Posts Tagged ‘equipment’

Introducing Wimberley

Monday, July 5th, 2010

In light of this country’s holiday weekend, we are proud to bring you products from our friends at Wimberley—a company whose products are made right here in the USA, and whose products set the bar for the highest standard worldwide.

Photographers all over the world know and respect Wimberley products for being the pinnacle in their category.  Gimbal heads, flash brackets, lens plates and quick release clamps by Wimberley are procured by photographers who demand only the best.
 


 

The Wimberley story is a true example of the American Dream. David Wimberley started in 1991 with a unique idea of a tripod head.  This gimbal mount design became so popular with nature photographers that Wimberley grew from a backyard project into a full-fledged company. 

David was joined by his son Clay five years later.  Together, their drive for quality precise solutions added new dimensions to their business, and pushed Wimberley to the worldwide stage, all while maintaining their American value of loyalty to their customers.

Wimberley takes a great deal of pride in the name that they have built for themselves over the years.  Always striving for excellence, Wimberley has provided the global photography community with quality products—Made in the USA.

See the entire line of Wimberley products here.


Check out our Wimberley Resource Pages!


Wimberly Lens Plate Design Features
Outdoor Photo Gear Lens Plate Chart
Wimberley Flash Bracket Systems
Wimberley Quick Release Introduction
 Lens Plate Design Features Lens Plate Compatibility Chart Flash Bracket Systems  Quick Release Systems

Introducing Induro’s New PHQ 5-Way Panheads

Tuesday, May 11th, 2010

Induro's new 5-Way panheads hit the shelves today.  We thought you would enjoy this video that illustrates the options this unique head has in store for all types of photography.

 

You can learn more, see detailed specs, and purchase a PHQ in the OPG store here:  Induro

Five Reasons the iPad is a Great Tool for Photographers

Thursday, April 8th, 2010

ipad-pictureWhen the iPad was announced, I immediately started thinking about how this device would work into my photography.  After a lot of thought, I boiled down the iPad's photography advantages to the five below.  Where they enough to make me purchase an iPad?  Yes, they were!

1. The Screen

The iPad screen uses a technology called IPS, the same display technology that is used by the coveted Apple Cinema Displays. The Cinema Displays' clarity and color reproduction are top notch. How does this help you as a photographer? Load up your best images on the iPad and use it as the most versatile and beautiful portable portfolio presenter ever made. When showing your images to prospective clients they'll be amazed!

 

2. Portability

The iPad is truly portable. It weights just 1.5 lbs, and the battery lasts for an incredible 10 hours. Apple makes a VGA adapter, and Apple's wonderful presentation program, Keynote, is available for the iPad. With the iPad, you have an incredibly portable solution to do presentations of your work through a digital projector, without having to carry a bulky laptop. You can show those same images you loaded for your electronic portfolio, or create amazing presentations with music and motion, and dazzle your audience.

3. Apps

Apple's iTunes store has over 170,000 applications for the iPhone.  Guess what? All of them run on the iPad.  On launch day, there were over 3,000 applications designed exclusively for the iPad. Out of these there are a great number of applications that I consider essential for photographers. Some of my favorites are LightTrac, Darkness, MagicHour, and Focalware.

4. Videos

All photographers, like most creative people, go through times when we feel uninspired, or when we feel out of ideas. For me, nothing cures the doldrums faster than watching some inspirational images or movies.  They get my creative juices flowing!  The iPad makes it easy to watch these movies anywhere, at any time.  I don't have to squint at my iPhone, or unpack and set up my laptop.  Some of my favorite and most inspirational movies include Baraka, Planet Earth, and any of the Natural History documentaries produced by Sir David Attenborough.  Now I can have them with me all the time.

5. Photo Websites Anywhere

One of the most important aspects of the iPad for me is that now I have a full featured browser in the palm of my hands, at all times. The iPad allows me to keep up with all my favorite photography related websites with ease, in any room of the house. Some of my favorites include, The Digital Photo Experience, The Pixelated Image, Planet 5D and of course, Outdoor Photo Gear.

I would love to hear from you about your views.  You can email me at juan@dpexperience.com.  Or, take a minute to

we have attached.  It's a great way to see what other photographers are thinking!  Check back in a few days as we publish the results.

–Juan

Juan Pons is the Co-Founder of The Digital Photo Experience along with Rick Sammon. Juan he holds workshops throughout the US as well as abroad. To learn more about his workshops visit http://wildnaturetours.com.

