Posts Tagged ‘tip’

Bad Light? Not for Portraits…

Friday, October 15th, 2010

Our model, Rachael, under overcast skies at the DPE Learning Weekend in Atlanta, GA

Overcast skies may be bad for landscape photography, but they are great for shooting portraits. When shooting under cloudy skies you’ve got a giant overhead softbox to work with. This creates soft light that wraps around your subject and makes it easy to capture a proper exposure without blown highlights or harsh shadows. This soft light is also a great base for adding off-camera flash.

A few tips for success on an overcast day:

•Set your white balance to ‘Cloudy’ to add a little warmth to your colors

•Don’t include the sky in your photos. Unless the clouds are very dramatic, an overcast sky doesn’t make a good background.

•Use off-camera flash (speedlights or strobes) to create more interesting or dramatic lighting. Use the ambient light as your fill and build the main light with your off-camera flash.

•You may need to bump up the contrast (I like to use a curves adjustment) in Lightroom or Photoshop.

Learn more about Rob, view his images and check out his workshops at his website.

Lightning Fast Lightroom Tips: Crop Tool Tip

Wednesday, September 1st, 2010


Lightroom 3’s Crop Tool makes it easy to change your photo’s orientation from horizontal to vertical or vice-versa. Press the ‘R’ key to activate the Crop Tool, then press ‘X’ to change the orientation of the crop. You can do this in previous versions of Lightroom by dragging a corner, but LR3 makes it easier and quicker.

Learn more about Rob, view his images and check out his workshops at his website.

Art’s Top Ten Video Tips

Wednesday, May 19th, 2010

Capturing video is a bit different than capturing stills. Although some of the same rules apply there are some key differences and some key techniques you can employ to make a compelling film.

As more and more folks are entering the world of video with the new video capable DSLRs I thought I would share with you my top ten tips.

W M T

Wide Medium Tight. Think about it, you need a shot for every 7 seconds of your story, roughly. You want it to move, flow, excite. You do this by creative framing; keeping your eye and the camera moving. Not literally moving, because too much movement can get you in trouble. I mean get a wide shot, move, get a medium shot, move, and get a tight shot. You can’t get too wide or too tight. Take the viewer places. You, if you edit, will thank yourself – and so will your viewer.




SHOOT FOR SOUND

Seems odd to say, but the thing that directs my eye the most is the microphone. The mic alerts me to the action and reactions I need to capture. Powerful images are strongly married to strong sounds. Our goal is strong images, but big sound can carry weak pictures. Think of your ipod… tiny picture with big sound. If you switch those and had a big picture with bad sound, you would leave the thing at home. Remember this when you shoot.

THE WORLD IS NOT SIX FEET TALL

Nothing is ’stranger’ to me than to have an infinite number of angles to choose from and only select the one at eye level. Look around you. How does the world look from ground level or 20 feet up? Don’t lock yourself into the easy. Our job is to take people to places they can’t or don’t want to go. Move away from eye level.

SHOOT 15

If you are going to use your time and effort to shoot a subject, get enough footage to edit. A frame is great for stills and the decisive moment, but video needs time. Let moments happen. Follow the action to see emotions and subjects evolve. The only way to do this is to roll. Don’t be afraid to waste those digital ones and zeros to capture moments. Just capture at least 15 seconds each time so you have the footage to edit.

sequences (action/reaction) are key to video

sequences (action/reaction) are key to video

sequences (action/reaction) are key to video

sequences (action/reaction) are key to video

WHERE IS IT GOING TO BE?

One of my favorite video tips is to shoot where things are going to be, not where they are. It provides a moment of surprise and makes for good transitions. It also makes you pay close attention to your subject’s movement. Anticipating can be hard, but when it works, it makes your work better.

TIGHTER

I’ve said it before. I will say it again. This time I will paraphrase the great photojournalist, Robert Capra – if your work is not saying enough or speaking loudly enough, then you need to be tighter, closer.

PAN OFF PAN ON

Like the Karate Kid with ‘wax on, wax off’… I know I show my age, but panning off and on, or tilting off and on a subject is a great transition method. This will help you in edit jams and provide movement to things that do not move. If you zoom, which I am not a big fan of, do a zoom in and out for the same reason.

RACK IT

Being in focus is a must for good video but don’t be afraid to use the focus as a tool. Intentionally moving in and out of focus is a good transition and draws attention to the subject.

POSITIVE NEGATIVE

Pay attention to the movement of your subjects. Create a flow that is easy on the viewer. Be it right to left or side-to-side, keep people moving in a logical direction. Learn how to use positive action. i.e. subjects coming into frame to start story lines or segments, and the opposite with exits. There is a reason riding off into the sunset works for Hollywood. It can work for you as well.

