Posts Tagged ‘Ted Stark’

Save Your Bacon, Use A Checklist

Thursday, November 10th, 2011

 

It’s early in the morning–too early in fact. Last night you were out making photographs of a friend’s band, and the concert went later than expected. Now you’re in a car at 3:30 a.m. heading to a location to photograph the sunrise over a quiet lake.  You’re tired, groggy, and you didn’t even get to eat breakfast. Not even bacon…

 

As you get closer and closer to the lake, your excitement and your anticipation grow. You arrive at the lake and find the scene you want to photograph. You find some nice foreground object to further enhance your shot and the sun begins to do its magic.  The sunrise is spectacular! You shoot in landscape. You shoot in portrait. Heck, you even do some HDR. This truly has been a fantastic sunrise. Even better, you were there to capture it with your camera.

 

You are rather pumped as you head home. You’re excited to see what these look like on your computer! Once at home, you slip your CF card into the card reader and begin the download process. You let the card reader do its thing as you go to get a cup of coffee. On your return, you are beyond horrified.

 

As you begin to look through your images from this morning, your heart drops. I’ts about then you realize that your camera was set up for an indoor concert (high ISO, large aperture, etc) and not a grand landscape. Somehow, in all of the excitement from the morning, you forgot to reset your camera.

 

The images on your computer are noisy and lack the correct depth of field. You are angry. You are frustrated. You cannot believe that you, such a seasoned photographer, could make such a mistake.

 

Want to know how I try to avoid these situations? I have a checklist. It sounds crazy but a simple checklist has saved me more times than I care to admit. The driver behind a checklist sets a routine and expects you to follow it. Check your camera mode (AV, TV, M, etc). Is your battery charged? Do you have your CF card? Is it formatted? Set your ISO. Check your aperture. Is the AF turned on? These sorts of small details are things which often get omitted when you are caught up in the situation of photographing a subject.

 

In photography, like any other art, the details matter. Establishing a checklist – and sticking with it- will make sure you cover the small details that can end up ruining a photograph.

 

 

We all get caught up in the moment. And in doing so, sometimes we end up with results that are less than ideal. A checklist will aid in helping you slow down, breathe, and make sure you put the proper focus on the details and (most importantly), will save your bacon.

 

Now that you’ve got your checklist, go out and chase the light…
Check out Ted’s work on his website, and follow him on Twitter.
Make sure and check out Ted’s new 2012 calendar!

Tips For Great Fireworks Images

Friday, July 1st, 2011

Glory

Fourth of July is right around the corner. For all shutterbugs of all levels, that means we are all thinking about capturing that most quintessential of Fourth of July image – fireworks.

Beginner or seasoned pro, here are some tips I offer to help you in your quest for superb fireworks images.

Out of all of these helpful hints, I’ll give you an important pointer up front: do some research! See what various people are recommending on the net. Don’t just read this article–read a bunch!  Think of these tips as a recipe; there are a hundred different ways to make the perfect meatloaf. Pick and choose which recipes you follow. Bon Appetite!

Ready for my recipe? Here we go…

First, and most important, let’s all put down our camera(s). Come on…. I can wait all day… did you put it down? Good.

Location, Location, Location

This first tip is 100 percent unrelated to your camera. In fact it’s more important than your gear. My first tip is to scout your location in advance.
Lake Dillon Fireworks - 3

A good fireworks photo starts with a good location.  The old landscape rule of a strong foreground is important here. Look for items/people/things, which will give your fireworks shot some perspective and some context. Silhouettes are great!  Keep in mind that foreground objects do not always need to be right next to you.

The idea here is to avoid making a photo of just the fireworks. We’ve all seen ‘em. Heck, many of us have shot ‘em! You want to capture something unique, don’t ya? First part of the unique formula is perspective. Include some trees, people, boat, a dog with a Frisbee, and so on.

Also, check the wind for the evening. If you can, you want to shoot upwind. (Less smoke in your image!)

Keep your hands off those cameras… I see you in the back there. We’ll get to your equipment in a second -  I PROMISE.

The Early Photographer Gets The Best Spot

Second tip… get there early. One of my favorite fireworks shooting spots here in Colorado is also very popular with spectators. Our show usually starts at 9:00 p.m so we usually arrive around 4:00 p.m. Get there early, make your claim to the best spot (watch your foreground, stay away from any street lights, etc.), and enjoy the afternoon.

Oh and PS, don’t get your gear out right away when you arrive early! I know more people who have lost good equipment to an errant football or that Frisbee-catching dog than I care to share. Keep your gear in the car. Dusk is when you set up.

OK, OK, OK!  On to the camera itself. Yes… you can pick up your camera now and embrace it as you read on. Feel better? Moving on…

Lake Dillon Fireworks - 1
Tripod, Tripod, Tripod! (and a remote trigger)

There is no way of getting around this issue. You will need a tripod to get those iconic fireworks shots. Equally important is a cable release for your camera. Don’t have a cable release? Use your camera’s self timer.

Fireworks shots are all about the long shutter speed. Hand holding, even with Image Stabilization, usually will not get you the results you want.

theodoreastark_opg_fireworks_article_update01

Use a Long Shutter

The name of the game when you shoot fireworks is a long shutter speed. This gives you the long, spider-like light trails. If you are new to fireworks photography, I would say start at ISO 200, F8-10, and a Shutter Speed of ~4 seconds. Check your histogram and adjust as needed.

It will be dark so knowing your camera is important.  A hiker’s headlamp is helpful here.

