Posts Tagged ‘travel’
Friday, November 18th, 2011

It’s fall here in the US, and photographers are out and about, capturing lots of color in mountains and forests. But the early morning chill in the air and the honk of migrating geese remind me of my favorite fall place: Bosque del Apache Wildlife Refuge in New Mexico.
Bosque del Apache was the site of my first photo workshop, and where I was bitten hard by the Bird Photography bug. Not only is Bosque a great place to learn bird photography, it’s become an annual “meet and greet” for the outdoor photographer community. Photographers of all levels, either on a workshop or on their own, invade the little town of Socorro and comingle, exchange ideas and socialize both in the field and the various hangouts around town. I’m trilled to be going back this year with Rick Sammon and Juan Pons for a great workshop.

If you’re heading there for the first time, you can take advantage of those of us who make it an annual pilgrimage, and plan ahead for your gear and supplies. You won’t be heading to a remote place like Africa, so if you forget something, you can always pick it up at a local store. However, Bosque is so enchanting you won’t want to miss a single minute of shooting time by shopping!

Let’s start with non-photographic gear. You’ll be in desert air, with wild temperature fluctuations throughout the day. In the before-dawn when we set up, it can get cold. For most of us, I mean really cold. I’ve spent many mornings in below zero temps at Bosque. By afternoon, it can reach 70! So, dress in layers. Invest some good outdoor clothing and supplies. Check the weather ahead of time! Here’s a good non-photographic gear list:
- Good windproof outer shell parka.
- Long underwear. My favorite is made by SmartWool. Expensive but worth every penny.
- Warm socks and sock liner. Again, SmartWool.
- Warm shoes. We won’t be hiking, but warmth is the key here.
- Gloves that allow you to work your camera. AquaTech Sensory Gloves are our best sellers, and for good reason. You may also want to get a pair of thin gloves or liners you can wear under the AquaTechs, like FoxGloves.
- Hand warmer packets. Get these ahead of time. You’ll need them, and the local Walmart will be sold out as lots of folks get them on their second day after frozen hands on their first!
- Hiker’s Headlamp. These are really handy for early morning setups. Try and get one with a red lamp to save your low light vision. Yes, you’ll look funny, but you’ll be very glad you have it!
- NEOS Overshoes. If you have room in your bags, these could come in handy. Some shots, like the iconic Bosque shot with mist and cranes, might require you to stand in some shallow water, depending on the reserve’s water levels. Not a requirement, but they might be nice to have.
- Hats. One stocking cap (SmartWool!) to cover your ears in the morning, and a billed cap for the day.
- Sunglasses, sunscreen and lip balm for the desert day.
- Water. Pick up some water when you get to town to keep in your room. The dry air really takes it out of you.
As to photographic gear, Bosque del Apache is a place where you can find a use for nearly every piece of photo gear you own, from a point & shoot camera to your longest lens. If you could pack every camera and lens you own, you’d be able to use it. Certainly, you’ll want to bring your longest lens, along with your sturdiest tripod and head. Bosque is a great place to practice flight shots, as the Sandhill Cranes that fly around are big and slow. If you are looking for an excuse to purchase that 500mm lens, or a new tripod or gimbal head, now’s the time. You’ll never find a better place to learn how to use them.

In addition to your longest lens, bring your shortest, widest lens you have. Bosque provides some wonderful landscapes and “birdscapes” during spectacular sunrises and sunsets. In addition to the refuge, the area has some cool buildings and old cars, as well as the Very Large Array of radio telescope dishes made famous by several movies. There are lots of uses for your wide angle lenses. Since there are not a lot of mammals at Bosque, other than the occasional coyote, middle range lenses such as a 70-200 are used only occasionally. If you have to pare down lenses in your travel bag, go for the extremes.
Speaking of camera bags, a roller bag such as the Think Tank Airport Security works best at Bosque. Bring as much gear as you can! We won’t be shooting far from our vehicles — you can’t leave the road in the refuge. As such, you can bring a bag or two that hold your gear, and you can “pack heavy” instead of paring down your stuff to fit in a backpack.

You’ll be able to shoot quite a bit from your car at Bosque if you like. A gravel road circles the refuge and folks drive it looking for shots. When you see a bunch of cars parked, chances are something good is going on. To shoot from our car, you can bring a beanbag. The Apex Beanbags are nice in that they have a tripod mount on top of them for your gimbal head or ballhead. Bring your beanbag empty and fill it with birdseed from Walmart. When you’re ready to go home you can just dump it out and give the local birds a treat.
That gravel road is dusty, so it’s best to limit your lens changes. Bring a Lenspen, microfiber cloth and air blower and a sensor cleaner such as SensorKlear, Sensor Swabs or Dust Aid.
As Bosque offers all kinds of shooting situations, and you can pack heavy, bring all your odds and ends you might use on a shoot: items like a bubble level and polarizer for landscapes, flash, cord and Better Beamer for fill flash, extra memory cards, hard drives and so on.
Here’s a list of suggested photographic gear to recap and to add a few things:
As I wrote earlier, you’ll find a little bit of everything at Bosque del Apache and the surrounding areas. You’ll also find a host of friendly photographers and friends that you may have only met online. You’ll find that you will want to visit every year.

