Posts Tagged ‘Photographer Spotlight’
Friday, March 11th, 2011
Name a distant corner of the world associated with photography, chances are E.J. Peiker has been there, or is heading there soon. Born in 1960 in Augsburg, Germany, and moving to Mansfield, Ohio, in 1969, E.J. became an American citizen in 1975.
E.J.’s photographic journey started when he received his first camera at age 7, while still in Germany – a square-format, Kodak 126 Instamatic. He still has it. At age 12, he graduated to a Yashica 35mm rangefinder and began to take photography more seriously. His favorite subject matter was landscape photography.

In 1990, E.J.’s photographic aspirations came to a sudden stop. While skiing, E.J. suffered such a serious injury that he was diagnosed as unable to walk again, possibly even losing a leg. As it appeared that E.J. would not be mobile without assistance, he sold all his camera gear. However, determination, resolve, several surgeries and painful physical therapy resulted in E.J.’s full recovery 3 1/2 years later.
Even though he did not photograph, E.J. put his recovery years to good use. His interest in aviation took over and provided him motivation during that tough time. He earned his Private Pilot, Instrument Pilot, Multi-engine Pilot and Commercial Pilot certificates, and became heavily involved in advanced flight simulation. He even logged time in American Airline's full motion flight simulators where he learned to fly a Boeing 727!
After his full recovery, E.J. returned to the world of photography, starting out again with Olympus gear, and migrating to Nikon equipment. His choice of Nikon was heavily influenced by John Shaw's photography, and E.J. concentrated primarily on Southwestern landscapes and captive species animal photography.

In 1999, E.J.’s photographic world expanded when he was introduced to the beautiful bird photography of Arthur Morris through Arthur’s book "The Art of Bird Photography". As with many of today’s nature photographers, this book prompted both a keen interest in avian photography, and a switch to Canon equipment for image stabilized lenses.
E.J.’s previous career path took him through the field of electrical engineering, working for the Intel Corporation in California, New Mexico, Oregon, and Arizona, where he engaged in the production of microprocessors, chip-sets, and communication chips. During that time, he studied photography at the University of New Mexico, the Rocky Mountain School of Photography, and participated in photography seminars and workshops led by renowned photographers including John Shaw, Arthur Morris, and Charles Glatzer.
E.J. began planning his career move into professional photography in 2000, with a target of 2004 for his change. Investment volatility and an unstable economy changed the plans of many Americans, and E.J. had to adapt and extend his plan. He finally made the change to full time professional nature photographer in 2010. Today, E.J. is a Nikon shooter, having made the switch from Canon gear that same year.

Artistic images of ducks are E.J.’s photographic specialty, and he teaches others duck and bird photography through his DuckShopTM photographic workshop series. E.J. has also expanded his love for landscape photography and is heavily engaged in creating artistic landscape images of world's great scenic wonders. Well traveled, E.J. has been fortunate enough to photograph 6 of our planet's 7 continents.
Why the concentration on ducks? In E.J.’s words:
“I have often been asked why I like to photograph ducks so much. Ever since I was a young boy, I have loved their ungainly waddle when on land and their graceful ability to cut through water and air as if they were defying gravity and friction. Some of the most incredible patterns in nature are found in the plumage of ducks. Their colors range the entire spectrum and in one case, every color in the spectrum is contained in one bird – the male Mandarin Duck. Another intriguing thing about them is the ability to completely transform from a drab brown bird into an incredible array of colors in just a few weeks. Finally, ducks have a lot of personality and are much more intelligent than most people realize. There are a number of individual ducks that come back year after year to the Phoenix area that immediately recognize me from the previous years and become very tame around me while they stay away from people that they don’t know. There is a familiarity and a knowledge on their part that this particular human won't hurt me.”

Now an accomplished professional nature photographer, E.J.’s images have been published in many nature, agriculture and photography magazines and books including Outdoor Photographer, Popular Photography, Birding Magazine, Audubon Society publications, National Geographic, and Barron's. The US National Park Service, the Fish and Wildlife Department and many zoos use his images in their brochures and for their identification displays. You’ll find E.J.’s images in different places such as on T-shirts, wine labels and in iPhone apps. E.J. also stays active on the net, not only with his own website, facebook and his ebook, but with nature photography forums such as NaturePhotographers.net and Naturescapes.net.
When he’s not flying around the world in pursuit of landscapes and ducks, E.J. resides in sunny Chandler, AZ with his two sons, Nicholas and Gregory.
You can view E.J.'s website, with wonderful images and workshop information here: www.ejphoto.com
Check out E.J.'s new ebook in the store here: Ducks of North America
Find E.J. on Facebook here: link
Tags: Avian, ducks, E.J. Peiker, Landscape, Photographer Spotlight Posted in Landscape, Photographer Spotlight, Wildlife | No Comments »
Friday, July 16th, 2010
From books, to iPhone apps, to podcasts, Facebook and Twitter, Rick Sammon is everywhere. A Canon Explorer of Light, Rick is also everyman’s photographer. One of Rick’s basic photography tenets is that he “Specializes in not specializing”.
When we talked to Rick for this article, his opening comment to us was “I never thought, in 1969, when I was 19 and dancing naked in the mud at Woodstock, I’d have 36 books and a bunch of iPhone and iPad apps”. We knew we were in for a good story.
After Woodstock, Rick attended the famous Berklee College of Music in Boston, receiving his formal education in Arrangement and Composition. He wanted to play jazz, and play he did. Late night shows and jam sessions over the next few years left him plenty of free day time, so to stir his creative juices, he began shooting images and submitting them to publications.

