Posts Tagged ‘Creativity’

Finding What Inspires Me…

Thursday, August 4th, 2011

cymbidium-orchid
Cymbidium Orchid ~ The curved lower petal caught my eye.
Image © 2010/Denise Ippolito Photography

When I go to a place like Longwood Gardens in Kennett Square, Pennsylvania it is important to stay focused on which flowers I will be photographing. After I scope out the flowers that initially appeal to me I begin to carefully consider the lighting, color, texture, backgrounds and shape. I will then go in for a closer look. I am searching for an element that will catch my eye; a curled petal, interesting texture, a water drop, etc. Once I find my subject I try to capture it in a way that appeals to me. It is most important to me that I like it and I don’t try to conform to someone else’s idea of what a flower image should look like. I also never worry about whether or not it will sell. I concentrate on trying to make that one feature that initially drew me in, to stand out in a special way. Once I have zeroed in on something I work on my composition. I decide if I will go in tight, on an angle, back my lens out, etc. This will most likely depend on the back ground. I like to use the surrounding flowers as an artistic back drop to my composition. Sometimes adding a flower in juxtaposition can add to the overall image design. I may also think about just using only the color of the flower as the background which can work out nicely. I think about whether or not to completely blur it out or to leave a bit of a textured look. Hand holding my camera allows me the flexibility needed to create a pleasing composition. Even if I decide to use a tripod I will first hand hold my camera to find my composition.

Often that one small curled edge or interesting leaf will be enough to get my creative juices flowing. I need to be inspired by what I photograph. If I have no interest in it I can’t get creative. So create images that you like. Find what inspires you!

You can see Denise's website at www.deniseippolito.com.

Denise also has a new ebook in the store:  My First Impressions of Bosque del Apache.


 

Taking Pictures vs. Creating Art

Friday, October 8th, 2010

I vaguely remember the old days, back before I had an SLR and lenses and filters and a tripod.  When I’d see a pretty scene, I'd whip out my point & shoot and take a picture before continuing on my way.  I wasn’t creating art. Nope, I was just memorializing on film (yes, film) a scene or a moment that intrigued me.  Nothing more, nothing less.  Things are different today.  I lug around a big D-SLR with several lenses, a few filters, a tripod and a bunch of other stuff that I use not to record simple memories, but to create something approaching “art”.

Over the years I’ve heard photographers say they are “taking pictures, making images, capturing a moment, shooting photos” and a billion other phrases that essentially mean the same thing.  Or do they?

I can’t help but think that “taking pictures” or “shooting photos” is entirely different from what I and most other serious photographers do when we head out with our cameras.  I like to think that I am creating art.  

By it’s very nature, art is subjective.  What I think is a gorgeous piece of artwork you may think is a bunch of squiggly lines on canvas.  So, the images I create, that I consider art, you may consider just another pretty photo. Or, maybe it’s just another ugly photo.  Only you can decide that.  The point is this – I’m not just documenting a scene before me.  I’m trying to create something that is elevated from being a mere snapshot to something that others may consider to art.

What’s the difference?  Here’s what I think.  Taking a picture doesn’t involve much, if any creativity, very little effort and no creative vision.  You see a big mountain reflecting in an alpine lake, you walk up to the lakeshore, point your camera and click the shutter. Done.

Creating art works in a whole different way.  Let’s assume the same situation: big mountain and pretty reflection in alpine lake.  Maybe you’re there mid-day and the sky is clear blue.  As you approach the lake, you’re analyzing the scene before you.  Are there wildflowers lining the lake?  Is there an interesting rock just off the shore? Maybe the water is so clear you can see rounded cobbles receding into the depths of the lake.  Would any of it make an interesting foreground?  You study the landscape to determine if the rising or setting sun would best illuminate the mountain peak, and whether or not there’s a ridge or a peak that will block that beautiful light.  You walk up and down the lakeshore looking for the most dynamic position from which to photograph the scene.  Will you need to use filters to control dynamic range or tame glare on the lake?  Maybe the scene would look better in autumn, or summer.  Perhaps you’ll have to keep coming back, over and over, to get just the right conditions with dramatic clouds over the peaks as golden light bathes the slopes and the perfectly calm lake catches a crystal clear reflection?  These and many more are all considerations flying through our minds as we visualize the art we want to create at this magnificent location.

And that brings me to a conclusion and a question.  Is the difference between “taking pictures” and “creating art” the act of visualizing an end result, then using your creativity and skills to make an image that fulfills your vision?

Until next time,

Bret

You can learn more about Bret, view his wonderful images, and read his blog here:  Bret Edge Photography

You can find out more about Bret's workshops here:  Moab Photo Workshops

The Struggle To Remain Focused

Wednesday, January 27th, 2010

Go on any photowalk, attend any workshop, or just put several photographers in the same room, and inevitably, what happens? Fanatical debate and banter on subjects such as gear (camera bodies, lenses, tripods), workflow (Lightroom vs Aperture, CS3 v. CS4), or philosophical topics (Is photography art?, to HDR or to not HDR, convergence between video and stills) and so on.