Positive Action

Negative Action

GARBAGE IN GARBAGE OUT

Editing software has made “I will fix in post” a more than common phrase. If you do the right things in the field with white balance, framing and audio levels, then you can spend your edit time creating instead of fixing. Video creations are a process. Know your gear, keep the process simple in the field, know when you have made a mistake and correct it in the field before it becomes garbage and an editing nightmare.

Happy shooting!

You can learn more about Art and view his amazing images at his website:  Art Howard Photography

Powerful Searching with Lightroom’s Library Filters

Wednesday, April 28th, 2010

"Flower Man" Savannah, GA

 

There are many ways to find your photos inside Lightroom. The Library Filter bar contains several tools that make finding specific images easier. You can apply these filters one at a time or in different combinations to see only the images you’re looking for. To apply multiple filters, command(cntrl) click on the filter names in the filter bar. This is a great way to find and organize your photos for creating collections, as filters can be applied to individual folders or your entire catalog.

To open the Library Filter bar, make sure you are in the Library Module and press the backslash () key. The Library Filters will drop down at the top of the grid window. It looks pretty unassuming at first, but let’s open the tabs and see what’s inside.

 

Here are the Library Filters with all of the tabs open. From top to bottom (and left to right in the bar): Text, Attribute and Metadata.

First on the list is ‘Text’. The graphic below shows all of the options expanded for the Text filter. This filter seems simple, but there are a lot of options that allow you to get very specific results.

Text filter with its options expanded

Next is the ‘Attribute’ filter. This filter is not as self-explanatory as the Text filter, but it makes sense when you open it. Here you can filter your results by pick flag, star rating, color label or copy status. If you click on the ‘≥’ before the stars you can change this setting from “greater than or equal to” to “less than or equal to” or “equal to”. I use pick flags, star ratings and color labels in my regular workflow, and these filters come in handy for me. Copy status allows you to view original photos or virtual copies separately.

The last filter is ‘Metadata’. This is probably the most powerful of the Library Filters because it allows for so much customization. You can search for everything from EXIF data to upload status. You can add or remove a column from the filter using the drop-down menu in the top right corner of a column. Change the metadata category using the menu in the top left corner of the column. You can select multiple entries in one column by command(cntrl) clicking on multiple categories.

Metadata Filter

Lightroom includes Custom Filter presets like “Flagged”, “Rated” and a few others, but you can add your own to streamline your searching and organization.  Create a search or filter you would like to save, then choose “Save current settings as new preset” in the Custom Filter menu at the right side of the filter bar. You can apply filter presets from the Custom Filter menu, or from the drop-down menu on the right side of the filmstrip.

“Flower Man” photo shot with a Nikon D300s and an 18-200mm f/3.5-5.6 VR lens. Black and White conversion made with Nik Software Silver Effects Pro.

Read more about Rob Knight at his website, and learn about Rob's workshops at Edge of the World Workshops.

Shoot Outside the Box

Tuesday, April 20th, 2010

 

Tundra Swans. Pocosin Lakes NWR, NC

 

Earlier this year I had the pleasure of assisting Juan Pons at his “Geese, Swans and Bears” photo workshop in North Carolina. Birds are not a frequent subject of mine, but I always jump at the chance to learn something new.

As photographers, we tend to concentrate our efforts on learning one particular type of photography. It could be wildlife, portraits, landscapes or any number of other disciplines. It’s great to develop a personal style and hone your skills in a specific area, but sometimes it’s good to make pictures that are outside of your area of expertise.

Exploring other disciplines can give you a fresh perspective on your work. Perhaps learning to create depth in a landscape photo will give you new ideas for dramatic portraits. Lighting techniques you learn for portraiture could help you make more compelling wildlife shots. Maybe taking your old Polaroid out will give you some cool post-processing ideas.

 

Dock Sunrise. Lake Phelps, NC. 3-shot HDR

 

The easiest way to try something new is to give yourself an assignment. It can be something simple… Go shooting with only one lens. Try shooting only with the lens you use the LEAST. Get together with friends and give each other assignments. You friends’ ideas could help spark your creativity.

A class or workshop is another great way to try something new. Unfamiliar techniques are much easier to master with the help of a good instructor. Workshops range from one-day seminars to two-week trips to exotic locations. Pick a class outside of your comfort zone and dive into it.

Top image captured with a Nikon D300s w/ 70-300mm f/4.5-5.6G VR Nikkor lens.
Bottom image captured with a Nikon D700 w/ 24-70mm f/2.8G Nikkor lens

Read more about Rob Knight at his website, and learn about Rob's workshops at Edge of the World Workshops.

