Posts Tagged ‘wildlife’
Monday, July 5th, 2010
In light of this country’s holiday weekend, we are proud to bring you products from our friends at Wimberley—a company whose products are made right here in the USA, and whose products set the bar for the highest standard worldwide.
Photographers all over the world know and respect Wimberley products for being the pinnacle in their category. Gimbal heads, flash brackets, lens plates and quick release clamps by Wimberley are procured by photographers who demand only the best.
The Wimberley story is a true example of the American Dream. David Wimberley started in 1991 with a unique idea of a tripod head. This gimbal mount design became so popular with nature photographers that Wimberley grew from a backyard project into a full-fledged company.
David was joined by his son Clay five years later. Together, their drive for quality precise solutions added new dimensions to their business, and pushed Wimberley to the worldwide stage, all while maintaining their American value of loyalty to their customers.
Wimberley takes a great deal of pride in the name that they have built for themselves over the years. Always striving for excellence, Wimberley has provided the global photography community with quality products—Made in the USA.
See the entire line of Wimberley products here.
Check out our Wimberley Resource Pages!
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Tags: equipment, Nature, tripod, wildlife, Wimberley
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Sunday, May 30th, 2010
Luna Moth, Chatham County, NC
You may have noticed that when referring to the process of photographing something I use the verb “make” and not “take.” The use of the word “make” on my part is VERY deliberate. To me, “making” an image requires fore-thought, planing and skill. Yes we all get lucky from time to time and “take” a great image without much thought, but in order to consistently create great images you have to be disciplined, prepare, plan and pre-visualize.
Pre-visualization is a simple and effective technique that can help in providing direction and focus to your photography, whether that is wildlife, portrait, lifestyle or whatever other type of photography you are into.
All of us, wildlife photographers, have those destinations we dream about going to, whether it is Africa, Madagascar, Costa Rica, Yellowstone, Alaska, or wherever. Naturally we want to make the best of the time we are there, and be productive and effective at making pictures. This is were pre-visualization can help.
Pre-visualization is nothing more than creating, ahead of time, in your minds eye the images you want to create. In other words creating a mental list of those images that for you will constitute a successful shoot. This will provide you with focus and purpose when at your destination and hopefully ensures that your time is spent as efficiently as possible.
Let me give you an example using the image above. I had a very concrete idea of what I was looking to shoot, and in this case the location was not so much a factor. I have been fascinated by Luna moths since I first laid my eyes on one when I was about 12 years old at summer camp in New Hampshire. I learned about their behavior, their life cycles, their preferred foods (they only eat while in their caterpillar stage, as the moths do not have any functioning mouth parts), etc. Typically, Luna moths have 2 or 3 generations in a year, with one of those generations overwinter in their protective cocoons. I had noticed that those generations that overwinter had much more vibrant colors than those that only lived through the summer; and that in some cases the Luna moths around my home had a very vibrant purple band around the bottom edges of their wings, a vibrant purple that matched almost exactly the color of the blooming Redbud trees that are so prevalent around my home.
With that information I then pre-visualized this image of an overwintering Luna moth with the purple color resting on a Redbud branch. Without going into too much detail, I had to get very lucky to find a newly emerged Luna moth with the right colors during the brief period of time in the spring when the Redbud are blooming (the flowers last approximately 3 weeks). With this pre-visualization in my head I worked hard to find the right Luna at the right time for 3 consecutive springs. One year I got exceptionally lucky and got the image I had in my head all that time.
Where was this image taken? In my front yard! The only reason I was able to get this image was because I was prepared, I had studied this two species (Luna moth and Redbud tree), and pre-visualized the image I wanted to capture. This pre-visualization helped me persevere for more than 3 years to get the image I was looking for.
Here is another example. Having observed Carolina Chickadees for many years I had noticed that they appear to be very playful. So I set my mind to try and capture that playfulness. I had also noticed that when trying to perch on a thin, smooth branch they had a propensity to hanging upside down. I then proceeded to visualize this image of a chickadee hanging from a small flowering branch. I created a setup on one of my bird feeders trying to make this image. I captured lots of other great images, of many other bird species, but I kept at it looking to make that one image I had pre-visualized.
IAfter a few days of persistence I was rewarded with the image below:
Carolina Chickadee, Chatham County, NC
In summary, pre-visualization can help you in focusing your efforts, and make sure you make the most out of any shoot. Study your subjects, the location, and environment in order to help you conceive of compelling images.
As I like to say “Luck favors the prepared”
This article brings “Wildlife Week” to a conclusion. I hope you enjoyed these articles and that you got something from them!