TS1
 
Now don’t get me wrong, there is a time and a place for all of these topics. Nevertheless, sometimes we as photographers become so entrenched in our position and defense thereof, that we lose focus (pun intended) of more important matters.
 
Although we may have entered photography for a variety of reasons, we all enjoy showing our work to others. Show your work long enough (and to enough people), and you begin selling your work. Those of you keeping score at home, those “people” just became your “customers”.
 
If you thought selling one image took work, remember that a business survives on repeat customers. This means now that you’ve shown your work and made a sale, you really need to target and market yourself to your customers. This is something that takes time, research, and most importantly, focus.
 
Understanding your customers, knowing your competition, knowing how your customers find you (website, Flickr, Twitter, Facebook, yada, yada, yada) are important components to any photographer who is intent on selling images. Once you understand them, you then have to develop a plan to market yourself and your work (yes, those were intentionally separated) to your target audience.
 
You put time and effort in to selling your work, and you get a repeat customer (or a new customer, it really doesn’t matter) who is interested in purchasing your work. Hooray! Those of you seasoned folks know this, but for you new to the selling game, let me let you in on a secret… the aforementioned customer does not care what gear was used to make the image, what post processing steps/tools you utilized, or whether you think HDR is good or bad. Customers buy prints because of the emotional response they have to your work. Plain and simple.
 
Have you ever lost a sale because you didn’t shoot with a 5D Mark II or a D700? I didn’t think so. The gear and the process (and even the philosophy) are nothing more than tools you use to make your work. To put it another way, a hammer is a hammer is a hammer. What you use the hammer to create is what is important.

TS2
 
I am not trying to assert that these heated debates are not without merit, quite the contrary. However, I will take the position that too many in the photographic community spend too much time defending their position and attacking the other side. Countless hours are lost to the defense of topics, which from the customer’s perspective, do not matter.
 
Photography is not an easy business. There are more and more talented people picking up cameras every day. This means your competition is rising. As you find your niche and continue to market it, remember, that if you do not take care of and continually target your customers, someone else will.

Better to spend the discussion ferver on your customers and remained focused.

You can check out Ted's work on his website, follow him on Twitter, and purchase one of his wonderful calendars on Amazon.
 

Three Things You Should Know About Creativity

Monday, November 23rd, 2009

PB040066T

All Rights Reserved

Creativity is a big concept for a photo blog. We spend so much time fighting upgrade fatigue, learning new software, working out new techniques that we often have very little time for creativity. But just taking note that we need to think about creativity isn’t enough. How do we go about it?

Everyone goes about being creative differently. What works for me might not work for you, but I’m going to just share these thoughts on creativity with the hope they will help you concentrate on something other than the next lens you think you want to buy.

For me, creativity is about removing artificial limits. And I think most limits are self-imposed. More precisely, these limits are directly tied to low self-esteem. Now I know you might be thinking, what’s that have to do with creativity? In my experience lots.

We put boxes around ourselves and make decisions that hamper our growth because often, as artists, we don’t really believe in ourselves. How many times have you thought you were just faking it? Or have you ever just assumed that you weren’t good enough? These thoughts murder your creative spirit and you get started on a more creative path when you stop that behavior.

The creative process can start to open up once you just trust yourself. If you empower yourself to try something different and give yourself permission to fail, you become more creative. Don’t make the metrics of success or failure the guidelines by which you proceed. Instead make experimentation, expression and joy the metrics.

The second big point of contact for me is authenticity in my work. If you can start to look at authenticity, rather than originality, you will become more creative. I learned this concept best by listening to John Paul Caponigro. He was talking about other art forms and mentioned that in Asia for instance, artists don’t worry about coming up with something new, they work within an existing form and try to expand it. When I read the photographic forums, the younger photographers seem to beat their chests the loudest and proclaim their creativity simply because they did something “new.” Usually what they did wasn’t new at all, but rather new to them. But it doesn’t matter. Worrying about doing something new ends up stunting creative growth. Being creative does NOT require doing something new. It requires doing something that is authentically your real personal and true vision. If you take away anything from this blog post, I hope it’s that.

Lastly, creativity is about choices. The choices can often be based on a few dynamics like tension, juxtaposition, conflict and resolution. These are good tools in a creative environment. But sometimes, you learn most of your creative ideas from pure experimentation. Free-form music – called jamming often lets musicians come up with their best sounds. Writers use free-association and brainstorming to come up with their best words. Why shouldn’t photographers use their own brand of visual experimentation to find their own visual creativity?

To sum up – if you want to be more creative, start loving yourself enough to give yourself permission to fail. In fact, better yet, don’t even worry about winning or losing. Just DO.

Don’t focus on NEW – focus on authentic. Being original isn’t being new – it’s being you.

And riff. Go out there and jam. Try this and that and then invert it all. Go crazy. Do something you’ve never tried.

I wrote this post as much for myself as I did for you.

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