Posts Tagged ‘Royce Howland’

Unexpecting the Expected

Friday, November 19th, 2010
Golden & Rusted, Highway 11

Golden & Rusted, Highway 11

As I was going through my own results last month to start cataloging, I came again to a series I photographed involving an old truck along Highway 11. I’ve driven along this road many times and never recall taking note of this old relic before. This trip, I certainly wasn’t expecting to find something like this where I found it. Why did I see it? Mainly because I was keeping an eye out for patches of good fall color, and there were some small trees with golden foliage in nice light, right behind the rusting hulk. By themselves, the trees would not have been worth stopping for. They were too small and isolated in an otherwise drab corner of a large, empty field. However the contrast of the fall foliage and old truck seemed much more interesting, so I marked the location and returned to it when coming back down the road the other way.

When mentioning the truck to someone else who knew the road quite well, it was also not a spot that he had really seen or photographed before. What was different the day I went by?

I think part of the fun and challenge of being a photographer is to really see a scene — to strip away the obvious, which may or may not seem that photo worthy — and then visually interpret something interesting from among the layers that are revealed. But like anyone else, photographers can fall prey to that which is familiar and expected. When I’m familiar with something, I see what I expect to see in it. My perception of interesting photographic opportunities may become dulled by my own preconception that I know what’s there, and it’s not interesting.

I love photographing old abandoned relics, and can spend hours with a single one. But somehow I had never taken note of this one before. It took active looking for something else — fall color — for me to realize I’d been driving right on by something interesting for the last few years. So the lesson I take out of this is not just to expect the unexpected, but to also unexpect the expected — try to look at what is really there and then engage my interest and imagination to see the photographic possibilities in it. Good photographs can be found all over the place… as long as I’m not expecting that there’s nothing to see.

Learn more about Royce, his images and his workshops at Vivid Aspect Photography.


Glowing In the Dark, or What to Photograph In the Dining Room

Thursday, October 14th, 2010
Glowing In the Dark, Calgary

Glowing In the Dark, Calgary

Things are busy, feels like no time to head out to the field. What to do? I know! Still life closeups of flowers can be fun.

Sure, flowers smell nice and look colorful, but from arm’s length they’re part of the normal world. How often do we take in their intricate details? Viewed up close, the familiar can become strange or fascinating… perhaps both. Sounds like a job for a photographer.

On the dining room table, some cut lilies in a vase made a perfect subject. My wife remarked on their strong aroma that filled the room, and the beauty of the petals. I nodded my head, but was thinking of the macro lens, a close-up perspective, and some unusual lighting.

I broke out my Canon 5D Mk II, put on the Sigma 150mm f/2.8 Macro lens, and got it all set up on the tripod. As the evening light through the picture window grew dim, I turned down the dining room lights as well. A small flashlight provided some targeted glow while the rest of the normal vibrant colors receded into the shadows. Selecting a fairly wide aperture of f/4 provided a shallow depth of field and the stage was all set for the composition.

I had two final elements in my approach to developing the photo. First was to make 3 bracketed exposures to capture the full dynamic range, right from glowing highlights through to richly saturated shadows. I wanted a silky smooth look to go with the velvety feel of the dark, blurred colors… no digital noise, thanks very much! I used High Dynamic Range (HDR) software to process the bracketed exposures, giving me a super clean, rich master image which required very little extra steps to finish in PhotoShop.

My second major development decision was to crop in tight in a 6×6 aspect ratio. Once I was working the image towards its final state, I decided the extra details I had originally framed took away from the essence of the composition — the graceful curving pistil surrounded by flowing, colorful blurs that only suggested the rest of the structure of the flower. Other details in the full frame were distractions, not features, and the image was strengthened by removing them. Presto — “Glowing In the Dark”, a fun little composition to while away an evening.

Learn more about Royce, his images and his workshops at Vivid Aspect Photography.

