Posts Tagged ‘Macro Tips’

Winter Macro Indoors with Slab Cut Rocks

Monday, January 17th, 2011

One of my favorite subjects to shoot during the winter months are slab cut rocks, which are thin slices of rocks that are polished smooth exposing all kinds of great abstract designs.  Each year I search out companies online that sell these rocks and this year I found “Dandy Slabs”  which is a premier site for rare, high grade and old stock lapidary materials – slabs, rough rock and collector specimens.  You can chekck them out at www.dandyslab.com.

I shot these images using my Tamron 60mm macro lens.  When I’m shooting indoor I like using a short focal length lens and working in close with the subject.

This first rock is a Deschutes Picture Jasper Slab and I liked the rich warm tones and lines.

This part of the rock reminded me of a mountain range, and the bright area on the left is the early morning sun with a large flock of crows in the sky entering the scene.

 

This second rock is a Laguna Agate Slab.  It has a wild design with some great colors. These slabs are maybe a quarter of an inch think and the designs vary on each side so it gives you more options for compositions.

This is the front side

And here is the same rock but from the opposite side, and a little different look.

So check out sites like Dandy Slabs, and pick up some rocks to shoot.  Don't let Old Man Winter set you back!

You can visit Mike's blog and learn about his workshops here:  Tiny Landscapes

Mike's eBooks are available in the OPG store here:  Mike Moats

Mike Moats' new Macro Forum

Saturday, October 30th, 2010

Our pal Mike Moats has opened up a new Macro Nature Forum.

Mike's new forum is for macro photographers of all skill levels, and It’s free to register and participate. You will be able to post your macro images in different forums, start or engage in a macro discussion, enter contests, and more. Check it out! www.macronatureforum.com

 

Shooting Clean Flower Backgrounds

Sunday, September 5th, 2010

If you’ve ever studied some of the better macro images out there, you’ll see those nice clean solid color backgrounds that allow a subject to stand out, with no distractions to pull your eye away.  This presentation just doesn’t happen by accident, it’s carefully planned, and not all that hard to do.  Most people that sign up for my Macro Boot Camps tend to be flower shooters, so we'll use flowers as our subject matter for this post.

In the image below you see a nice patch of Dame’s Rocket flowers.  When approaching a patch like this, I see so many photographers that head right to the middle of the patch to find a flower to shoot.  With all the congestion of flowers, stems, leaves, this approach will only lead to a distracting background and make it impossible to get that clean shot.

For a clean shot, you'll need to concentrate your attention to the flowers at the perimeter of the patch. By finding those isolated flowers at the edges, and shooting at an angle where the background is the farthest away, you'll be able to get those nice solid color backgrounds.

In the image below you see the small cluster of flowers on the far right. That,s what you should be looking for--an isolated group that will allow you to shoot without all the distractions behind it.

Find an angle where your background is the farthest away, as this will make it easier for the camera to blur the background.   Use a smaller f/stop in the f3.5 to f/8 range to center your depth of field and to help soften the background into a solid color.

Here is the small cluster that we identified in the previous image.  This image was shot using the Tamron 90mm at f5/6.  

If you can’t find that perfect flower at the edges and have to shoot into the clutter, go tight to eliminate the clutter!

 

You can visit Mike's blog and learn about his workshops here:  Tiny Landscapes

Mike's eBooks are available in the OPG store here:  Mike Moats

People Are Amazed At This Shot!

Friday, June 18th, 2010

When I exhibit at my art shows each weekend, I have one image that I place in an area of the booth toward the front, so customers passing by with not miss it.  This image of dew drops with a flower inside of them always draws a crowd of people in amazement, and the big question is, “did you Photoshop the flower into the drops?“.

No, I did not. In fact, this image is a very easy shot to produce--just find some tall grass in an open field on a dewy morning.  Once you locate a nice blade of tall grass with some dew drops, carefully position your tripod and camera close-in to fill the frame, so the dew drops are easy to see.  Use a Plamp with one end clamped on your tripod and the other end clamped onto the stem of your choice of flower, and position it directly behind the dewdrops.  The closer the flower is to the dew drops, the larger the flower will appear, and the father away, the smaller it will be in the dew. 

Once you get the right position of the flower, set your f/stop in the lower range, from f/3.5  to f/5.6.  You want to place your point of focus on the flower in the dew drops, and the shallow depth of field will soften or blur the flower.  You don’t want to much details in the flower because you want the dewdrops to stand out from the flower and not get lost.

