Posts Tagged ‘Macro Composition’
Tuesday, July 19th, 2011
Dahlia ~ Before Pixel Bender
Image © 2011/Denise Ippolito Photography
CLICK ON THE IMAGES TO SEE A LARGER- SHARPER VERSION
Pixel Bender (PB) is a free Photoshop filter plug-in that you can download from Adobe Labs here. You can download it for CS4 but you will not have access to the “Oil Painter” filter which is the most popular filter unless you are using CS5. I haven’t really clicked with this filter but it is good for some applications. I always set up on a duplicate layer before running the program so that I can make adjustments. For this Dahlia image I desaturated it before starting and added some contrast and Accented Edges in Photoshop before running the PB filter.
Dahlia ~ Pixel Bender
Image © 2011/Denise Ippolito Photography
Dahlia ~ Pixel Bender with reduced effect and Nik Color Efex Bi-color Filter.
Image © 2011/Denise Ippolito Photography
Check out Denise's website at www.deniseippolito.com
Tags: adobe, Macro Composition, Photoshop, pixel blender
Posted in Creativity, Digital Editing, Macro, Tips and Tricks | No Comments »
Thursday, March 10th, 2011
Here is an image I shot while in San Diego early this month, and I had this process in mind for this flower when I shot it.
Here is the original image, I first did some clean up with the specs of debris, and filled in the gaps between the petals showing any background, and did a slight crop.
After doing the clean up in Photoshop Elements, I then clicked on Filters. In the next box clicked on Blur, and then clicked on Radial Blur. In the next box look for Zoom and click the circle next to it. Use the Amount slider to add or subtract the amount of the Zoom you want, and this is what I came up with.
After I got the zoom the way I wanted it, I went into Nik Software Viveza 2, and did some tweaking with the structure slider to bring out the details in the petals, and darkened and added structure in the dark center. Then popped the yellow a little more.
You can visit Mike's blog and learn about his workshops here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats
Tags: Flower Photography, Macro Composition, Macro Photography, Macro Photogrpahy, Mike Moats, Nik Software
Posted in Macro, Tips and Tricks, Vision | No Comments »
Sunday, September 5th, 2010
If you’ve ever studied some of the better macro images out there, you’ll see those nice clean solid color backgrounds that allow a subject to stand out, with no distractions to pull your eye away. This presentation just doesn’t happen by accident, it’s carefully planned, and not all that hard to do. Most people that sign up for my Macro Boot Camps tend to be flower shooters, so we'll use flowers as our subject matter for this post.
In the image below you see a nice patch of Dame’s Rocket flowers. When approaching a patch like this, I see so many photographers that head right to the middle of the patch to find a flower to shoot. With all the congestion of flowers, stems, leaves, this approach will only lead to a distracting background and make it impossible to get that clean shot.
For a clean shot, you'll need to concentrate your attention to the flowers at the perimeter of the patch. By finding those isolated flowers at the edges, and shooting at an angle where the background is the farthest away, you'll be able to get those nice solid color backgrounds.
In the image below you see the small cluster of flowers on the far right. That,s what you should be looking for--an isolated group that will allow you to shoot without all the distractions behind it.
Find an angle where your background is the farthest away, as this will make it easier for the camera to blur the background. Use a smaller f/stop in the f3.5 to f/8 range to center your depth of field and to help soften the background into a solid color.
Here is the small cluster that we identified in the previous image. This image was shot using the Tamron 90mm at f5/6.
If you can’t find that perfect flower at the edges and have to shoot into the clutter, go tight to eliminate the clutter!
You can visit Mike's blog and learn about his workshops here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats
Tags: Flowers, Macro Composition, Macro Photogrpahy, Macro Tips, Mike Moats
Posted in Articles, Creativity, Macro, Quick Tip | 2 Comments »
Friday, June 18th, 2010
When I exhibit at my art shows each weekend, I have one image that I place in an area of the booth toward the front, so customers passing by with not miss it. This image of dew drops with a flower inside of them always draws a crowd of people in amazement, and the big question is, “did you Photoshop the flower into the drops?“.
No, I did not. In fact, this image is a very easy shot to produce--just find some tall grass in an open field on a dewy morning. Once you locate a nice blade of tall grass with some dew drops, carefully position your tripod and camera close-in to fill the frame, so the dew drops are easy to see. Use a Plamp with one end clamped on your tripod and the other end clamped onto the stem of your choice of flower, and position it directly behind the dewdrops. The closer the flower is to the dew drops, the larger the flower will appear, and the father away, the smaller it will be in the dew.
Once you get the right position of the flower, set your f/stop in the lower range, from f/3.5 to f/5.6. You want to place your point of focus on the flower in the dew drops, and the shallow depth of field will soften or blur the flower. You don’t want to much details in the flower because you want the dewdrops to stand out from the flower and not get lost.
Not so hard, is it?
Have fun and experiment. When you get a good shot, show it off. You'll enjoy answering that Photoshop question!
You can visit Mike's blog here: Tiny Landscapes
Mike's eBooks are available in the OPG store here: Mike Moats
Tags: Macro Composition, Macro Tips, Mike Moats
Posted in Articles, Macro, Tips and Tricks, Vision | No Comments »
Wednesday, May 12th, 2010
Congratulations to macro master Mike Moats, an OPG blog regular and the author of best-selling ebooks in the OPG Store!