Juan
Keep up with Juan on The Digital Photo Experience and learn about Juan's workshops at Wild Nature Tours.
Tags: Juan Pons, newsletter, Photo Tips, pre-visualize, prepare, wildlife
Posted in Articles, Workshops, vision | 1 Comment »
Saturday, May 29th, 2010
Pileated Woodpeckers, Chatham County, NC
No image, no matter how good, unique or special it may be, is worth stressing, endangering or otherwise harming wildlife. As wildlife photographers, we all need to be advocates for wildlife, after all, if we, who love to photograph them, are not, who will?
As wildlife photographers we need to set the example for others, we need to take responsibility for our actions and make every effort to lessen our impact on wildlife and the environment. There any number of organizations promote their own code of ethics for safe and respectful enjoyment of nature, and I will list a few of those at the end of this article.
Here is my basic set of guidelines that I follow. I’ve made these simple and to the point in an effort to make it easy to remember and stick to.
- First do no harm – The foundation of the wildlife photographers ethic. You must always ask yourself if the next action you are about to take will bring any harm to wildlife. Sometimes it’s is very clear cut, sometimes it’s a little more difficult to discern what consequences your actions make have. In any case you should always be considering the welfare of your subject first and foremost.
- Leave no trace behind – We have all heard this before. This means not to alter, modify disturb or destroy any habitat, food source or surroundings. Leave your location in the same state than you found it.
- Never harass wildlife – This means never to never taunt, bait or force an action out of your subject. Be patient! The most beautiful wildlife photographs result from natural behavior. Never interfere with animals engaged in breeding, feeding, nesting, or caring for young. Learn the habits of your subjects; Respect and protect your subject, look for signs of stress. If you notice your subject is altering it’s behavior as a result of your actions, stop. Learn to recognize wildlife alarm signals for the safety of both wildlife and yourself.
- Enjoy yourself – We all have to remember why we wake up early in the morning, endure mosquitoes, ticks, chiggers, leaches and whatever other nasties mother nature throws at us when we are sitting in a blind for hours on end. We are out there to enjoy wildlife, and if we are so lucky, we get to make some great images in the process. So enjoy yourself.
Eastern Bluebird Nest, Chatham County, NC
Keep up with Juan on The Digital Photo Experience and learn about Juan's workshops at Wild Nature Tours.
Tags: Conservation, Juan Pons, newsletter, Photo Tips, respect, wildlife
Posted in Articles, commentary, viewpoint, wildlife | No Comments »
Friday, May 28th, 2010
Fighting Big Horn Sheep, Yellowstone NP, WY
If you want to be successful at wildlife photography you need two things; patience and more patience. Well, persistance helps as well.
In all seriousness, besides the few lucky shots we all get from time to time, you need loads and loads of patience and need to be very persistent in order to consistently make memorable images. Wildlife can’t be directed, rushed or posed, otherwise it would not be wildlife.
Here are three tips to help you:
- 30 Minute Rule – When observing and photographing wildlife there is what is commonly referred to as the 30 minute rule. What this means is that once you enter an environment you have caused a disturbance with the wildlife within the immediate area. Wildlife will take approximately 30 minutes to “settle” down and accept your presence, given that you are still during this period and have broken your “human” outline. You break your outline by covering yourself with some simple camouflage netting or other similar material. You’ll be surprised how close some wildlife will get to you once you have done this.
- Work Subjects Over and Over – This simply means never being “content” with the images you have of a specific subject or species; never thinking you have made the best image you’ll ever make. Keep working the same subjects over and over, make more images with different backgrounds, under different weather and light conditions, and during different times of the year. Just as an example, during my last “Winter in Yellowstone” photo workshop (Feb 2010) we had the opportunity to make quite a few images of big horn sheep, some under very spectacular conditions. Most workshop participants had dozens if not hundreds of images of the sheep. On a different day, we ran into the sheep again and I asked the participants if they wanted to make some more images of the sheep, and all indicated that they thought they already had all the images they wanted/needed. I immediately stopped the vehicle and made everyone get out to make some more images, explaining that although I believed this was the same group of sheep, the conditions where not the same as the previous day and you never know what will happen. Not more than 15 minutes after we set up to make some more images the sheep started fighting! We spent the next hour or two making some incredible images like the one above! Had we continued on thinking we had all the images we ever wanted we would have missed this spectacular display!
- Look for Patterns in Behavior – I have to admit that I am not the most patient person on the world, specially when I am sitting inside a blind in sweltering heat. In order to limit the amount of time I spend in situations like this, I look for patterns in behavior of my subjects and schedule my time in the blind accordingly. This way I maximize the chances of making great images while in the blind.
