Posts Tagged ‘maine’
Wednesday, April 27th, 2011
Self Portrait - Hudson Valley
I recently received the following question from a reader, and thought I would share my answers here – hopefully they offer some insights to help those of you with similar questions.
“…I can’t capture an outstanding mountain or river view…I know a big part of that is that my camera is a pocket camera, and I don’t have real editing software, but I’m curious if you could give suggestions or tips on how to really catch a remarkable view.”
I have written here many times about the role of technology in photography, and as many of you know I am definitely of the opinion that it doesn’t really matter. Yes it certainly helps in technical aspects such as resolution, sharpness, clarity, and over all image quality. But in my opinion, the single most important aspect of any photograph is it’s ability to convey a story, and create an emotional response in the viewer.
I will let you decide whether you think the gear plays a bigger role in this regard than the composition, but I repeatedly tell students I have never been asked a technical question by a print buyer – from the 8×12 to the 36 x 90. My my work is based on my love and passion for nature, and the desire to share it with others, and it all starts there – without that, the best camera in the world means nothing.
The short answer is that it takes time – a long time to develop the instincts for seeing light. Landscape and nature photography is ALL about patience. There is a saying – “the best investment you can make in your outdoor photography is in the investment of time”. Sure you can get lucky (we ALL do) and make a few great images, but a consistent body of work is something that comes from practice, dedication, and failure.
Quoddy Head, Maine
Many want to take the shortcut and use technology, computers, etc to make nice images,but ultimately there remains a missing ingredient that keeps a viewer interested over the long run. Learning how to do this involves practice, study, and time. Here are a few suggestions:
- Read as much as possible – photography books, magazines, manuals, etc.
- Looks at as much photography as you can – I used to spend hours at the library and Barnes & Noble looking at every single photo book – I also bought a whole lot.
- Read this blog and other blogs about photography and try to learn from the concepts expressed and written about. Leave feedback, ask questions, and find photographers that are willing to share and help – this is key.
- Take lots of pictures and fail often – then you start to learn from the mistakes you are making. Go out again and make new mistakes – repeat until you start to get better, sometimes faster, other times slow – or as I say two steps forward, one step back.
- One last tip – become completely (and I mean COMPLETELY) familiar with your subject, whether that’s a specific location, or light in general. I often think about a potential image in my imagination in the middle of the night, and how I might arrange all of the elements to create the strongest composition – camera angle and height, sun height and direction, foreground and background elements, etc. This is particularly helpful with a specific area or location – ie. see Ansel’s work of Yosemite.
Most important – this should all be fun and exciting, not frustrating and disappointing, Remember my first point – passion should drive you, not the pursuit of the best image – this is what keeps you going for the long run and makes it an adventure. Hope this offers some direction and doesn’t discourage you, but rather clarifies the challenges and rewards of a truly worthwhile pursuit. Would love your questions and feedback as always!
Check out Robert's website for images, workshops, webinars and more! LINK

Tags: books, Craft, Hudson Valley, maine, Reading, robert rodriguez jr Posted in Commentary, Contests, Viewpoint, Vision | 1 Comment »
Monday, June 7th, 2010
Near the Appalachian Trail in Maine.
I spent two days backpacking on the Appalachian Trail in May. It was my first time spending a night in the backcountry this year, and it felt great to be out. The smell of balsam fir was intense along this section of trail, conjuring all kinds of great memories of hikes past. I was working on a project that has great potential.
Paper birches next to stream.
I spent day one in a light drizzle, which provided great diffuse light for photos like this one of paper birches next to a stream. To keep my gear dry, I used that most advanced piece of equipment known as an umbrella. I use various camera and lens covers in the rain, but I still find that I prefer to use an umbrella clamped to my my tripod. The only other accessory I used for this shot was a polarizer, which I consider to be required for shooting forest scenes like this in order to really bring out the colors of the forest.
Camping on the Appalachian Trail in Maine.
Luckily, day 2 was sunny and breezy so my clothes and camping gear dried out pretty quickly. I used a Lensbaby for the above shot. I’ve always found it challenging to shoot camp scenes in fresh ways, and the Lensbaby was a fun way to mix it up a bit. While my socks dried out in an hour or two, they were soaked again pretty quickly as the trail that day was covered in about two and half feet of wet snow above 3700 feet. It’s melting fast though and the trail below the snow line was a running freshet for about half a mile.
Near the Appalachian Trail in Maine.
This boggy area was filled with fresh moose sign. I spent about five hours hanging out and waiting for moose with no luck though. I could also see the bog from much of that day’s hike, but no moose sighting. Maybe there weren’t enough flies yet to drive the moose out into the open. Still it was a cool place to hang out, knowing that they were around somewhere. After the hike, I drove to Bar Harbor to shoot a photo tips video for the Appalachian Mountain Club.
Until next time…
-Jerry
Find out more about Jerry at his website, and follow him on Twitter at @jerrymonkman
Tags: adventure, appalachian trail, backpacking, camping, conservation photography, EcoPhotography, hiking, jerry monkman, maine, Nature Photography, Photo Trips, photography Posted in Articles, Landscape, Vision | No Comments »
Tuesday, May 18th, 2010