In 1978 Rick submitted an image and article to Studio Photography Magazine. On this first submission, the magazine invited him to be their editor. Rick traded in one keyboard for another, and entered the publication world.

Good editors get noticed, and the giant (at that time) Minolta Corporation’s main ad agency came in and snapped Rick in 1980 up to head up Minolta’s ad campaigns. Rick now had to wear a suit and tie, and was nested high up in Rockefeller Center. In the 80’s, life as Minolta ad manager was good—Minolta was rocking, the photo industry was exploding, and yes, Rick went to Studio 54 now and then.
Rick’s desire to capture images and get them published still burned. But as an ad man for a camera line, Rick wasn’t allowed to publish, at the peril of his job. Rick’s solution? Submit his images under made-up names! No, we can’t disclose those names. Suffice it to say that Rick continued to be published.

Rick had always had a passion for scuba diving as well as photography, and in 1985 he developed a specific five-year plan for a career change. For the next five years, whenever possible, and on every vacation, Rick dove and stocked his portfolio with underwater images. Five years later, in 1990, Rick had amassed enough images to leave his advertising job and publish underwater photography books. Going from an office 70 stories up to a studio 70 feet under, Rick published five underwater photography books while traveling the world over the next few years. He became a full time photographer, albeit a wet one.

In 1998, in Rick’s own words, “the world had seen enough images of a Clownfish”. Rick crawled back on land, and began to capture images of the people and of the cultures he had encountered in his travels while diving. That trajectory, from specialization to not specializing, has propelled Rick to the worldwide photography stage.
When you see Rick talk in person, or when you watch his video podcasts, his enthusiasm for photography—all types of photography—is infectious. Although he knows the technical side of photography and processing inside out, he doesn’t bog down on those minute details. He stresses the basic values of photography: preparation, planning, vision, awareness, and applies them to facets of our craft too numerous to mention, be it HDR, panoramas, processing, gear and more. One basic theme permeates all his thought, tips and tricks: photography is your hobby, your avocation, so make sure and have fun!

Rick’s list of accolades and achievements are almost too numerous to mention. His books have won the Golden Light Award and the Ben Franklin Award. He’s a Canon Explorer of Light, has been nominated to the Photoshop Hall of Fame, and is a member of the elite Explorer’s Club. Rick has photographed in nearly 100 countries around the world, and gives dozens of workshops each year.

Rick has embraced new technology and the current trend of social media. He’s actively producing apps on iTunes for the iPhone and the iPad, and you can find Rick on podcasts, Twitter, Facebook and more. As always, Rick is not sitting still. Who knows what his next five-year plan will be?
Editors note: Speaking of workshops, I’m pleased to be assisting Rick this October in beautiful St. Augustine, Florida, at the St. Augustinescapes Workshops. Come join us! For more info see www.staugustinescapes.com.
You can learn more about Rick’s books, workshops, apps and more at www.RickSammon.com
Catch Rick with Juan Pons on their website The Digital Photo Experience at www.dpexperience.com
Follow Rick on Twitter at @ricksammon
Rick is on Facebook here.
Tags: books, Photographer Spotlight, Rick Sammom, Workshops Posted in Articles, Photographer Spotlight, Vision, Workshops | No Comments »
Friday, May 7th, 2010
From Houston, Texas to the wilds of Africa, Andy Biggs makes a living as a professional photographer. Andy’s diverse business interests mix photography, safaris, workshops and print sales with his newest venture—camera bag designer. More impressive still is the fact that Andy only started taking photos ten years ago.

Andy picked up his first camera and started his journey in photography in 2000. At the time, he was employed in the software industry, implementing accounting systems. In a short two years, he honed his skill and made the decision to become a full time pro. Since 2002, Andy has put both his business skills and his photographic vision to use, creating a diversified professional photographic business.

Andy started building his business with stock image sales and worked toward fine art sales, two areas of business he still pursues today. However, as Andy's business interests have diversified, his stock and fine art images have narrowed to his favorite subject: Africa. This specialization in his images has served him well. Andy's stock sales have continued to be strong in today's environment of stiff competition and falling prices.

In 2008, Banana Republic used thirteen of Andy's photographs as the cornerstone of their Urban Safari campaign, and his images were seen in all 750 stores around the globe, as well as in their billboards, catalogs and annual report. Andy was also the winner of the BBC Wildlife Photographer of the Year in the 'Wild Places' category in 2008.