Keep up with Juan on The Digital Photo Experience and learn about Juan's workshops at Wild Nature Tours.
Tags: Juan Pons, newsletter, patience, Photo Tips, wildlife
Posted in Articles, Workshops, wildlife | 1 Comment »
Thursday, May 27th, 2010
American Oystercatcher, Isabela, PR
You may have heard me say over and over again that in order to make the best images of wildlife you need to know your subjects, and know them well. One of the first things to learn about your subject is what is their preferred habitat.
Knowing your subjects preferred habitat is important, not only for locating them, but also in planning the kind of images you are going to make.
I enjoy animal portraits as much as everyone else, and I am known to make many “bird on a stick” images. However, my preference is for images that showcase wildlife in one of their preferred habitats. Images that include habitat tell so much more about that species, plus they can serve as a great compositional element.
Ruby Throat Hummingbird on Nest, Goose Creek SP, NC
Here are a couple of tips on including habitat with your wildlife images.
Supporting Habitat – While I like to include habitat in my images, I almost always make sure that my subject is the main focus of the image. I try to select background elements that compliment my subject, and not detract from it. I try to include habitat elements that frame my subjects and place them in an environment without detracting from the subject.
Separation – Even though you are trying to include some some of the background elements into the image in order to support your main subject, it’s important to maintain separation between your subject and the background. Use only as much Depth-of-Field as you need to keep your subject in focus and no more. There is such as thing as too much DOF.
Simplify – Avoid extraneous objects, one of the tricks I learned a long time ago that has helped me tremendously is to scan the periphery of my viewfinder just before tripping the shutter. What this allows me to do is make sure that I avoid any extraneous objects such as protruding elements, and that I don’t have any competing background elements. At first this may take some time to do consciously, but with practice you will find yourself doing this very quickly and sub-consciously.
Prothotonary Warbler, Chatham County, NC
Keep up with Juan on The Digital Photo Experience and learn about Juan's workshops at Wild Nature Tours.
Tags: habitat, Juan Pons, newsletter, Photo Tips, wildlife
Posted in Articles, tips, wildlife | No Comments »
Wednesday, May 26th, 2010
Copperhead Snake, Chatham County, NC
I don’t often hear many people talk about connecting with your subject when shooting wildlife, after all how can a human connect with an animal, right?
Well, I can tell you categorically that yes you can connect with your animal subjects, but more importantly you want your viewers to connect with the subjects in your photos.
Here are a few tips on creating a connection between your photos subject and viewer:
- A Different Perspective – I review quite a few images from amateur wildlife photographers asking for feedback on their work. And I have to tell you that the biggest mistake I see people make is photographing an animal from standing height, usually looking down at the animal. This, in my opinion, is the quickest way to make an otherwise spectacular subject look rather ordinary. The reason for this is that as humans we are used to seen the world from standing height, when you create an image that provides a different perspective, a different point-of-view if you will, you are providing your viewer something different to look at.
- Eye Level – To make a connection, you need to be looking at your subject at eye level. So get down, lie on your belly if you must. I’ve been known to lie down and crawl on geese poop for hours to get down low enough to connect at eye level with my subjects. An added benefit to this, is that animals will see you as less threatening when you are at eye level to them.
- The Right Pose – Capturing your subject at the right pose is key to presenting them in as favorable way as possible. Additionally the right pose should present your subject in as a natural state as possible.
I hope these few tips help you in creating a stronger connection with your subjects.
Tags: connect, Juan Pons, newsletter, Photo Tips, wildlife
Posted in Articles, tips, wildlife | No Comments »
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Wildlife Week: Respect Wildlife
Saturday, May 29th, 2010Pileated Woodpeckers, Chatham County, NC
No image, no matter how good, unique or special it may be, is worth stressing, endangering or otherwise harming wildlife. As wildlife photographers, we all need to be advocates for wildlife, after all, if we, who love to photograph them, are not, who will?
As wildlife photographers we need to set the example for others, we need to take responsibility for our actions and make every effort to lessen our impact on wildlife and the environment. There any number of organizations promote their own code of ethics for safe and respectful enjoyment of nature, and I will list a few of those at the end of this article.
Here is my basic set of guidelines that I follow. I’ve made these simple and to the point in an effort to make it easy to remember and stick to.
Eastern Bluebird Nest, Chatham County, NC
Keep up with Juan on The Digital Photo Experience and learn about Juan's workshops at Wild Nature Tours.
Tags: Conservation, Juan Pons, newsletter, Photo Tips, respect, wildlife
Posted in Articles, commentary, viewpoint, wildlife | No Comments »