Get Out of the Car

Wednesday, February 17th, 2010

I've shot a lot of images from my car over the years, but I have to say that I really don't care for it. Yes, it’s nice that you can drive around and sneak up on your subject. Your camera is supported by the car, so you don’t have to carry your gear over your shoulder. You are sitting in a nice leather chair, with maybe a little snack sitting next to the soft drink in the cup holder.

But for me, it totally limits my style of photography. My camera is five feet off the ground and I have limited background options.  I can’t get closer that the car can be parked. This was the situation when I tried to photograph a Long-billed Curlew in a field next to a road. The bird was used to traffic so I felt confident that I could drive up as close as the road would permit. I waited until the evening so the sun would be behind my back (or the back of the car), but when I pulled up, the sun was behind clouds. I fired off a few frames and got the following image.

Long-billed-Curlew-1

Nothing too wrong with the image. The bird is nice and sharp. The head angle is good with the bird making eye contact.

I just was not happy with the fact that we are viewing this image from a human perspective. If I was to show an intimate perspective of how all ground birds see each other, then I had to get down to the birds' level. So I had a decision to make. Do I stay in the car and get a bunch of average images, or do I take a risk of scaring the bird off by getting out of the car and try to get down low. My approach to this dilemma is once I get the shots from the car, I then go for the more difficult shot. Most times the bird will flush, but every now and again, it can really work out. Here’s what happened when I tried to do just that.

I opened the car door slowly and made the small leap down into the ditch. So now I’m crouched down in the ditch with no idea if the bird is still there. It was so tempting to pop my head up to see, but this would be the wrong time to do that. If the bird became wary or alert, he would be looking for any movement so I waited a couple of minutes. I finally looked up through some tall grasses and saw the bird still there preening. Yes! I made it this far.

I then slowly pushed my bean bag up onto the field edge and waited another minute before lifting my lens onto the bag. Right at that moment the sun broke out under the low clouds and provided this sweet warm glow to the bird and scene. The bird started calling and would call every 30 seconds. The bird was parallel to the camera plane and the perfect distance form me. Everything seemed to be lining up.

Was this luck? I do know that good planning increases your luck.  Taking a risk and going for the more difficult shot can also increase your luck.

All I can really tell you is, sometimes you just have to get out of the car.

Long-billed-Curlew-18

Rick’s Quick Tip: An Exposure Technique That Sounds Backward

Monday, February 15th, 2010

Here’s a quick tip for getting good exposures of both very dark and very light subjects. When photographing a dark subject, such as this leopard seal that I photographed in Antarctica, set your exposure compensation to -1. When photographing a white subject, such as this polar bear that I photographed in the Sub-Arctic, set your exposure compensation to +1.

Arctic Animals

I know that sounds backward, but it’s actually true. Very dark and very light subjects can fool a camera’s exposure meter into thinking that the scene is darker or brighter than it is in reality.

By the way, those are just starting points for a good exposure. As always, check your histogram to get the very best in-camera exposure. You can’t trust your camera’s LCD monitor when it comes to exposure and color.

Think backward, and you’ll remember this tip.

 

You can check out more from Rick at The Digital Photo Experience.

Photographing Waterfalls: Blurring the Action

Friday, October 30th, 2009

[MEDIA not found]

Quick Tip: Before and After in Lightroom

Wednesday, July 15th, 2009

When processing an image in Lightroom it is useful to check your work against the the original image you started out with. You an always revert back to your original image by going to the history panel on the left hand side of the develop module and selecting your original starting point titled “Import” which indicates the state of the image when it was first imported, then clicking back on the top most history entry to see the changes you have made. In my opinion this is just too much clicking to simply toggle between the “before” and “after” states.

Luckily Lightroom offers a little known keyboard shortcut to toggle between “before” and “after” and that keyboard shortcut is simply the “\” key. Try it you will be amazed at this simple time saving shortcut.

-J

Shooting wildlife closer to home

Wednesday, July 15th, 2009

Quite often folks think that to take great wildlife photos you need to travel to exotic destinations, those far off places that are rife with wildlife, Africa, Yellowstone, Bosque del Apache, etc. Yes, these locations are sure to provide for some great subjects, but one does not necessarily need to go to these far away locations to make some great wildlife images. Besides, not many of us are lucky enough to live near some of these extraordinary locations, or can afford to make trips there as often as we like.