Editor's note: Juan has two last minute openings in his Yellowstone & Grand Tetons in Spring instructional photo workshop taking place June 5 thru June 13. He's offering a $500 discount to any OPG customer who signs up for the workshop by April 15th. Check out the workshop details here, and just mention Outdoor Photo Gear to him when you sign up.

 


Take the iPad Survey


Current Results

Would you use an iPad with your photography?
Yes – 54%
No – 29%
Maybe – 11%

What's your photography "status"?
In-between – 54%
Amateur – 25%
Professional – 18%

How do you think you will use your iPad with your photography?
Showing photos to friends and family – 20%
Browse photography websites – 19%
Read photography related eBooks – 16%
Presenting photos to clients – 15%
Use photography apps while shooting – 13%
Give presentations – 11%
Use as a photo frame – 5%

Have you purchased an iPad?
No – 68%
Yes – 21%
Not Interested – 7%

Aquatech Soft Hood Mini Review

Thursday, March 25th, 2010

 chashood

Air travel is more difficult than ever before; it seems carry-on policy, size and weight restrictions, and additional fees imposed change daily. We need to save every ounce of weight and space possible while trying to safely transport our gear to and from location. To this end I had been placing my long lens hoods within my checked luggage, and although I stood them on end, all the hoods exhibit stress fractures from baggage handling. 

Enter the Aqua Tech SoftHood solution; lightweight, collapsible and damage resistant it has proved a superior alternative to traveling with the manufacturers' round hard hood. The SoftHood conveniently lies flat for easy packing. Attaching the hood is quick and easy via compression straps with a “hook and loop” flap to the lens, a rubber channel firmly seats the hood preventing movement after attachment; the stiff batten-like ribbing within the fabric makes the hood strong and ridged enough to stand on end when in use. 

Over the past few months I have traveled the globe using Aqua Tech SoftHood sizes for both 300/500, and 400/600 mm lenses. In short, traveling with the SoftHood use greatly reduces my equipment anxiety, and although some may consider the hood a luxury item, I find them well worth the additional piece of mind.  Highly Recommended!

See you in the field or at the computer,

Chas

Read about Chas and his killer "Shoot The Light" workshops here.

Jobu Design BWG-Pro Gimbal Head Review

Friday, March 19th, 2010

BWG1

Introduction

I was recently given the opportunity test and review the Jobu BWG-Pro gimbal head.  Outdoor Photo Gear arranged to have Jobu Design send a BWG-Pro my way so that I could test it out, write a review for OPG and provide feedback to Jobu Design.  All-in-all, I was very impressed with the BWG-Pro’s design, construction and operation.

Background

I am a Juneau, Alaska based photographer who shoots everything from still life to landscapes to wildlife.  I use Canon DSLRs and own a host of lenses, including a Canon 500mm f/4 IS.  To date, when using my 500mm, I’ve been using a Wimberley Sidekick mounted on a ballhead (currently the RRS BH-55) all atop an old but sturdy Gitzo 1345.  I should note that until spending time with the BWG-Pro, I hadn’t really tested any other full gimbal head to any great degree.  I had always felt the ballhead/Sidekick combination was adequate for my needs and hadn’t been convinced otherwise when given the occasional opportunity to briefly borrow or try full gimbal heads.  My tests of the BWG-Pro were my first chance to really put a full gimbal head through its paces and get comfortable with the "full gimbal way of life". 

I should also note that, despite my best intentions and efforts, the weather and wildlife in southeast Alaska, British Columbia and the Yukon were less than cooperative during the time I had the BWG-Pro.  The early fall rains had begun and the salmon runs were in their lull between their regular summer runs and their late fall runs.  The sated bears and eagles apparently decided to use the ugly weather and lack of food to rest up before the next and last influx of salmon before winter. So, sadly, most of my testing of the BWG-Pro was not done in the heat of the wildlife photo moment but in more controlled settings.  The upside to this was that I was able to really give the BWG-Pro an unhurried, extensive examination.

