Posts Tagged ‘learning’

The Dumb Luck Shot

Thursday, July 15th, 2010

Much as been written on the web about waiting years and years for all the elements in a scene to come together for a “once-in-a-lifetime shot.”

That’s all well and good, and sometimes it’s true.

But sometimes a good shot is just dumb luck. Here is an example.

In the above photograph, the five subjects are completely isolated, the side lighting is wonderful, the reflection is perfect, the background is effective in adding to the “sense of place” of the image, the dog adds an extra element of interest, and the exposure is good.

I even like the way the cowboy has his leg slightly lifted, and the way we can see the cowgirl’s silhouette.

Now, I could say that I waited years for a picture like this one. But in fact, it was just a dumb luck shot.

You see, I was co-teaching a workshop in Oregon. One night during dinner, one of the participants said, “Hey, look out the window, there is a great shot.”

We all stopped chowing down, grabbed our cameras, walked out on the porch, grabbed a shot, and went back to eating our pork and beans.

This is one of my favorite dumb luck shots, and dumb luck stories – once of many such stories.

The thing about dumb luck, however, is this: you have to be prepared for when those dumb luck moments present themselves to you. Keeping your camera handy, and knowing how to use it, increases your luck. So does understanding light, compensation, and lenses.

Below is another dumb luck shot. I was just in the right place (Mongolia) at the right time (festival) in the right conditions (overcast and dusty) and in the right location.

Explore the light – and good luck :-)

Rick

 

Keep up with Rick and Juan Pons at the Digital Photo Experience.

Five Ways Photography Changed My Life

Friday, June 4th, 2010

Mt. Shuksan and Picture Lake, Washington

There was a time, many years ago, when my world revolved around being an outdoor athlete.  I was a rock climber, trail runner, backpacker, mountain biker, long distance hiker, canyoneer, and kayaker.  Sometimes I would combine them all when doing adventure races.  I spent most of my free time training.  I was obsessed with going far and getting there fast.  I spent a lot of time in the outdoors, but it went by so quickly that I rarely had a moment to enjoy a sunset or notice the coyote yipping in the distance. 

And then it happened.  I fell in love with nature photography.  I gave up adventure racing.  I spent more time photographing and less time training.  I stopped counting miles traveled each week and started counting rolls of film exposed.  Everything just sort of slowed down.

Looking back I realize that photography has taught me some valuable lessons.  I’ve learned that when you don’t train on a daily basis the size of your waistband increases.  Actually, I’ll blame that on age.  More importantly, I’ve learned a few things that are helpful to me as a member of the human race and I think they’ve made me a better husband, brother, friend and an all-around better person.

1) Have Some Patience - Through photography I have learned the art of patience.  I have learned that it is okay to slow down.  It’s not about the miles covered or the peaks bagged.  It’s about getting up early and sitting in the desert watching an entirely new day develop in front of me.  It’s about plopping down on a rock and waiting for the light to work its magic upon the landscape.  It’s about slowing down and enjoying a moment, whether it’s while you’re creating art or spending a few unexpected minutes with your family.  Life is entirely too short to spend it rushing from one place to the next.

mesa arch fog

2) Be Persistent - What would it be like if every time we took out our camera white puffy clouds filled the blue sky, dramatic light poured down over the landscape and an eagle glided through our frame?  Sure, at first, it would be awesome but after a while it would become really boring.  Okay, I admit – it probably wouldn’t.  But the reality is that we often have to visit a location over and over before Mother Nature feels we’ve earned the right to witness her awesomeness.  Those who persist will eventually be there when all the right conditions collide.  Persistence reaps rewards not enjoyed by those who are easily discouraged.  Know what you want and don’t be afraid to go after it with all you’ve got.

3) See The Light - Before photography consumed my life the only purpose light served was to illuminate the trail, rock or river before me.  My first “a-ha!” moment occurred in the Sonoran Desert outside Phoenix.  I was out for a trail run after work in the Squaw Peak Preserve when the setting sun backlit the translucent needles of a field of cholla cactus.  It literally stopped me in my tracks.  I stood there, jaw slack, staring at these beautiful cactus glowing in the late afternoon light.  How many times had I run or biked this trail and never had I noticed how beautiful they were?  I had only been concerned with keeping them out of my skin (not always successful).  For the first time I stood there wishing I was peering through a viewfinder.  Since that day I’ve had hundreds more moments just like that one.  Each and every one has been just as special as the first.