The sun rises above fog as seen from the summit of Cadillac Mountain in Maine's Acadia National Park.
The Maine Coast, including Acadia National Park has been inspiring artists for more than 150 years. In the 19th century, before the area had been designated a national park, Hudson River School painters like Thomas Cole and Frederick Church painted here, bringing back to the cities of the northeast canvases of iconic scenes from Eagle Lake, the Beehive, and the Porcupine Islands. Throngs of tourists followed and the popularity of the area continues to this day. In the 20th century, the park was photographed by America’s best landscape photographers, including Ansel Adams, David Meunch, William Neill, and in the 21st century, the park is still a mecca of sorts for photographers, with numerous photo tours visiting the park each year and plenty of tripods to be seen at popular spots like the summit of Cadillac Mountain and Otter Cliffs.
If you are planning a trip to the Maine coast this year, here are some tips for making your photo journey a success:
Timing. While you can make beautiful images of the Maine Coast throughout the year, my favorite months to shoot there are June and October. Summer weather peaks in August, but so do the crowds and hotel rates, so I prefer to visit in June. Not only is it a quieter experience, but you are also more likely to find wildflowers to photograph – woodland flowers in early June, and meadow and wetland flowers like lupines and iris in mid to late-June. Fall colors peak in the region in mid-October – just be sure to book your lodging ahead of time as many hotels and campgrounds are closed after Columbus Day.

Light. Like most places, the Maine Coast looks great in that golden light that occurs for an hour or so around sunrise and sunset. With 3000 miles of twisting coastline, it is possible to find great sunrise and sunset locations with water in the scene. In Acadia proper, the pink-hued granite of east-facing shorelines look best at sunrise as the light enhances the color of the rock. Of course, that only happens in clear skies, and on the coast of Maine fog is just as common in the morning as sunshine. Fog can be your friend, enhancing classic coastal scenes, but if it is too thick you can drive to the summit of peaks like Cadillac Mountain in Acadia or Mount Battie in Camden. In the right conditions, you will be blessed with a dynamic scene of texture-rich undercast and rugged rock outcrops bathed in warm sunlight. If the fog hangs around or the day is overcast, head into the woods. Coastal woodlands of spruce and cedar are lush, with branches draped in lichen and the forest floor carpeted with moss and ferns. This kind of scene looks great in the diffuse light of a foggy day – just be sure to use a polarizing filter to reduce glare on wet foliage, enhancing the green colors of the scene.

Subject Matter. Rocky coasts, crashing surf, small working harbors, and lighthouses are the most popular subject matter to photograph on the Maine Coast. Remember to shoot both the big picture and the intimate details – wildflowers, lobster buoys, lichens, skiffs, etc. The possibilities are endless. Wildlife is a tougher subject to capture. Acadia is not like western parks, where there are meadows regularly filled with cooperative wildlife. Your best bet to shoot wildlife is on one of the puffin tours out of Cutler and Jonesport, Maine which will get you out to Machias Seal Island where you can photograph Atlantic Puffins, Arctic Terns, and Razorbill Auks from a blind. Another option is a boat tour out of Bar Harbor, where you'll have the chance to photography harbor seals and possibly bald eagles and ospreys.