Product Description

The Jobu Design BWG-Pro is the largest gimbal head that offered by Jobu Design, and I think it is the beefiest on the market.  Weighing in at 3.5 pounds, its main arm is constructed from cast, heat treated, oversized stock.  The BWG-Pro has full ball bearing support in its tilt-axis and its horizontal mount swing arm has spring loaded movement.  It also uses soft-touch rubberized knobs and a unique low-profile lockout switch that locks tilt movement for travel.  It comes standard with a 2.5 inch, knobbed, Arca-Swiss compatible quick release plate (longer plates are available) and is offered in two paint schemes, field green and matte black.  It is recommended for use with lenses from 70-200mm F2.8 and up.

bwg2

Construction, Fit and Finish 

That the BWG-Pro is the largest and heaviest gimbal head offered by Jobu Design comes as no surprise, as it is built very, very well.  With large, oversized main and swing arms, adjustable base plate, large, rubberized knobs and paired, instead of single, hex bolts, the BWG-Pro is obviously intended to securely handle very large and heavy lenses with ease. Although the BWG-Pro is fairly large and heavy, it is only .3 pounds heavier than my standard BH-55 plus Sidekick set-up.  In use, while hiking, I never noticed that extra .3 pounds.  The fit of the BWG-Pro is quality.  The BWG-pro is solid, with no loose joints, rattling, loose knobs, etc. 

The unit I tested was painted an appropriate field green.  The paint job was quite nice and seemed durable but I was pretty gentle with the unit so I really can’t attest to its long term durability.

Operation

In use, the BWG-Pro mounted with my 500mm f/4 IS and Canon 1D2n, performed very well and made me a full gimbal head convert.  Now I sheepishly understand what I’ve been missing!  The movements of the BWG-Pro were silky smooth, and the unit was rock solid when clamped down, even at odd angles.  I appreciated the positive, large, rubberized knobs.  Not only did the knobs do a nice job of securing the arms, they were comfortable and easy to operate, even while wearing gloves.  The unit was fairly easy to set-up, and once you have the adjustable height base plate set appropriately for your lens/camera combination, you’re good to go with a nearly “weightless” long lens experience. 

The inclusion of the lockout switch is a nice touch.  It locks the tilt arm in its neutral, vertical position so that when you move the tripod your lens and camera don’t freely tilt.  This makes carrying and transporting your gear much easier and more pleasant than would otherwise be the case.

I do have some minor suggestions for Jobu.  First, I’d like the option of a lever operated quick release clamp.  While I understand that a knob operated clamp is more secure, I find that lever operated clamps are much more convenient, especially in cold weather when fiddling with a small knob means taking off your warm gloves.  I also felt that while the adjustable height base plate is a nice, even necessary, feature and is very secure once clamped down, that it was a bit difficult to adjust if it was bearing any weight.  I'd also like to see the tension knob placed on the side of the main arm, where the lockout switch is currently located, a location to which my hand would naturally move while shooting. I understand however that there are probably design/engineering considerations in the choice of the switch and knob positions.  Of course, none of these quips rise to the level of deal breakers for me – the BWG-Pro is a quality piece of gear to be sure.

I also loaned the BWG-Pro to my friend and professional nature photographer, John Hyde and asked that he review it as well.  I asked that he use his 600mm f/4 lens, which is both longer and heavier than my 500mm.  He provided the following input:

“If you need a solid support for photographing subjects in motion with long, heavy lens the BWG-Pro is a must have.

Once you get the balance right for the lens being used it is always ready to go at a moment’s notice.  Unlike a ball head which must be tightened down if you wish to back away from the camera and tripod, or move to a new location, this gimbal head can save precious seconds because it is always ready to go.

I used this in combination with my 600 F4 and two different pro bodies and it performed very well. Smooth panning operation even when set fairly tight, so tracking subjects is a breeze.

The trick to getting the best performance from this (and any gimbal head) is having the tension on the head adjusted for the lens and the tripod height adjusted correctly for height of the photographer. Once this is achieved both horizontal and vertical panning are optimized. If you are using a lens that can rotate within its collar, then that will make panning and tracking even easier. The height of the base can also be adjusted vertically as well.

Initially I had some concern that the base release was a bit small but the double tapped design held firm. 

The bulk and weight of this head are more than a ball head but well worth it in terms of performance. It is essential for long lens use in my opinion.

And when you consider the price tag of those long telephoto lenses the cost of this head isn’t too bad. Especially when you consider the enhanced performance and ability to capture those photos that otherwise would have gotten away!”

bwg3

Conclusion

After having spent time with my Canon 1D2n and 500mm f/4 IS clamped happily, securely and weightlessly on the Jobu BWG-Pro, I’m now convinced that, if at all possible, every nature photographer using big glass should at least try the Jobu BWG-Pro.  My minor suggestions aside, I can’t see how one would improve on the construction and performance of the Jobu BWG-Pro.  For me, now that I’ve tested one, it occupies quite a high place on my Spring 2010 photography gear shopping list.

 

You can find more information on the BWG-Pro in the Store.

See Joe McCabe's Flikr photostream here.

You can view John Hyde's website here.