Posts Tagged ‘Mike Moats’

People Are Amazed At This Shot!

Friday, June 18th, 2010

When I exhibit at my art shows each weekend, I have one image that I place in an area of the booth toward the front, so customers passing by with not miss it.  This image of dew drops with a flower inside of them always draws a crowd of people in amazement, and the big question is, “did you Photoshop the flower into the drops?“.

No, I did not. In fact, this image is a very easy shot to produce–just find some tall grass in an open field on a dewy morning.  Once you locate a nice blade of tall grass with some dew drops, carefully position your tripod and camera close-in to fill the frame, so the dew drops are easy to see.  Use a Plamp with one end clamped on your tripod and the other end clamped onto the stem of your choice of flower, and position it directly behind the dewdrops.  The closer the flower is to the dew drops, the larger the flower will appear, and the father away, the smaller it will be in the dew. 

Once you get the right position of the flower, set your f/stop in the lower range, from f/3.5  to f/5.6.  You want to place your point of focus on the flower in the dew drops, and the shallow depth of field will soften or blur the flower.  You don’t want to much details in the flower because you want the dewdrops to stand out from the flower and not get lost.

Not so hard, is it?

Have fun and experiment.  When you get a good shot, show it off.  You'll enjoy answering that Photoshop question!

 

You can visit Mike's blog here:  Tiny Landscapes

Mike's eBooks are available in the OPG store here:  Mike Moats

Backlighting Your Macro Images

Tuesday, June 8th, 2010

Here's a quick macro tip:

For a unique look in your macro images use the sun to backlight your subject.  Low angle early morning or late evening sun works best.  Use it to highlight edges of a flower or highlighting the flower petals.

  You can visit Mike's blog here:  Tiny Landscapes

Congrats to Mike Moats!

Wednesday, May 12th, 2010

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Congratulations to macro master Mike Moats, an OPG blog regular and the author of best-selling ebooks in the OPG Store!

Mike just had an article published in the June edition of Outdoor Photographer magazine, which was delivered to subscribers this week and should hit the stands soon.

 

Mike's article is titled Diversify Your Macro Portfolio and is full of tips and Mike's inspiring images.

You can read the online version of Mike's article here:  Outdoor Photographer

You can see Mike's ebooks in the OPGStore here:  Mike Moats

Check out Mike's images here:  Tiny Landscapes

Fun With Feathers

Wednesday, April 21st, 2010

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Spring is finally here with all its color, but I thought I would take a look back at the drab winter and give you a few thoughts.

My cure for the photographer’s cabin fever is finding interesting subjects to shoot indoors.  It’s not that I’m a wimp and don’t want to brave the cold, its just that what sells the best for me is images with color, and winter takes its toll on any color in nature here in the north. 

I can better spend my time marketing during the winter then out shooting images that won’t sell.  As much as I like winter, most people that view my images at the art shows tell me they don’t care for winter and they don’t want to look at it all year hanging on their walls.  I’m always looking for something interesting to shoot indoors.  Probably the most used indoor subject is flowers, and I do my share of flower shots, but I’m always in search of something new to shoot. 

I’ve always liked the look of bird feathers, the lines, texture and patterns have always interested me.  I have some turkey and sea gull feathers I’ve picked up locally from the parks where I shoot, but I wanted some feathers with a little more design and color.  I went online and did a search on feathers.  I found sites that were selling a variety of feathers, mainly used for home decor arrangements. 

Here are some images of the feathers I received. I had some fun setting them up and shooting!

I arranged these three feathers at slightly different angles as to not have them looking too composed. Shot at my favorite f/stop, f/32, with the Tamron 60mm macro lens. 

 

With this group I used two colorful feathers to flank the center feather which has more earth tones.  The resulting contrast allowed the center feather stand out.  Also shot with the Tamron 60mm macro at f/32.

 

These are tiny little feathers that I arranged in this group. I added a 25mm extension tube that would allow me to focus in closer on this small grouping.  I wanted a different and more abstract look, so shot this one at f/2.8.  The Tamron 60mm set at f/2.8 blurred the edges really well and I placed the point of focus on the center feather.

Even cooped up in winter, you can get your creative juices flowing!

That being said, I'll still take spring.

–Mike

You can visit Mike's blog here:  Tiny Landscapes

 

 

Subject Placement – Use Two Thirds

Tuesday, April 13th, 2010

In the last post I used the rule of thirds, and this time I’m going to use two of the thirds in the frame.

In the top image I placed the bee in the upper third of the frame, and also in the third of the frame on the left side.  This has a nice look, and it has the bee looking into the frame which is what you always want when shooting critters.

When I shot this image my first thought was to place the snail  in the typical position, centered in the bottom third of the frame.  Then decided it would be a little more interesting by using the bottom and left thirds and allow the shadow to be included in the image.

 
You can check out Mike's eBook on Macro Composition in the Store here.

Subject Placement in the Frame

Monday, April 12th, 2010
 
Subject placement can be very subjective. It can range from placing a main subject in the center, thirds, corners, and two of the thirds. Positioning the subject will depend on what is around it.
 
Centering the subject is what is called bulls-eyed, and in some cases this works, but you don’t want every one of your images in the center. Having a portfolio of images with varying positions from centered, thirds, and corners will keep your compositions from looking repetitive. 
 

In the image above I placed the yellow contrasting leaf in the bottom third of the frame. Offsetting the main subject in the thirds tends to be most popular way of positioning a single subject.

The dark center of this frosted Black-Eyed Susan flower is the main focal point of the flower, so I placed it in the left third of the frame. When using the thirds rule it has a less composed look and more natural.

 
Check back tomorrow for more info on placement.
 
You can check out Mike's eBook on Macro Composition in the Store here.