Indian Paintbrush & Juniper Log, Utah

4) Don’t Neglect The Details - It’s difficult to appreciate a tiny wildflower or the beautiful texture of juniper tree bark when you’re flying by in the middle of a long trail run.  After moving to Colorado in 2002 I set a goal to spend more time developing my ability to find and photograph intimate landscapes.  In my pre-photography days I never would have slowed down long enough to study a stand of autumnal aspen trees  looking for the perfect balance of color, light and symmetry.  Photography helped me to discover that if you enjoy life’s little details you’ll be even more appreciative of successes on a grander scale.

5) Art As Therapy - The year 2001 was not a stellar one for me.  Early in the year I went through a difficult break-up, the events of 9/11 deeply affected me, my Mom passed away in November and I really didn’t enjoy my job.  I was sinking into depression and it seemed I was on a path spiraling quickly downhill.  I decided to move from Phoenix to Denver and use all the new free time associated with being single to immerse myself in photography.  Eventually, my mood improved.  It seemed that creating art was cathartic.  By the end of 2002 I felt like I’d come back from the brink of a place I’d rather never revisit.  Putting all my energy into art was a most intense therapy.  Now, when I need to clear my head, I head out to the desert to scout a new location or make a few images.  After a few hours I’m back in the land of the rational.

There are no accidents in life.  I never suspected that picking up a camera would change my life.  But it has, and I believe I’m a better citizen of the earth because of it.     

Editor's note:  We welcome Bret Edge as a contributor to our blog!  We'll have more from Bret in the coming weeks and months.  Bret is an adventure photographer based in Moab, Utah.  His work has appeared in many publications, including Backpacker Magazine and Popular Photogaphy.  Bret also conducts workshops and private instruction in the Moab area. 

You can learn more about Bret, view his wonderful images, read his blog here:  Bret Edge Photography

You can find out more about Bret's workshops here:  Moab Photo Workshops

One Photo, One Dozen Photography Tips

Thursday, June 3rd, 2010

Photograph © Rick Sammon. All rights reserved.

Here are some quick tips for portrait shooters. Enjoy

  1. Make a photograph — don’t simply take one. Work with the subject, props, posing and lighting to create a unique image.
  2. The name of the game is to fill the frame. In other words, crop out the boring stuff in a scene so that the viewer’s attention is drawn to the main subject — immediately.
  3. Crop creatively. More often than not, a picture can be enhanced with basic cropping in the digital darkroom. Experiment with different crops. Also try to see pictures within a picture.
  4. Remember that light illuminates; shadows define. That is the first step to lighting a portrait.
  5. Carefully light the scene. In this case, I used a combination of available light and the light from a flash to create a well-lit portrait.
  6. Choose your lens wisely. Think about how the focal length and f-stop will affect the end result. Use at least a medium telephoto lens (85mm) for head and shoulder shot. Wider-angle lenses are okay for environmental portraits (like this one).
  7. Carefully pose your subject. Pay special attention to where the subject is looking (toward or away from the camera). Also pay attention to the hands.
  8. Shoot RAW files because they are more forgiving than JPEG files – and because you can rescue more from overexposed highlight areas than you can from JPEG files.
  9. Use the lowest possible ISO for the cleanest (little or no noise) possible shot.
  10. Don’t over saturate an image in Photoshop (or Aperture or Lightroom or anywhere.) When areas of an image are oversaturated, details can be softened and lost. If the reds here had been over saturated, the detail and the folds in the dress could have been lost.
  11. Think selectively. Apply adjustments (especially sharpening) to select areas of an image rather than applying them globally (to the entire image).
  12. Always sharpen an image as the final step – before you save your file as a TIFF file or PSD files with all those adjustment layers (just in case you change your mind about how you enhanced your image.)

Explore the light,

Rick

Keep up with Rick at the Digital Photo Experience.

Simply Put: You Must Be Prepared for the Worst

Monday, May 31st, 2010

Photographs © Rick Sammon

Canon 15mm lens (above). Canon 24-105mm lens (below).

Both: Canon 5D Mark II.

Last month my photography workshop brought us to the Sister’s Meal Festival in a remote area of China. It’s truly an amazing experience: hundreds of women get dressed in heavy silver and cloth outfits and perform a dance in the hope of attracting a husband.

The outfits weigh more than 40 pounds. Dancing in the hot sun for hours can’t be fun.

Anyway, the light was bad: harsh, direct sunlight. Adding to the challenge, the silver head dresses reflected the bright light, and the subject’s faces were shaded by the headdresses. Aaargh!

To remedy that situation, we used our flashes for daylight fill-in flash, and a reflector and a diffuser – accessories that compress the brightness range of a scene so that it can easily be recorded by a digital camera, without blown-out highlights and dark shadows.

Because we  were prepared for the worst, we were able to get evenly exposed images like the one below.