Mike just had an article published in the June edition of Outdoor Photographer magazine, which was delivered to subscribers this week and should hit the stands soon.
Mike's article is titled Diversify Your Macro Portfolio and is full of tips and Mike's inspiring images.
You can read the online version of Mike's article here: Outdoor Photographer
You can see Mike's ebooks in the OPGStore here: Mike Moats
Check out Mike's images here: Tiny Landscapes
Tags: Macro Composition, Macro Tips, Mike Moats
Posted in Articles, Macro, Photographer Spotlight | No Comments »
Wednesday, April 21st, 2010
Spring is finally here with all its color, but I thought I would take a look back at the drab winter and give you a few thoughts.
My cure for the photographer’s cabin fever is finding interesting subjects to shoot indoors. It’s not that I’m a wimp and don’t want to brave the cold, its just that what sells the best for me is images with color, and winter takes its toll on any color in nature here in the north.
I can better spend my time marketing during the winter then out shooting images that won’t sell. As much as I like winter, most people that view my images at the art shows tell me they don’t care for winter and they don’t want to look at it all year hanging on their walls. I’m always looking for something interesting to shoot indoors. Probably the most used indoor subject is flowers, and I do my share of flower shots, but I’m always in search of something new to shoot.
I’ve always liked the look of bird feathers, the lines, texture and patterns have always interested me. I have some turkey and sea gull feathers I’ve picked up locally from the parks where I shoot, but I wanted some feathers with a little more design and color. I went online and did a search on feathers. I found sites that were selling a variety of feathers, mainly used for home decor arrangements.
Here are some images of the feathers I received. I had some fun setting them up and shooting!
I arranged these three feathers at slightly different angles as to not have them looking too composed. Shot at my favorite f/stop, f/32, with the Tamron 60mm macro lens.
With this group I used two colorful feathers to flank the center feather which has more earth tones. The resulting contrast allowed the center feather stand out. Also shot with the Tamron 60mm macro at f/32.
These are tiny little feathers that I arranged in this group. I added a 25mm extension tube that would allow me to focus in closer on this small grouping. I wanted a different and more abstract look, so shot this one at f/2.8. The Tamron 60mm set at f/2.8 blurred the edges really well and I placed the point of focus on the center feather.
Even cooped up in winter, you can get your creative juices flowing!
That being said, I'll still take spring.
--Mike
You can visit Mike's blog here: Tiny Landscapes
    
Tags: Abstract, Art, Close-Up Photography, Macro Composition, Macro Tips, Mike Moats, Tamron Lenses
Posted in Articles, Macro, Quick Tip | No Comments »
Tuesday, April 13th, 2010
In the last post I used the rule of thirds, and this time I’m going to use two of the thirds in the frame.
In the top image I placed the bee in the upper third of the frame, and also in the third of the frame on the left side. This has a nice look, and it has the bee looking into the frame which is what you always want when shooting critters.
When I shot this image my first thought was to place the snail in the typical position, centered in the bottom third of the frame. Then decided it would be a little more interesting by using the bottom and left thirds and allow the shadow to be included in the image.
You can check out Mike's eBook on Macro Composition in the Store here.
Tags: Guide to Macro Composition, Macro Composition, Macro Tips, Mike Moats
Posted in Articles, Macro, Quick Tip | No Comments »
Monday, April 12th, 2010
Subject placement can be very subjective. It can range from placing a main subject in the center, thirds, corners, and two of the thirds. Positioning the subject will depend on what is around it.
Centering the subject is what is called bulls-eyed, and in some cases this works, but you don’t want every one of your images in the center. Having a portfolio of images with varying positions from centered, thirds, and corners will keep your compositions from looking repetitive.
In the image above I placed the yellow contrasting leaf in the bottom third of the frame. Offsetting the main subject in the thirds tends to be most popular way of positioning a single subject.
The dark center of this frosted Black-Eyed Susan flower is the main focal point of the flower, so I placed it in the left third of the frame. When using the thirds rule it has a less composed look and more natural.
Check back tomorrow for more info on placement.
You can check out Mike's eBook on Macro Composition in the Store here.
Tags: Close-Up Photography, Guide to Macro Composition, Macro Composition, Mike Moats
Posted in Articles, Macro, Quick Tip | No Comments »
Sunday, January 10th, 2010
When December rolls in the cold weather here in the north I start getting excited to shoot abstracts in ice. The first ice is when these abstracts form. I find small streams in the woods where I live and follow the edges in search of this interesting artwork. It happens in the first ice formations at the edges of the streams. As the ice starts to thicken you lose the patterns. I shoot these using a longer focal length macro lens like the Tamron 180mm. You will be shooting from the bank and need the extra reach of the longer focal length. I shoot these in the highest f/stops to bring in all the details. Very cool stuff.
Once the stream ice thickens and I lose the cool patterns, I move to the lakes. Search out the edges of frozen lakes where fall leaves have blown into the lake and froze. On a warm sunny days you will get melted patterns in the ice above the leaves. You can shoot these with any macro lens as you will be nice and close and you’ll be shooting a flat subject so just position your tripod directly over top of the leaf and shoot in the F/8 range.
     
Tags: Abstract, Close-Up Photography, Ice, Macro Composition, Nature
Posted in Articles, Macro | No Comments »
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