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- X-Rite ColorChecker Passport Video
Product Description
Bringing control and consistency to your workflow can be a creative
boon, and the X-Rite ColorChecker
Passport Video provides you with
tools that allow you achieve more consistent results, quicker, and with
more ease. Designed for the professional, non-professionals can also
benefit from using this tool with their editing and color correction
applications. The pocket-sized hard case is easily carried with you,
contains all four test charts, and protects the charts from dirt and
fading when not in use.
The three included color calibration targets and focus target provide a wide range of options for use on your shoot. The focus target can be used to check your lens's calibration, and you can use it to set your focus on your subject. The white balance card aids you in manually setting your camera's white balance in changing environments. The grayscale card and color chip chart provide you with references for color balancing your footage in post, whether trying to intercut two different cameras together or adjust to different lighting set ups.
Video Chip Target
The chip chart has been simplified and redesigned to be more meaningful. The grayscale chips run vertically, which matches a waveform
monitor's display much better than a horizontal scale does. Further, the chromatic and skin tone chips match the video spectrum, and display
neatly on a vectorscope. A description of the columns on the chip chart follows:
White Balance Target
Creating in-camera white balance helps to start at a neutral point for all images you capture. Balancing your footage to a consistent color
balance makes editing go smoother, and is less jarring when cutting from one shot to the next. The consistent color balance can also speed up
color correction, and with the increased speed and ease, you may find yourself with more time and energy to explore creative color choices.
Grayscale Target
The three panels of the grayscale target are white, 40 IRE gray, and black. These targets can be used to align the exposure and contrast of
cameras you may be matching on set, and can help ensure that mid-tones, such as flesh tones, are rendered accurately. The combination of the
white, gray, and black patches allow you to evaluate your exposure to prevent your highlights from clipping, while protecting your shadow
detail, and 40 IRE provides a good standard to compare your exposure on faces to.
Focus Target
The focus target can be used to confirm / adjust your lens's flange focus / back focus distance. You can also use it to shoot focus test and
compare your different lenses sharpness to each other.
The three included color calibration targets and focus target provide a wide range of options for use on your shoot. The focus target can be used to check your lens's calibration, and you can use it to set your focus on your subject. The white balance card aids you in manually setting your camera's white balance in changing environments. The grayscale card and color chip chart provide you with references for color balancing your footage in post, whether trying to intercut two different cameras together or adjust to different lighting set ups.
Video Chip Target
The chip chart has been simplified and redesigned to be more meaningful. The grayscale chips run vertically, which matches a waveform
monitor's display much better than a horizontal scale does. Further, the chromatic and skin tone chips match the video spectrum, and display
neatly on a vectorscope. A description of the columns on the chip chart follows:
- Chromatic Row - Yellow, Red, Magenta, Blue, Cyan, Green
- Range of skin tones from dark to light and different undertones
- Linear Grayscale steps for even gray balance, with extra steps close to the highlight and shadow regions
- Highlight and Shadow grays including a high gloss black to ensure it is dark enough to capture the range of a digital Camera
White Balance Target
Creating in-camera white balance helps to start at a neutral point for all images you capture. Balancing your footage to a consistent color
balance makes editing go smoother, and is less jarring when cutting from one shot to the next. The consistent color balance can also speed up
color correction, and with the increased speed and ease, you may find yourself with more time and energy to explore creative color choices.
Grayscale Target
The three panels of the grayscale target are white, 40 IRE gray, and black. These targets can be used to align the exposure and contrast of
cameras you may be matching on set, and can help ensure that mid-tones, such as flesh tones, are rendered accurately. The combination of the
white, gray, and black patches allow you to evaluate your exposure to prevent your highlights from clipping, while protecting your shadow
detail, and 40 IRE provides a good standard to compare your exposure on faces to.
Focus Target
The focus target can be used to confirm / adjust your lens's flange focus / back focus distance. You can also use it to shoot focus test and
compare your different lenses sharpness to each other.