How did Andy become attracted to Africa? He can't quite pin it down for sure. Maybe, he says, it was the movie Out of Africa, with its romantic portrayal of life on that continent. In any case, after his first trip, he was hooked. Today, Andy's photographic safari business thrives, with Andy spending two to three months a year out on safari.

Andy sees the photographic safari business as one of teaching and also as one of hospitality. To merge these two businesses takes a special personality. Andy has that slant down pat. In his own words, he says he was born with the ‘gift of gab' and that he loves interacting with people. Hosting safaris in far-off places comes naturally.

Traveling internationally and in the bush comes with severe weight limits. After numerous times of having to leave equipment at home due to heavy camera bags, Andy decided to design and make his own bag. After spending 2 years with many prototypes, the Gura Gear Kiboko bag was born. Andy launched Gura Gear in 2008, redefining the lightweight camera backpack market. The Gura Gear Kiboko bag has been a runaway success worldwide.
Andy names his photographic influences as Ansel Adams for his larger than life black and white images, Galen Rowell for his passion for the outdoors and for conservation and Art Wolfe for his ability to come away with wonderful photographs in challenging circumstances.
Through diversification and dedication, Andy has been able to successfully weave his photographic vision and his business interests together, using the one common thread that ties it all together: Africa.
When not traveling, Andy enjoys good food, good wine (he's an expert wine connoisseur) and good family time with his wife and two sons in his native Houston.
You can find out more about Andy, his safaris, his blog and his images at his website: www.andybiggs.com
Learn more about the Gura Gear Kiboko Bag in the Outdoor Photo Gear Store here: Kiboko
Tags: Andy Biggs, Photographer Spotlight, safari Posted in Articles, Photographer Spotlight | No Comments »
Friday, April 23rd, 2010
If you read Outdoor Photographer magazine, chances are you’ve seen William Neill’s landscape columns.
William writes a regular column, On Landscape, where he conveys his images, techniques, and viewpoints on landscape photography.

William attended the University of Colorado and graduated with a BA degree in Environmental Conservation in 1976. The connection between William's formal education and his images is pervasive. During summer breaks from college, he worked in Glacier and in North Cascades National Parks. William spent those summers backpacking extensively and began to carry a camera to record his treks. A year after graduation, he began working in Yosemite, and never left.
Yosemite’s deep, spiritual beauty inspired William to convey what he sees and feels in Nature. Neill's award-winning photography has been widely published in books, magazines, calendars, posters, and his limited-edition prints have been collected and exhibited in museums and galleries nationally. In 1995, Neill received the Sierra Club's Ansel Adams Award for conservation photography.
Neill's work has been prolific. He balances assignments from magazines such as National Geographic and Smithsonian, special edition books published by The Nature Company, his own books and ebooks with work for corporate clients such as Sony, Nike, and Hewlett Packard.

William has several portfolio style ebooks in the Outdoor Photo Gear store: Impressions of Light, Meditations in Monochrome, and Landscapes of the Spirit. You can see them here.
And as if producing wonderful images is not enough, William has taught photography since 1980. Currently, he teaches online courses for BetterPhoto.com and conducts one-on-one workshops in his home studio near Yosemite National Park.
What drives William to constantly produce stellar images, write columns and books, and teach others?
It’s best to read William’s own words:
“The reason I photograph is to experience the beauty of Nature, of wild places. I explore the essential elements of rock and tree, of cloud and rushing water to discover the magic and mystery of the landscape. My search for beauty is romantic and idealistic. It is the spirit of the land I seek- be it in a small piece of urban wildness or in vast wilderness.
Photography is a quiet, intensely meditative activity for me. When the light and the subject inspire me, I am compelled to compose an image. The images that I enjoy making the most are those that rely on emotional response and perception rather than the spectacle of the scene. I enjoy isolating the details of a scene, often to the point of abstraction. By creating photographs where the content or orientation is not obvious, an intimate and enigmatic feeling can come through. I would rather make an image that asks a question than answers one, one that intrigues and arouses curiosity in the viewer.

Photographing wild landscapes, depicting an image of pristine beauty, absent of the intrusions of man, is a dangerous proposition bordering on creating a false mythology. Yet wild places do still exist. What little is left will be lost if we don't develop a new and enlightened stewardship of our earth where Nature and Man are not considered separately. Perhaps the only way the world will change is for people to go through some kind of a profound aesthetic experience that makes us aware that we are personally accountable for our actions and how we affect the environment.

I can only hope that my photographs convey an enduring sense of wonder, a deep appreciation of the magic, beauty, and mystery of the natural world."
Lastly, a landscape photography tip from William: "My BIG tip is not to focus on tips and tricks! Focus on seeing deeply and feeling more."
William Neill's website and blog can be found here: http://www.williamneill.com/
You can connect with William on Twitter here: http://twitter.com/wgneill
See William's ebooks in the Outdoor Photo Gear Store here: William Neill

Tags: Ebooks, Landscape, Photographer Spotlight, William Neill Posted in Ebooks, Landscape, Photographer Spotlight | No Comments »
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