Not so hard, is it?

Have fun and experiment.  When you get a good shot, show it off.  You'll enjoy answering that Photoshop question!

 

You can visit Mike's blog here:  Tiny Landscapes

Mike's eBooks are available in the OPG store here:  Mike Moats

Backlighting Your Macro Images

Tuesday, June 8th, 2010

Here's a quick macro tip:

For a unique look in your macro images use the sun to backlight your subject.  Low angle early morning or late evening sun works best.  Use it to highlight edges of a flower or highlighting the flower petals.


  You can visit Mike's blog here:  Tiny Landscapes

Congrats to Mike Moats!

Wednesday, May 12th, 2010

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Congratulations to macro master Mike Moats, an OPG blog regular and the author of best-selling ebooks in the OPG Store!

Mike just had an article published in the June edition of Outdoor Photographer magazine, which was delivered to subscribers this week and should hit the stands soon.

 

Mike's article is titled Diversify Your Macro Portfolio and is full of tips and Mike's inspiring images.

You can read the online version of Mike's article here:  Outdoor Photographer

You can see Mike's ebooks in the OPGStore here:  Mike Moats

Check out Mike's images here:  Tiny Landscapes

Fun With Feathers

Wednesday, April 21st, 2010

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Spring is finally here with all its color, but I thought I would take a look back at the drab winter and give you a few thoughts.

My cure for the photographer’s cabin fever is finding interesting subjects to shoot indoors.  It’s not that I’m a wimp and don’t want to brave the cold, its just that what sells the best for me is images with color, and winter takes its toll on any color in nature here in the north. 

I can better spend my time marketing during the winter then out shooting images that won’t sell.  As much as I like winter, most people that view my images at the art shows tell me they don’t care for winter and they don’t want to look at it all year hanging on their walls.  I’m always looking for something interesting to shoot indoors.  Probably the most used indoor subject is flowers, and I do my share of flower shots, but I’m always in search of something new to shoot. 

I’ve always liked the look of bird feathers, the lines, texture and patterns have always interested me.  I have some turkey and sea gull feathers I’ve picked up locally from the parks where I shoot, but I wanted some feathers with a little more design and color.  I went online and did a search on feathers.  I found sites that were selling a variety of feathers, mainly used for home decor arrangements. 

Here are some images of the feathers I received. I had some fun setting them up and shooting!

I arranged these three feathers at slightly different angles as to not have them looking too composed. Shot at my favorite f/stop, f/32, with the Tamron 60mm macro lens. 

 

With this group I used two colorful feathers to flank the center feather which has more earth tones.  The resulting contrast allowed the center feather stand out.  Also shot with the Tamron 60mm macro at f/32.

 

These are tiny little feathers that I arranged in this group. I added a 25mm extension tube that would allow me to focus in closer on this small grouping.  I wanted a different and more abstract look, so shot this one at f/2.8.  The Tamron 60mm set at f/2.8 blurred the edges really well and I placed the point of focus on the center feather.

Even cooped up in winter, you can get your creative juices flowing!

That being said, I'll still take spring.

--Mike

You can visit Mike's blog here:  Tiny Landscapes

 


 

Subject Placement – Use Two Thirds

Tuesday, April 13th, 2010

In the last post I used the rule of thirds, and this time I’m going to use two of the thirds in the frame.

In the top image I placed the bee in the upper third of the frame, and also in the third of the frame on the left side.  This has a nice look, and it has the bee looking into the frame which is what you always want when shooting critters.

When I shot this image my first thought was to place the snail  in the typical position, centered in the bottom third of the frame.  Then decided it would be a little more interesting by using the bottom and left thirds and allow the shadow to be included in the image.

 
You can check out Mike's eBook on Macro Composition in the Store here.

New Life for Your Old Light Table

Thursday, February 11th, 2010

Dig out and dust off your old light table and put it to use as backlighting for macro subjects.  When I started in photography in 2001 I bought a few nature magazines and noticed all the pros were using Velvia slide film,  so I used slide film which required me to buy a light table to view the slides. 

 I only shot film for three years and then made the change to digital.  The light tables has been dark until I found a use for it.  It works great for backlighting which creates a special look to your images.  You need subjects that are somewhat transparent for the best results.

Above is a group of Beech leaves I arranged on the light table and below is a Turkey feather I found in my local park. I added a drop of water to the feather to add a little interest.