I’m happy to be going this year! Rick, Juan and I will see you at the Owl Bar in San Antonio, right outside the refuge, for a world famous green chile cheeseburger. (Did I mention bring some Tums?)
Tags: Bosque del Apache, gear, travel Posted in Articles, Equipment Review, Featured Products, Tips and Tricks, Wildlife | No Comments »
Friday, September 23rd, 2011

No doubt about it, outdoor photographers love to travel to new and exciting locations to capture the subjects they love. But truth of the matter is that most of us can’t be jetting all over the globe whenever we want. Most outdoor photographers I know are able to take one, two, or maybe three major trips a year. Sadly, I also know many photographers that only use their cameras when they are on one of these major trips.

But I would argue that those same photographers are missing one of the greatest locations available to them… their own backyard. Most of us live within a short drive of a local park or piece of undeveloped land where we could practice our craft. There are many benefits to working an area near your home. One of the greatest benefits is simply the ability to be out working more often. It is impossible to make great pictures if you are not in the field working. Another important benefit of working close to home is the ability to go out on a moment’s notice, say when the lighting is really nice, or during unique weather conditions. Also, you can get to know a smaller piece of land and its inhabitants more intimately. You can make sure you are there when the cardinals nest in that bush, or you can photograph that patch of wildflowers when they are at their peak.

Another benefit to working an area close to home is the ability to develop the area to suit your needs. Get permission to put up some feeders and birdhouses to attract birds to the area. Often times you can obtain permission from a developer to rescue wildflowers from an area that is going to be developed into yet another subdivision or strip mall. Take these rescued flowers and transplant them onto suitable habitat where you will be able to photograph them. Sure, this is a long term prospect, but you will find these small steps pay off over the long haul and pay out huge photographic dividends.

All of the images used to illustrate this post were taken on a small (20 acre) parcel of land less than a five minute drive from my home. I have made thousands of images in this location. These images were chosen simply to show the diversity of work that can be created on a smaller piece of land.

Remember to look at our own backyards with fresh eyes, the eyes of a traveler. Keep in mind that your backyard could be someone’s desired travel destination. Try to look at things with the eyes of a visitor. You'll be surprised by what you see!

Browse Steve's images, read his blog, and learn about his workshops at his site www.stevegettle.com
Tags: back yard, habitat, travel Posted in Articles, Commentary, Viewpoint | 1 Comment »
Monday, April 18th, 2011
I spent a while chatting it up with this charming guy with the help of an interpreter.
If there’s one thing I was reminded of while in Africa it was my need to “connect in order to create.” That connection may be as simple as an exchange of smiles between me and a young man stacking charcoal or as intricate as an interpreter explaining my every word. As a photographer, my curious nature places me in situations that can be hard to navigate and at times difficult to explain. I found throughout the years that being sincere, respectful and giving a big smile are key ingredients to successfully navigating language barriers.
Here are a few guidelines to try to follow when traveling abroad:
1. Be polite and respectful. Don’t be the ugly tourist with camera.
2. Consider a local guide when traveling abroad. S/he can really help break down the communication barrier.
3. Spend some time getting to know your subject before getting the camera out.
4. If you’re in a town for a few days consider going for a walk without your camera. Scouting an area and connecting with people/shopkeepers can pay dividends when you come back with your camera in tow.
5. Telling a story — Try to tell a story with your images. I avoid shots that simply portray poverty. Taking a keen interest in what a person does for a living or how he or she supports their family is what I’m interested in photographing.
6. Lastly, remember safety is key. I love street photography but it’s very easy to get caught up in a “moment.” Having a travel partner that can watch your back is just common sense.
Selling charcoal in Nairobi
Loading the buckets for sale
Local flavors--grilling meat for sale
At the end of the day, it’s all about following the “Golden Rule” and using common sense. I believe when I make a sincere attempt to connect with people they look beyond the camera and see me for what I am: a harmless, curious guy with a camera 
Learn more about John, view his images and check out his blog here.

Tags: John Batdorff, portraits, travel, Travel Photography Posted in Articles, Commentary, Viewpoint | No Comments »
Friday, March 11th, 2011
 Final Edited Image--Varanasi, India
Have you ever had a photo that’s almost there, but just missing a little something? I know I do all the time. I’ve been mining old images lately for my up coming black and white book and I came across this shot from Varanasi, India. I like a lot of things about this shot, but the dull sky ruined it for me. I didn’t want to forsake the image entirely, so I thought this would be a good time to explain how you can enhance an image with a few quick strokes in Lightroom and bring it back to life.
 Orginal Raw Image
First things first, let’s get this image into an acceptable state.
1. Start by increasing the exposure by 1.43 (ouch, I must not have had my morning coffee).
2. Next, let’s add a little Vibrance to the image (in this case +15 seem to work fine for me). I try to stay away from using saturation because it’s like using a hammer on a thumbtack…it’s too much!
3. I’m still not happy with how flat this image looks, so we’re going to move down to the Tone Curve and add little in the Lights region (+22 seems to do the job).

