Hey Gang,
I first met Chris Klapheke, founder/owner/operator of Outdoor Photo Gear, during a workshop I was co-leading in December 2008, in Bosque del Apache, New Mexico. We met during the event that Chris eloquently describes below, and exquisitely illustrates above.
I was new to the area, but Chris had been there several times before.
Day one of the workshop: Not only was I freezing, but I needed some help with finding the best shooting locations. Chris took me under his wing, so to speak, and helped me, and all the members of the group, get some knockout images.
Chris is a humble dude. You never hear him brag about his photographs, yet he is one of the best outdoor photographers I know. Recently, I asked him to jot down a caption for the image you see here. Well, Chris is the kind of guy who goes above and beyond in everything he does (most recently when it comes to customer service at Outdoor Photo Gear). Below is the “caption” that Chris sent me.
• • •
My alarm clock went off at 4:30 am in the Super 8 motel in Socorro, New Mexico. A sleepy little town about an hour south of Albuquerque, Socorro is the gateway town to the Bosque del Apache national wildlife refuge.
At 4:30 in the morning in Socorro in December, it’s darn cold. Fumbling awake, I checked the temperature: 12 below zero. Great. No, wait a minute—Great! Yesterday was a nice warm day in Bosque, with plenty of sun. That means, with this brutally cold morning, that any water that was shallow enough to warm up would be emitting a rare substance in the desert winter—steam.
When you get a nice warm day and a shivering cold morning, you can have steam rising from some of the ponds in Bosque. And when you get that steam and a clear sunrise, you have a chance to capture one of the “holy grail” shots from Bosque —birds in a golden mist of light.
Bosque del Apache has an avian cycle that repeats itself daily during the winter. Tens of thousands of Snow Geese and Sandhill Cranes spend the winter in Bosque. Each night, all those birds seek out water as a resting place for the night, where they are safe from predators such as the coyote. In the morning, through some hidden communication, the birds will start taking off out of the lakes and ponds. If you’re lucky, they will all take off at once, in what is called a “blastoff”. The sky becomes so thick with birds that sometimes the sky is nearly blocked out. It’s noisy, and you better wear a hat.
To experience this blastoff, and to get some fantastic images, photographers start setting up and jockeying for position in the cold dark. Depending on the wind and the light conditions, photographers scramble for the best views. You can glance down the road and it looks like the Olympics or a Space Shuttle launch—hundreds of long lenses pointed in the same direction.
But that’s not the shot I was after. Soliciting a few hardy members of our workshop, we were going to gamble. In trying for the golden mist shot, you are far away from the action of the refuge blastoff. Many conditions have to fall in place: a warm previous day, a cold cold morning, a clear sunrise, and of course, birds have to be in your chosen pond. You either get the shot, or you come away with a big fat nothing.
To have a chance at this shot, we would have to get off the road and crunch across frozen swampy grass to get close enough to a small pond. Leaving the road is strictly forbidden in the refuge. So, we scraped our windows, cracked open our chemical hand warmers, grabbed some coffee and headed in the dark to a pond along the road just outside the park.
Pulling off at the exit for the pond, we knew two of our four conditions—the warm day and the cold morning. Now we had to check the other two conditions in the pitch dark. Looking up, we could see the Milky Way spill across the sky. Good. A clear sunrise. As to the birds, it was too dark to see them. So we stood still and listened. We could hear their honks and grunts. The birds were there. All the conditions were in place, so if the birds hung around for sunrise, we’d have about a 60 second window, when the sunrise was just right, to try for the shot.
With hikers’ headlamps on, we carried our gear across the frozen ground toward the pond. We did not want to get too close, for fear of spooking the birds. Enough other things could do that, like coyote, leaving us with nice steam and no subjects. We used a compass to point where the sun would rise. Then we waited in silence (except for chattering teeth) for the sun to rise.
As the eastern sky lightened, our main concern was for the birds to stay put. They like to fly off at sunrise, and we needed them to stay long enough for the sun to pour over the hills and rushes to light the steam coming from the water.
The steam slowly gained color. In looking at my images in sequence, you can see:
Black gray gray gray gold gold GOLD! gold gray gray gray, all in a small amount of time.
Happily, the birds stayed, and the sun lit up the steam like flames. We snapped like maniacs. And only a minute later, it was over. Lots of LCD checks confirmed that we indeed had some good chances. We headed back to the hotel, freezing on the outside, but excited and warm on the inside.
I hope you enjoyed this "Story Behind the Shot"
Explore the Light,
Rick
Check out my blog here.

















Street Photography and the Golden Rule
Monday, April 18th, 2011I spent a while chatting it up with this charming guy with the help of an interpreter.
If there’s one thing I was reminded of while in Africa it was my need to “connect in order to create.” That connection may be as simple as an exchange of smiles between me and a young man stacking charcoal or as intricate as an interpreter explaining my every word. As a photographer, my curious nature places me in situations that can be hard to navigate and at times difficult to explain. I found throughout the years that being sincere, respectful and giving a big smile are key ingredients to successfully navigating language barriers.
Here are a few guidelines to try to follow when traveling abroad:
1. Be polite and respectful. Don’t be the ugly tourist with camera.
2. Consider a local guide when traveling abroad. S/he can really help break down the communication barrier.
3. Spend some time getting to know your subject before getting the camera out.
4. If you’re in a town for a few days consider going for a walk without your camera. Scouting an area and connecting with people/shopkeepers can pay dividends when you come back with your camera in tow.
5. Telling a story — Try to tell a story with your images. I avoid shots that simply portray poverty. Taking a keen interest in what a person does for a living or how he or she supports their family is what I’m interested in photographing.
6. Lastly, remember safety is key. I love street photography but it’s very easy to get caught up in a “moment.” Having a travel partner that can watch your back is just common sense.
Selling charcoal in Nairobi
Loading the buckets for sale
Local flavors--grilling meat for sale
At the end of the day, it’s all about following the “Golden Rule” and using common sense. I believe when I make a sincere attempt to connect with people they look beyond the camera and see me for what I am: a harmless, curious guy with a camera
Learn more about John, view his images and check out his blog here.
Tags: John Batdorff, portraits, travel, Travel Photography
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