more design and color.  I went online and did a search on feathers.  I found sites that were selling a variety of feathers, mainly used for home decor arrangements. 

Here are some images of the feathers I received. I had some fun setting them up and shooting!

I arranged these three feathers at slightly different angles as to not have them looking too composed. Shot at my favorite f/stop, f/32, with the Tamron 60mm macro lens. 

 

With this group I used two colorful feathers to flank the center feather which has more earth tones.  The resulting contrast allowed the center feather stand out.  Also shot with the Tamron 60mm macro at f/32.

 

These are tiny little feathers that I arranged in this group. I added a 25mm extension tube that would allow me to focus in closer on this small grouping.  I wanted a different and more abstract look, so shot this one at f/2.8.  The Tamron 60mm set at f/2.8 blurred the edges really well and I placed the point of focus on the center feather.

Even cooped up in winter, you can get your creative juices flowing!

That being said, I'll still take spring.

–Mike

You can visit Mike's blog here:  Tiny Landscapes

 

 

Subject Placement in the Frame

Monday, April 12th, 2010
 
Subject placement can be very subjective. It can range from placing a main subject in the center, thirds, corners, and two of the thirds. Positioning the subject will depend on what is around it.
 
Centering the subject is what is called bulls-eyed, and in some cases this works, but you don’t want every one of your images in the center. Having a portfolio of images with varying positions from centered, thirds, and corners will keep your compositions from looking repetitive. 
 

In the image above I placed the yellow contrasting leaf in the bottom third of the frame. Offsetting the main subject in the thirds tends to be most popular way of positioning a single subject.

The dark center of this frosted Black-Eyed Susan flower is the main focal point of the flower, so I placed it in the left third of the frame. When using the thirds rule it has a less composed look and more natural.

 
Check back tomorrow for more info on placement.
 
You can check out Mike's eBook on Macro Composition in the Store here.

Winter Ice Abstracts

Sunday, January 10th, 2010

When December rolls in the cold weather here in the north I start getting excited to shoot abstracts in ice. The first ice is when these abstracts form. I find small streams in the woods where I live and follow the edges in search of this interesting artwork. It happens in the first ice formations at the edges of the streams. As the ice starts to thicken you lose the patterns. I shoot these using a longer focal length macro lens like the Tamron 180mm. You will be shooting from the bank and need the extra reach of the longer focal length. I shoot these in the highest f/stops to bring in all the details. Very cool stuff.

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Once the stream ice thickens and I lose the cool patterns, I move to the lakes. Search out the edges of frozen lakes where fall leaves have blown into the lake and froze. On a warm sunny days you will get melted patterns in the ice above the leaves. You can shoot these with any macro lens  as you will be nice and close and you’ll be shooting a flat subject so just position your tripod directly over top of the leaf and shoot in the F/8 range.

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