Also, if you have in-camera noise reduction, use it. A warning though. This will prolong the writing of your images to your memory card. Still worth it in most cases.

Manual Focus

Set your focus to Manual and focus out to infinity. If you don’t, your camera will be wasting precious moments trying to autofocus. This is one time where you will kindly say:  “Yes, thank you Mr./Ms. Camera. I know you are usually very good at finding focus points, and usually I appreciate it. However, in this rare case, I know what I want and you will only get confused. No, I promise, I will turn the AF back on during the car ride home. There… that’s a good camera.”

The Short Moments Of Impetuous Joy

Shoot in Manual Mode

You want and you need to be in control of each and every element that makes a good photograph. Shooting in Manual will give you that freedom.

If you don’t usually shoot in manual, it’s ok. Take a deep breath and step outside your comfort zone.

If you live in an area with fireworks displays before the Fourth, or have some fireworks for your back yard, go and practice shooting in manual.  Don’t fear the Manual. The Manual is good.

Let Freedom Ring

Change Your Orientation

Simple.  Shoot both in Portrait and Landscape mode for a variety of images.

Leave The Flash At Home

It won’t help you. Yes, there are edge cases. But, nine times out of ten, flash will not help you. Leave it at home. You’ll thank me later.

Use Your Lens Hood

Yes, I know… some of you think I am crazy… Using your lens hood for fireworks is highly recommended. This will help keep a lot of the unwanted light away from your lens. You never know when the person next to you will pull out their camera phone or turn on a flashlight to find their dog and Frisbee. Do what you can to protect your lens from stuff like this.

Ignite The Darkness Of My Soul

RAW Rules!

Perhaps I am stating the obvious here, but you have more control and you are capturing more data if you capture your fireworks in RAW. I have heard every counter-argument in the book when it comes to RAW vs Jpeg.

Shoot in RAW. When you bring something back in Raw Conversion and you get that impressive shot, you can thank me.

Consider Under Exposing

Under Exposing will make your colors pop a little more. This is not for everyone, but I tend to underexpose with my fireworks. I find it gives me more flexibility in the digital dark room.

Bring LOTS of Formatted Memory Cards

Be prepared. Have them ready. Trust me, if you don’t, your card will fill up at the worst possible time, and you’ill spend an entire year regretting it.

Be Safe

Do not put your safety in jeopardy to get your fireworks shot. Use some common sense. Stay clear. Watch out for that dog.

Learn From your Experience

Take mental notes and write them down later. Observe what worked and what didn’t work. You may have to make changes on the fly,so know your camera. Don’t have regrets. You know what? Fourth of July is not going to be canceled so even if you didn’t get your money shot. There’s always next year.

Learn and grow. Strive to have this year’s fireworks photos be better than last year’s.

Don’t Forget To Enjoy The Show

Too many times, we as photographers get so wrapped up in the moment that we miss the event going on. Remember this is a HOLIDAY. Enjoy the fireworks show. If you do, it will be way more enjoyable when you get into the digital darkroom.

Lake Dillon Fireworks - 4

Extra Credit:

Ok 2 extra credit ideas…

If you are a seasoned pro at fireworks try to shoot them in HDR. That should spice things up!

Also, if you want less light trails and more explosion, cover the lens with a black sheet, cardboard, etc. while the fireworks climb and then remove the sheet to just get the explosion. Bulb mode is highly recommended for this!

OK that’s all. Have a wonderful and safe Fourth of July. Pet the nice dog. Throw the Frisbee. Go make some photographs!

I’m looking forward to seeing your images on the Outdoor Photo Gear Flickr Group.

Check out Ted’s work on his website, and follow him on Twitter.

 

The Wand Doesn't Make The Magic

Wednesday, November 24th, 2010

When was the last time you went to a magic show? For some, it may have been last weekend. Others, it may have been a bit longer. Besides the rabbit coming out of the hat, the most identifying of items used by a magician is his wand.

So let me ask you… do you think the quality of the magic show is based on the manufacturer and model of the wand?

Me neither.

This is not a new argument. Nevertheless, it is one that needs to surface from time-to-time, as we seem to lose sight of what’s important.

Go to any photography forum, club, or group and I bet one of the most popular (if not the most popular) topics is  "what is the best camera". 

Yes, we all are very excited about our cameras (some even border on fanatical). There are times we are amazed our camera will allow us to make photographs in certain conditions. We all want to share our experiences. I get that.

Yet still, it simply does not change the fact that the camera does not make the photograph. You do. Your camera may be sweet in low light. It may snap an exceptional number of frames per second. It may do HD video. You, the photographer, still push the button to make it all happen.

What makes a good magician a great magician is the attention to the artistry and execution of the act. Same is true for photographers. A novice photographer becomes a good photographer by attending workshops, going to expos, and carefully studying the work of others. Notice I did not once mention the wand, or the camera? I’m sneaky like that…

Michael Jordan did not become great based on his shoes (much to Nike’s chagrin), Shakespeare did not become a literary icon because of the quills he wrote with, and Jimmy Hendricks did not ascend to rock legend status because of the brand or model of guitar he used (especially with his propensity to set them on fire). The same can be said for Ansel Adams.

Just like the magician, we become better photographers by striving to learn more about our craft and honing our skills. The camera is nothing more than tools to help you (yes you) make the photograph.

Just remember… without the magician, you have no show. Without the wand, the magician still pulls the rabbit out of the hat.

Go and chase the light.

 

Check out Ted's work on his website, and follow him on Twitter.