The Shadow Is the Subject

Wednesday, September 29th, 2010

 

Aquamarine Shadow, Abraham Lake

Aquamarine Shadow, Abraham Lake

Things have been busy! In the spare time from the day job, I’ve been doing some writing and catching up on cataloging. I’ve also been doing some location scouting and other prep work for the coming Light Matters Masterclass. (Spaces are still available for the class, by the way.)

While taking in the scenery around Aurum Lodge on a scouting visit, I was standing on a low rocky crest in late afternoon light, overlooking the stunning blue-green waters of Lake Abraham. I never tire of this color in the mountain lakes… far more than clear water, this glacial coloring seems to me like the chromatic embodiment of freshness and purity.

I was looking down at my shadow dancing in the ripples of the lake waters, and thought of the saying that I've heard and read from many photographers — “light illuminates, shadow defines.” What if the shadow doesn’t just define the subject, but is the whole subject? I took a position on a craggy stretch of the rocks, pulled out my pocket camera (a Panasonic LX3), and captured an image of my shadow self over the water. Pay attention to shadows… including your own!

Learn more about Royce, his images and his workshops at Vivid Aspect Photography.

Storm Chasing On a Time Budget

Wednesday, August 25th, 2010

Editors note:  We are proud to welcome Royce Howland to the OPG blog!  Hailing from Calgary, Alberta, Royce is a consultant in the IT industry and is an accomplished wildlife and landscape photographer.  Look for more articles from Royce soon in the areas of HDR and the digital darkroom.  You can learn more about Royce and view his spectacular images at his website:  Vivid Aspect Photography.

A joke about being self-employed goes like this — "Thank God it’s Friday! Only two more working days until Monday." Another one was pointed out to me by a friend — "Being self-employed, you get to work half-days. And you even get to choose which 12 hours you work!" Ha ha, only serious. As somebody with a non-photography day job and doing photography on the side, I don't always get to spend my time the way I would choose. Two serious pursuits to fit into each week, each with challenging and necessary ways to spend a lot of time… well, there are only so many hours. It's easy to get bogged down in the work of it all. But it's also important to preserve some time to focus on creativity.

On a recent weekend, I had a ton of work to accomplish and was busily chipping away at it as one of a series of powerful storm systems blew through Calgary. After taking a break to visit family on Sunday evening, on the drive home my wife and I watched huge cloud formations surrounding the city. I was tired, it was getting late, I still had more work to do, and so I figured I’d lost yet another chance to photograph some incredible stormy weather. But when we got home, I decided to set my work aside and try to do some image making given the opportunity created by the weather.

I grabbed my camera, threw some gear in the car, and drove east towards Shepard as fast as I reasonably could. I was chasing what looked like a super cell, trying to get to a useful location out in the prairie farm areas east of the big city, where I could find some kind of view. Unfortunately, the storm cell was fleeing away from me to the southeast at a pretty fast rate, and into a zone where I could see it was losing the light. Suddenly, as I wove my way through some back roads, I came across a field of canola in full bloom on the north side of the road. It was the only crop I saw this far developed, and due north of it was one of the other thunderheads that was putting on its own show of strength. Yee-haw!

There were no foreground objects of interest, but who cares — a field and big sky is the essential prairie setting. I screeched to a halt, grabbed the tripod and camera, and ran across the road in the growing gloom to set up and make a few exposures. Yes! I knew I was capturing something good. I felt energized again, gaining the strength to swat at the trillions of mosquitoes that descended upon me, out for blood. I even maintained the presence of mind to consider composition possibilities, and framed both vertical and horizontal orientations that would be useful for different layouts. This cloud formation was the only one of all in view to maintain light right up to the end. My gamble had paid off. Sometimes it’s better to be lucky than good, but what I have learned is that if I'm persistent I can also make my own luck.

When I could tolerate the vicious mozzie attacks no more, I packed up and headed home. My total time for storm chasing ended up being only about two hours; not a bad diversion! Another couple of hours of work still awaited me that night… and of course now I had the new task of developing my storm images, too. But hey, cowboy up — it’s only sleep.

Visit Royce’s web site at http://www.vividaspectphoto.com/.