In this post I will provide you with what I hope will be useful information for finding wildlife closer to home. Having a few productive locations near home is one sure way to ensure you can shoot wildlife more consistently throughout the year, additionally it will allow you to get to know an area and it’s wildlife intimately.

Racoon, Chatham County, NC

Racoon, Chatham County, NC

Depending on where you live your backyard may be your most productive wildlife location. If you pay close attention to my images, you will notice that the vast majority of them are from Chatham County, NC. This is where I live, and while I am lucky to be able to travel to some great locations for wildlife, I spend the most time at home and therefore, I have many more opportunities to photograph wildlife in my backyard or near my home than anywhere else.

Like you and I, all living creatures require some basics in order to survive, these include, water, food and shelter. These three basic items are provided by their environment or habitat. These things could be naturally available, or they could be provided by human action. It make sense then that wildlife will seek out those habitats that offer as much of those three basic items as possible. I know this sounds pretty basic, and it is, but keeping this in mind will help you find areas near your home that could be rich with wildlife.

Eastern Box Turtle (just eaten a slug), Chatham County, NC

Eastern Box Turtle (just eaten a slug), Chatham County, NC

Naturally you have to know at least a basic amount of information about your target subjects in order to determine what habitats are suitable for what species. For example, you can be sure to find frogs, salamanders, newts and other amphibians in and around small ponds specially those that are too small to support fish, since fish would eat their eggs. That habitat which is favorable for amphibians may in turn be favorable for other species up the food chain who may be feed on amphibians, species such as snakes, raccoons, possums, etc. Knowing then that snakes need places to hide overnight or lay their eggs will tell you that ponds that have rocks around them that offer lots of nooks and crannies will offer prime habitat for snakes.

This information is also useful if you would like to attract certain species to your backyard. If you have a good sized backyard and happen to be near some wooded areas, you may consider landscaping specifically to attract wildlife. I am planning another article covering this topic in more detail, but you can get a lot of very useful information from the National Wildlife Federations “Certified Wildlife Habitat” website. You can find it at http://www.nwf.org/backyard/.

You could go all out and build an incredible backyard with many different native species of plants, fruit trees, install a pond, provide cover material, etc. Or if you want to keep it simple or start small, you can simply install and keep a well stocked bird feeder, bird bath, and some species appropriate bird houses. Even a little bit of work can bring in some unexpected visitors.

Grey Fox Kit, Chatham County, NC

Grey Fox Kit, Chatham County, NC

Beyond your backyard, chances are that there are locations very near your home that has a surprising amount of wildlife, and you don’t even know it. How do you find out about them? Well there are a number of ways.

First and easiest, is to find out about your local, state and federal parks, but also keep in mind that different state, local and federal agencies, conservation organizations (like The Nature Conservancy or local equivalents) and/or universities keep and maintain a series of open spaces or natural areas that in most cases are even more productive than those manicured parks. One reason is because these outdoor spaces are not normally manicured like parks often are, and are left to be in their natural state, another reason is that because they are not as heavily maintained, they see a significantly less number of human visitors.

Another very productive venue of information are your local bird clubs, wildlife and/or environment conservation organizations. Join these organizations, meet people and learn about some of their favorite places. Oftentimes these organizations hold nature walks, exploration meetings, or bird watching outings. All of these activities can provide you with a wealth of information on good wildlife habitat locations.

Green Tree Frog, Orange County, NC

Green Tree Frog, Orange County, NC

Lastly, one high tech tool that I employ is Google Maps or Google Earth. With these I can scan satellite images of the area near my home for habitats that look promising, which I then visit to inspect personally. Using this method, I have found some excellent habitat locations that have proven very productive for photography. Keep in mind that much of the imagery that google procures for their maps is taken during winter, and this is a good thing. The winter imagery gives you a better view of the ground and it’s features such as small ponds, rocky areas, marshes, etc. The reason for this is that at this time of year the deciduous trees have lost their leaves.

One word of caution, please respect property rights. Meaning, do not trespass on private property, always ask for permission. Oftentimes folks are happy to let you in once you tell them you are making wildlife images, sometimes offering to give them a few images helps the conversation along.

Dogwood Blossoms, Chatham County, NC

Dogwood Blossoms, Chatham County, NC

Once you have found promising locations, visit them and revisit them many times during different seasons, and weather conditions. Different seasons may bring different species to an area or may have different trees or flowers blooming. After some good rains, you have have some interesting mushrooms growing, or some amphibians performing their mating rituals. You just never know.

Once you learn these places well, you will know the best times to visit throughout the year and what species you are likely to find.

As always, if you have any questions or comments use the comments section below or you can reach me via twitter at http://twitter.com/jpons.

Juan