Now that we have our image in a passable state it’s time to have a little fun and add some color to the sky.

1. Let’s head over to the Graduated Filter; click on it and move your cursor back over to the image. You’ll notice your cursor now looks like a plus sign. Align that plus sign with the top/center of the image frame and slowly draw down while holding the mouse clicker down. You should see a black dot that indicates an active Graduated Filter field. Place that dot in the middle top 1/3 of the frame as shown above and draw down with your cursor. Hot tip: Hold down the shift key while you’re dragging the filter down to keep it straight with the image.
2. Now that we have the graduated filter in place we need to head back over to the right panel and click on the box to the right of the word color (The box looks like an envelope). Select it and Color panel should open up.
3. Here’s the fun part. You get to pick the color of the sky. I decided to shoot for a warm orange, but then again I was sort of in a warm orange mood. You will notice as soon as you pick on a color the sky will change on your image so feel free to move the eyedropper around until you’re satisfied. Remember, you can adjust the saturation of the color by moving the slider labeled S in the bottom of the Select a Color box.
I could have stopped here and called it good, but I wanted to add a few small touches to the image.

1. I wanted to create a stronger sense that the sun was rising/setting from the right of the frame so I created a second graduated filter in the top left corner (shown in the picture with the black circle). This brightened the top left corner, where the sun’s rays would be traveling. Our initial thought is to increase exposure or brightness in that area, but that in fact blows the image out. Instead, by using contrast we’re able to maintain better control over the exposure. The effect is subtle, but just what I was looking for.

2. I had one last household cleaning item–I wanted the viewers eye to start in the bottom left corner of the image and slowly work its way out and around the frame. The composition of the frame should ensure that eye movement, but by brightening the gentleman’s white shirt it enhanced the likelihood of that eye movement.
3. I did this by using the Adjustment Brush tool. Click on the brush, then start painting the area you would like to lighten, in this case his shirt. If you can’t see the brush strokes, make sure you check the box below the image “Show Selected Mask Overlay.” Then, once I was done painting, I increased the brightness slider to +68.
Now that’s better! While it is always key to get it exactly right when you’re out there shooting, it doesn’t always happen. Whatever you do, don’t give up on an image completely. Being resourceful in Lightroom is a great way to add a creative touch and save a great image.

Tags: From Snapshots to Great Shots, General, India, lightroom presets, making of the image, peachpit, travel Posted in Landscape | No Comments »
Thursday, March 18th, 2010
I have an old Samsonite roll-aboard suitcase that I put a padded divider set in to hold camera gear. The wheels are terrible, the handle is rickety and it tips over when it’s loaded. I was preparing to lead a workshop in Costa Rica recently and I figured it was time for a new rolling [...]
Tags: Camera, camera bag, photography, Reviews, Think Tank Photo, travel Posted in Uncategorized | No Comments »
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Working Close to Home
Friday, September 23rd, 2011No doubt about it, outdoor photographers love to travel to new and exciting locations to capture the subjects they love. But truth of the matter is that most of us can’t be jetting all over the globe whenever we want. Most outdoor photographers I know are able to take one, two, or maybe three major trips a year. Sadly, I also know many photographers that only use their cameras when they are on one of these major trips.
But I would argue that those same photographers are missing one of the greatest locations available to them… their own backyard. Most of us live within a short drive of a local park or piece of undeveloped land where we could practice our craft. There are many benefits to working an area near your home. One of the greatest benefits is simply the ability to be out working more often. It is impossible to make great pictures if you are not in the field working. Another important benefit of working close to home is the ability to go out on a moment’s notice, say when the lighting is really nice, or during unique weather conditions. Also, you can get to know a smaller piece of land and its inhabitants more intimately. You can make sure you are there when the cardinals nest in that bush, or you can photograph that patch of wildflowers when they are at their peak.
Another benefit to working an area close to home is the ability to develop the area to suit your needs. Get permission to put up some feeders and birdhouses to attract birds to the area. Often times you can obtain permission from a developer to rescue wildflowers from an area that is going to be developed into yet another subdivision or strip mall. Take these rescued flowers and transplant them onto suitable habitat where you will be able to photograph them. Sure, this is a long term prospect, but you will find these small steps pay off over the long haul and pay out huge photographic dividends.
All of the images used to illustrate this post were taken on a small (20 acre) parcel of land less than a five minute drive from my home. I have made thousands of images in this location. These images were chosen simply to show the diversity of work that can be created on a smaller piece of land.
Remember to look at our own backyards with fresh eyes, the eyes of a traveler. Keep in mind that your backyard could be someone’s desired travel destination. Try to look at things with the eyes of a visitor. You'll be surprised by what you see!
Browse Steve's images, read his blog, and learn about his workshops at his site www.stevegettle.com
Tags: back yard, habitat, travel
Posted in Articles, Commentary, Viewpoint | 1 Comment »