To help capture and convey the excitement and size of the event, I used my 15mm full-frame fish-eye lens and held it above my head and tilted it downward for a unique viewpoint. This lens is great for capturing large groups, because it enhances the way a scene is recorded – capturing an extremely wide scene and exaggerating perspective.

The idea today was to “tell the whole story” of the festival. Telling the whole story can easily be accomplished simply by taking wide-angle shots and close-up shots – and everything in between. Everyone did a great job. More story-telling photos to come.

If you are interested in joining my 2011 China workshop, shoot me an email at email hidden; JavaScript is required. DPE’s Juan Pons will most likely join the fun!

Explore the light – and explore telling the whole story.

Rick

Keep up with Rick and Juan at the Digital Photo Experience.

Rick Sammon releases“Social Media Marketing for Photographers” iPhone App

Monday, May 17th, 2010

 

If you are interested in Social Media Marketing (and in expanding your business), check out Rick's new iPhone App  Social Media Marketing for Photographers (iTunes link).

Today, Social Media Marketing is marketing. Now, more than ever, photographers, as well as all those involved in creative endeavors, need to market their work, locally, nationally and internationally. That’s the focus of this comprehensive app.  Juan Pons, the co-creator of the Digital Photo Experience, put this app together.

 

The app is an audio/video recording of Rick's Keynote presentation on social media marketing. It’s like taking a private 1.5-hour lesson on this all-important subject.


 

Movie times:
Part 1 – 24 minutes
Part 2 – 26 minutes
Part 3 – 17 minutes
Part 4 – 12 minutes
Part 5 – 11 minutes
Total: 90 minutes.

Rick recommends that you watch the movies in order to get the most out of the app.

Rick covers social media marketing tools such as Twitter, Tweetdeck, Google Analytics, Quitter and more. Rick gets you to think about marketing your work daily, and also touches on traditional book publishing and apps.

In addition, Rick has included a few of his favorite photography techniques!

The app is packed with marketing tips illustrated with Rick's photographs that relate to the tips given, to make learning fun.

 

This is Rick's second app. His first app, co-developed with Dr. Dave Wilson, is Rick Sammon’s 24/7 Photo Buffet.  (iTunes link).

Keep up with Rick and Juan at the Digital Photo Experience.

 

Powerful Searching with Lightroom’s Library Filters

Wednesday, April 28th, 2010

"Flower Man" Savannah, GA

 

There are many ways to find your photos inside Lightroom. The Library Filter bar contains several tools that make finding specific images easier. You can apply these filters one at a time or in different combinations to see only the images you’re looking for. To apply multiple filters, command(cntrl) click on the filter names in the filter bar. This is a great way to find and organize your photos for creating collections, as filters can be applied to individual folders or your entire catalog.

To open the Library Filter bar, make sure you are in the Library Module and press the backslash (\) key. The Library Filters will drop down at the top of the grid window. It looks pretty unassuming at first, but let’s open the tabs and see what’s inside.

 

Here are the Library Filters with all of the tabs open. From top to bottom (and left to right in the bar): Text, Attribute and Metadata.

First on the list is ‘Text’. The graphic below shows all of the options expanded for the Text filter. This filter seems simple, but there are a lot of options that allow you to get very specific results.

Text filter with its options expanded

Next is the ‘Attribute’ filter. This filter is not as self-explanatory as the Text filter, but it makes sense when you open it. Here you can filter your results by pick flag, star rating, color label or copy status. If you click on the ‘≥’ before the stars you can change this setting from “greater than or equal to” to “less than or equal to” or “equal to”. I use pick flags, star ratings and color labels in my regular workflow, and these filters come in handy for me. Copy status allows you to view original photos or virtual copies separately.

The last filter is ‘Metadata’. This is probably the most powerful of the Library Filters because it allows for so much customization. You can search for everything from EXIF data to upload status. You can add or remove a column from the filter using the drop-down menu in the top right corner of a column. Change the metadata category using the menu in the top left corner of the column. You can select multiple entries in one column by command(cntrl) clicking on multiple categories.

Metadata Filter

Lightroom includes Custom Filter presets like “Flagged”, “Rated” and a few others, but you can add your own to streamline your searching and organization.  Create a search or filter you would like to save, then choose “Save current settings as new preset” in the Custom Filter menu at the right side of the filter bar. You can apply filter presets from the Custom Filter menu, or from the drop-down menu on the right side of the filmstrip.

“Flower Man” photo shot with a Nikon D300s and an 18-200mm f/3.5-5.6 VR lens. Black and White conversion made with Nik Software Silver Effects Pro.

Read more about Rob Knight at his website, and learn about Rob's workshops at Edge of the World Workshops.