Favorite Locations. Almost any road off the beaten path will take you to beautiful scenery on the Maine Coast.
Here are some of my favorite spots to shoot in the Acadia region:
Classic coast: Great Head and Ocean Drive in Acadia, Great Wass Island near Jonesport, Isle au Haut.
Working Harbors: Stonington, Southwest Harbor, Castine, Bass Harbor
Mountain Summits: Cadillac Mountain, The Beehive
Woodlands: Sieur de Monts, Great Cranberry Island, Isle au Haut
Lighthouses: Bass Harbor Head Light, West Quoddy Head Light
Hazards. The Maine Coast is rarely dangerous, but you should keep a few things in mind during a visit there. Tides are large in most of Maine (from 10 to 20 feet,) and rocks exposed at lower tides can be very slippery, so slippery that it is almost impossible not to fall. The most common injuries in Acadia are falls on and from rock ledges. In big surf, stay well away from the edge of these ledges. Rogue waves sweep people away several times per decade in Acadia, most recently last summer. Other than avoiding falls, just be prepared for wet weather as well as biting insects in summer. Also be prepared to protect your camera gear. If you use your tripod in salt water, be sure to rinse it in fresh water afterwards. In wet conditions, you will want to stow your camera or protect it with some kind of covering, whether cheap plastic bags, or gear specific protection like the Vortex Media SLR Storm Jacket or one of the coverings made by LensCoat. If you go out on the water in a kayak, store your gear in a dry bag, or consider purchasing a lower-cost underwater housing by Ewa Marine if you plan to shoot while paddling (or have really good gear insurance!)
With his wife Marcy, Jerry Monkman has written and photographed three books about Acadia, most recently "A Photographer's Guide to Acadia National Park," available here.
Jerry is also leading two workshops in Acadia in 2010, one in June and one in October. More information can be found here.
Tags: acadia national park, jerry monkman, maine, Workshops Posted in Articles, Landscape | No Comments »
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The Reality of Making Compelling Images
Wednesday, April 27th, 2011Self Portrait - Hudson Valley
I recently received the following question from a reader, and thought I would share my answers here – hopefully they offer some insights to help those of you with similar questions.
I have written here many times about the role of technology in photography, and as many of you know I am definitely of the opinion that it doesn’t really matter. Yes it certainly helps in technical aspects such as resolution, sharpness, clarity, and over all image quality. But in my opinion, the single most important aspect of any photograph is it’s ability to convey a story, and create an emotional response in the viewer.
I will let you decide whether you think the gear plays a bigger role in this regard than the composition, but I repeatedly tell students I have never been asked a technical question by a print buyer – from the 8×12 to the 36 x 90. My my work is based on my love and passion for nature, and the desire to share it with others, and it all starts there – without that, the best camera in the world means nothing.
The short answer is that it takes time – a long time to develop the instincts for seeing light. Landscape and nature photography is ALL about patience. There is a saying – “the best investment you can make in your outdoor photography is in the investment of time”. Sure you can get lucky (we ALL do) and make a few great images, but a consistent body of work is something that comes from practice, dedication, and failure.
Quoddy Head, Maine
Many want to take the shortcut and use technology, computers, etc to make nice images,but ultimately there remains a missing ingredient that keeps a viewer interested over the long run. Learning how to do this involves practice, study, and time. Here are a few suggestions:
Most important – this should all be fun and exciting, not frustrating and disappointing, Remember my first point – passion should drive you, not the pursuit of the best image – this is what keeps you going for the long run and makes it an adventure. Hope this offers some direction and doesn’t discourage you, but rather clarifies the challenges and rewards of a truly worthwhile pursuit. Would love your questions and feedback as always!
Check out Robert's website for images, workshops, webinars and more! LINK
Tags: books, Craft, Hudson Valley, maine, Reading, robert rodriguez jr
Posted in Commentary, Contests, Viewpoint, Vision | 1 Comment »